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Call for Chapter Proposals

 

(Essay Collection – Abstracts due Aug. 31)

With its debut in 1923, Weird Tales became the first pulp magazine

with content composed entirely of supernatural and fantastic fiction.

Over its three-decade run, the magazine featured works by some of the

most important and influential writers of speculative fiction in the

first half of the twentieth century, including H.P. Lovecraft, Robert

E. Howard, Ray Bradbury, C.L. Moore, Clark Ashton Smith, Robert Bloch,

August Derleth, Henry Kuttner, Edward Hamilton, Manly Wade Wellman,

Seabury Quinn, Frank Belknap Long, and many others. Within its pages

the modern genres of horror, fantasy, and science fiction began to

develop and take shape, evolving their own tropes and conventions and

creating the foundation upon which much of modern speculative fiction

rests. Gary Hoppenstand has recently suggested that “no other pulp

magazine was more important to the history of pulp fiction, or to the

temperament of contemporary science fiction and fantasy, than Weird

Tales.”

 

This volume will collect critical essays that seek to provide a

broader understanding of the magazine Weird Tales and its authors,

artists, readers, and editorial practices, as well as the larger

impact that the periodical had on popular culture and genre fiction.

 

Possible topics may include:

 

• Discussions of the major works of the primary WT authors.

• The origin of WT as a genre pulp and its competitors and

successors

• The “Lovecraft Circle” and its influence

• The development of weird fiction fandom as expressed in letters

and fanzines

• Depictions of race and ethnicity in WT.

• Sexuality and gender as expressed in text and art

• The development of new genres like “cosmic horror” and

“sword-and-sorcery”

• The influence of WT and its authors on popular culture

• Philosophy and ideology in the works of WT writers

• Rhetorical approaches in WT

 

These are only suggestions and other related topics are welcome.

Please submit proposal abstracts of approximately 300 words along with

C.V. or brief bio to both co-editors:

 

Justin Everett

University of the Sciences

Email: j.everet AT usciences.edu

 

Jeffrey Shanks

Southeast Archeological Center

Email: jeffrey_shanks AT nps.gov

 

Chapter proposals due: August 31, 2013

Initial draft due: February 28, 2014

The 2013 Locus Award winners have been announced.

 

 

Science-Fiction Studies* is gathering scholarly essays for a special issue on Italian Science Fiction.  The projected publication date is 2015.  Articles on this topic that would be of interest include the following themes or approaches:

–       analysis and discussion of important works of Italian SF (novels, short stories, film, comics, magazines, t.v. series, on-line journals, in the academy, etc.)

–       profiles of important Italian SF writers

–       works of SF written by authors who are considered part of the literary mainstream (e.g. Buzzati, Landolfi, Levi, Morselli, etc.)

–       the critical debate around SF in Italian culture and the academy

–       the socio-cultural impact of science fiction’s visions in Italy

Articles should be written in English, should be between 8,000 and 13,000 words (including endnotes and bibliography), and include a comprehensive bibliography.  Authors should follow Science-Fiction Studies’s formatting guidelines (see below **).

Abstracts (max. 500 words) are due on or by September 30, 2013.  They should be sent via email as an MS Word attachment, or included within the body of the email to Arielle Saiber (asaiber AT bowdoin.edu) and Umberto Rossi (teacher AT fastwebnet.it).

 

If your proposal is accepted, you will receive a message no later than October 20.  We will then need the complete article by May 31, 2014.  All submitted articles will be sent for peer-review; final acceptance will be based on reviewer reports and those of the special issue’s editors.

* For information about Science Fiction Studies see http://www.jstor.org/page/journal/sciefictstud/about.html  and http://www.depauw.edu/sfs/

 

** Guidelines for formatting the article: http://www.depauw.edu/sfs/masthead.htm?47,34

The International Association for the Fantastic in the Arts Announces its 8th annual Jamie Bishop Memorial Award for a critical essay on the fantastic written in a language other than English. The IAFA defines the fantastic to include science fiction, folklore, and related genres in literature, drama, film, art and graphic design, and related disciplines. For more information on the award and on past winners, please see http://fantastic-arts.org/awards/jamie-bishop-memorial-award/ (please note the updated submission criteria, below).

Submission criteria:

·       Essays should be of high scholarly quality, as if for publication in an academic journal.

·       We consider essays from 3,000-10,000 words in length (including notes and bibliography).

·       Essays may be unpublished scholarship submitted by the author, or already published work nominated either by the author or another scholar (in which case the author’s permission should be obtained before submission).

