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Category Archives: ICFA

Submission Guidelines

  1. Only original plays never before produced are eligible.
  2. Plays must contain a fantastical element.
  3. The play, exclusive of title and cast pages, may be no more than ten pages. This means 7-10 pages in 12-point font. Longer plays will not be considered.
  4. The play should have minimal props and costumes.
  5. Assemble script as follows:
    • The first page is a title page with the play’s title, author’s name, address, phone number, and e-mail address. (This is the only place the author’s name should appear.)
    • The second page should contain a cast of characters and time and place information.
    • The third page will be the first page of the script. The other pages of the play follow.
    • The name of the play and the page number should appear on every page.
  6. The play’s running time must be 10 minutes or less.
  7. Only the top three finalists will be notified of judging results. All plays are judged through a blind submission process by a panel of judges. The top three finalists will be notified by February 1. The judges reserve the right to choose fewer than three finalists.
  8. Authors agree to permit the International Conference on the Fantastic in the Arts to produce a directed reading of their contest-entry play if the conference should wish to do so. Authors retain copyright and full ownership of their plays.
  9. Deadline: Submissions must be received by midnight October 31.
  10. Submissions should be sent as Word-compatible e-mail attachments to the IAFA 2nd Vice President:

Sydney Duncan
sduncan@frostburg.edu

Download this call for submissions!

When the French first translated Dante, the Italians responded with the now-common saying, “traduttore, traditore” (translator, traitor). Today, many view adaptation with similar distrust—a modern version of the Italian aphorism might be “adapter, adulterer”—but recent adaptation studies tend to concern themselves less with issues of fidelity and more with questions of quality. Texts and their adaptations engage in an epistemic dialogue with one another, revealing the reciprocally intertextual nature of their relationship. Transformed texts are like the children of their literary forbears, and the care with which they are crafted might make “adapter, adopter” a more appropriate description of the adapter’s role.

ICFA 34 will explore the ubiquity of adaptation in all its Fantastic forms. In addition to essays examining our Guests’ work, conference papers might consider specific adaptations, adaptation theory, translation, elision and interpolation, postmodern pastiche, transformation and metafictionality, plagiarism and homage, audience and adaptation, franchise fiction, or the recent resurgence of reboots, retcons, remakes, and reimaginings. Panels might discuss the intersection of fantasy and adaptation, the question of fidelity, the relationship between adaptive creation and target audiences, the impact of fan fiction, the popular reception of adapted classics, the perils of translation, or the challenges of adaptation and multiple media. If everything must adapt or die, then join us in Orlando and put off death for another year.

The official call for papers is available now!!

To ALL 2012 Banquet Goers who were unfortunate enough to order the chicken

The new General Manager of the Orlando Airport Marriott, Chris Donahue came on board only a few days before IAFA 2012, and as a result had to deal with the banquet chicken disaster. Not only has he profusely apologized for this year’s terrible chicken entrees, but he has also taken significant, concrete steps to make amends and to assure IAFA and you that this situation will not be repeated. First and most immediate, he has refunded the cost of all the chicken dinners. The IAFA will in its turn issue to every conferee who purchased a 2012 chicken dinner banquet ticket, a coupon good for one banquet ticket for either 2013 or 2014. (We will not extend the date further because we really cannot carry such a large financial liability for more than two years.) Second, the GM will hire a new chef to work exclusively with our conference next year to make sure that every IAFA function measures up to Marriott’s high standards, as happened in 2011 when we had an excellent Guest Chef from Marriott headquarters. Third, in an addendum to our 2013-2015 contract he has put in writing that should the hotel fail to live up to our expectations that we may impose financial penalties and/or abrogate the contract.

I hope you will agree with me that this is a handsome settlement of a terrible condition and will join me in giving the new GM every opportunity to show that this hotel’s Banquet functions will indeed match the excellence of the superb staff and the fine facility.

Donald Morse
IAFA Conference Chair

If you haven’t filled out the survey, it’s not too late!!  We’d love your feedback and will definitely review at our next board meeting so make sure your voice is heard.

The survey is located at http://app.fluidsurveys.com/surveys/iafa/icfa-2012/.

Thanks everyone!

Hope everyone has recovered from ICFA-33! It’s always so wonderful to get together each year and so hard to get back to our everyday lives sometimes. We’re so excited at how many of you were able to join us this year and can’t wait to do it all again next year!

In the meanwhile, we have this year’s annual conference survey. We’d really appreciate it if you could fill this out in the next two weeks. This will help us greatly as we plan for ICFA-34, Fantastic Adaptations, Transformations, and Audiences, which will be held March 20-24. The survey is located at http://app.fluidsurveys.com/surveys/iafa/icfa-2012/.

Also, let us know if you have any present or future interest in serving as an officer of IAFA (as a board member or division head). Specify which positions you would be interested in pursuing (a list of board member positions and divisions is provided in the inside front cover of the program and on the web site, iafa.org. Please consult the bylaws for more information about the duties of these positions.)

Current positions open:

  • Film and Television Division Head

A link to Bill Clemente’s conference blog has been added to the ICFA 33 page of the website.

Thanks go out to Weird Fiction for doing a special monster theme coordinated with our ICFA theme of the monsterous with contributions from Dora Goss, China Mieville, Nancy Hightower, Johanna Sinisalo, Julio Cortazar, Amos Tutuola, Jeffrey Ford.

You can download a pdf of Jeff Vandermeer’s Monstrous Creatures collection free for this week only, to help celebrate their 12 Days of Monsters. If you like the collection, think about thanking Guide Dog Press by buying a copy! Also available, is the ebook version of our The Kosher Guide to Imaginary Animals in either epub or mobi formats. If you enjoy the download, consider buying the gorgeous little hardcover edition and/or making a donation to Weirdfictionreview.com (via the Donate button on the main page).

China Miéville           Jeffrey J Cohen

I hope everyone at the conference has had a chance to catch up with our fabulous guests of honor! Two luncheons down and our two guest speakers rival each other for humor and excellence… and let’s face it, brilliance. Various forms of canniness and a deeper appreciation for zombies and why perhaps we should reconsider our desire to shoot them in the head were enlightening and stemming conversations throughout the halls and by the pool.

SFWA did an interview of last year’s ICFA guest of honor and this year’s Nebula Award winner! Take a look at the SFWA website.

Karen HelleksonKaren Hellekson will be teaching zumba in Capri at 6:30a on Thu Mar 22, Fri Mar 23, and Sat Mar 24 in Capri at 6:30a. The class meets for an hour. Conference panel sessions begin at 8:30a.

Pack your workout shoes and water bottle! There’s a risk and release form in your registration packet to sign and bring to class (Karen will have more with her). If you own Zumba clothing, please wear it.

For those not in the know, Zumba is a Latin-inspired world dance class, and it’s super easy and super fun. All levels of experience are welcome. You can learn more at Zumba.com.

More info, tentative playlist, and like that are on Karen’s aerobics blog:

http://stepkaren.wordpress.com/2012/03/05/zumba-at-icfa/