·       Essays must have been written and (when applicable) published in the original language within the last three years prior to submission.

·       An abstract in English must accompany all submissions; an English translation of the title of the essay should also be included.

·       Only one essay per person may be submitted each year.

·       Submissions must be made electronically in Word format.

Deadline for submissions: September 1st

Prize: $250 U.S. and one year’s free membership in the IAFA to be awarded at the annual International Conference on the Fantastic in the Arts held each March. Winning essays may be posted on the IAFA website in the original language and/or considered for publication in the Journal of the Fantastic in the Arts (http://www.fantastic-arts.org/jfa/) should they be translated into English.

Please direct all inquiries and submissions to:

Rachel Haywood Ferreira

Department of World Languages and Cultures

3102 Pearson Hall

Iowa State University

Ames, IA 50011 USA

Email: <rachelhf AT iastate.edu>

Things are starting to wind down to the big banquet tonight! Are you out at the pool yet??

The conference is already off to a GREAT start!! Here are some updates. In addition to Brie’s update, the super final conference schedule is posted on the site!

Meals

  • Thursday Lunch is Sold Out
  • Friday Lunch is Closed. If you did not request a ticket, but would like to attend, we will form a line near registration and accommodate anyone we can after all ticketed guests have been seated. There is no guarantee that we will be able to seat you.
  • Banquet- If you would still like to purchase a meal ticket for yourself or a guest to attend the Awards Banquet, please do so when you register today. Banquet tickets purchased onsite will be $60. Thank you for your cooperation.

Registration

Conference Registration (Main Floor) will now open at 2PM on Wednesday.

Book Exhibit and Sales

The book room and auction, including Charles Vess’ original art, will open for business on Wednesday afternoon.

Volunteering

Make sure to check the schedule when you register. When you show up for your shift, make sure to sign in, so that we can keep track of your hours. If you have not signed up, but are interested in volunteering, please ask about open shifts when you register.

Limited Edition Charles Vess Shirts & Canvas Totes – printed with Charles Vess’ Neil Gaiman inspired design.

A limited selection of standard and fitted t-shirts/totes is still available. All shirts/totes will be distributed/sold from Thursday forward–while supplies last. Both shirt styles and the book tote are priced at $20.

Conviviality

* Pre-Opening Refreshment – Wednesday 3-20 from 2:30-3:15pm- Ballrom Foyer

* Newcomer Meet-up – Wednesday 3-20 from 8-8:30 – Captiva A/B

* Opening Reception – Wednesday 3-20 from 8:30-11pm – Capri – open to all

Excursion

This year’s Sunday excursion to Disney’s Hollywood Studios is SOLD OUT.

* This link provides local dining, shopping, and tourism discounts: http://www.orlandoconventionaid.com/directory_view.php?dir_id=2346

* An indoor/outdoor pool, fitness center, and jogging trail are also available to hotel guests.

If there is anything else that you need before you arrive, please respond to this message or e-mail me at <iafareg_at_gmail.com> and let me know how I can help. Messages come to my phone, which should afford a quick response. After the conference is in full swing, visit the Registration Desk (Main Floor) or the Information Desk (2nd floor) for answers.

Bridgid P. Shannon
International Association for the Fantastic in the Arts(IAFA)
Membership & Registration Coordinator

Charles Vess has very generously donated the long version of the t-shirt/tote and program  art for ICFA 34: Fantastic Transformations, Adaptations, and Audiences to the silent auction. Funds generated by the auction support the scholar’s honorarium and the conference in general.

The original black and white art on heavy Strathmore Britsol Board, measuring 12.5” x 22”, will be available for bid in the auction room with a minimum of $800. A low resolution version of the image appears here.

Make sure to stop by the Bookroom and Auction in Augusta A/B for this and other amazing finds.

* Limited Edition T-Shirts and Book Totes with the same design are still available: http://fantastic-arts.org/2013onlinepmt/

Final part 2! Updates have been completed and uploaded with and without abstracts.

Thanks to Joe Berlant for the Facebook posting of this very interesting news item…

From David Hartwell:

Jennifer Gunnels has contracted to sing a song a capella at ICFA in three weeks if she can get 300 new likes for NYRSF. If it happens, it will be recorded.

– The New York Review of Science Fiction

Let’s “like” http://www.facebook.com/nyrsf before ICFA!

Plan your week now! Final online version of the program is available with and without abstracts.