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The apocalypse has often been the narrative and thematic subject of millennial media. We invite essays for a collection that explores the topics/themes/ideas in and socio-cultural implications of apocalyptic media in the millennium (2000-2015). Within this context, the term apocalypse can be interpreted in the broadest sense. We seek essays that critically engage every stage of the apocalypse from initial threat through aftermath and reconstruction. We intend to focus primarily on TV series and theatrical films. Tentatively, the book will include sections about apocalyptic subjects related to The Infected, Natural Disaster, Unnatural Disaster, and Alien Invasion.

We anticipate that this collection will include 16-20 essays, and as a working guide, the essays should be 3500-4500 words. Essays must adhere to the most current MLA format.

Submission Guidelines: Please send a 500-word proposal in Word, followed by a short bibliography showing the paper’s scholarly and theoretical context. Please also include a short professional description of yourself.

We are particularly interested in essays that include analyses of two or more films or single TV series, with special consideration given to television series and other forms of new media. At this stage of the project, no further essays will be accepted on The Walking Dead, Godzilla (2014), Fido, The World’s End, This is the End, Sleepy Hollow (TV), Supernatural (TV), Children of Men, Cloverfield, and Pacific Rim.

Submission deadline: July 12, 2014

Direct inquires and proposals to: theapocalypsebook@gmail.com

Editors: Amanda Firestone, Leisa A. Clark, and Mary F. Pharr

First Issue Call for Articles

Yearbook of Moving Image Studies

»Cyborgian Images: The moving image between apparatus and body«

Deadline for Articles: December 31, 2014

The double-blind peer-reviewed Y earbook of Moving Image Studies (Y oMIS) is now accepting articles from scientists, scholars, artists and film makers for the first issue entitled »Cyborgian Images: The moving image between apparatus and body«. YoMIS will be enriched by disciplines like media and film studies, image science, (film) philosophy, art history, game studies and other research areas related to the moving image in general.

Modern perspectives on the structure of moving images exemplify a complex multimodal mechanism that interacts in specific ways with the recipient and various levels of the perception of images. In this case neither moving images nor the subjective reception are passive processes. Movement, time, space and different modalities interact with senses, memories and anticipation and create a complex hybrid structure of medium, recipient and sensory stimulus processing.

This refers to the fact, that on the one hand the technological structure of displays and interfaces are relevant, and that on the other hand the role of the lived-body and mind is crucial for an understanding of the effects of the moving images. It is the interaction between the image, the dispositive and the recipient which brings the pictures to life and unfolds its meaning in diverse dimensions. This remarks become obvious when looking at the recent evolution in media technologies. New displays and interfaces like the Cinemizer (Zeiss), Oculus Rift (OculusVR) or Kinect (Microsoft) promote the progressive embodiment of the recipient or user by the medium, and, in doing so, they force the amalgamation of the subject of perception with the moving image.

Therefore »Cyborgian Images« addresses the broad field of the relationship between the technological dimension of the medium, its aesthetic and structural impact on the representational status of the moving image and the effect on the bodily level of the recipient, including affective and somatic reactions.

Contributions should be 5000 to 8000 words in length. Please send your abstract, biographical informations, contact details and your article to Dr. Lars C. Grabbe and Prof. Dr. Patrick Rupert-Kruse via: kontakt@bewegtbildwissenschaft.de.

The official deadline for articles is the December 31, 2014. If you are interested in contributing an article you will find a style sheet online: www.movingimagescience.com. If you have any questions, please do not hesitate to contact the managing editors via mail.

The Victorian Period in Twenty-First Century Children’s Literature:

Representations and Revisions, Adaptations and Appropriations

A significant aim of contemporary literature for young people is to provide a window into a variety of historical periods and cultural milieus. Such representations of the past have educational, creative, and political resonances, reflecting both on historical periods and contemporary values. However, since the turn of the twenty-first century, we seem to have reached a critical mass of works for children that engage the Victorian period in particular.

Perhaps the most visible form that this trend has taken is Neo-Victorianism, a literary and cultural phenomenon that has shaped contemporary fiction for children and young adults through the general prevalence and popularity of Neo-Victorian series such as the Enola Holmes novels and the Gemma Doyle trilogy. A recent special issue on the child in Neo-Victorian Studies also indicates that the critical discussion inspired by this genre has specific implications for studies of youth culture.

However, Victorian influences and impulses extend beyond works that can be categorized as Neo-Victorian. Historical fiction and timeslip fantasy set in the Victorian period interact with the past through placing the modern reader in the position of the nineteenth-century child, while steampunk fiction imagines alternate histories and technologies that emerge from the nexus of Victorian culture. Contemporary texts also engage Victorian fiction through adaptations and retellings: films such as Tim Burton’s Alice in Wonderland (2010) and Disney’s Treasure Planet (2002) reconfigure the iconic works of Lewis Carroll and Robert Louis Stevenson for a twenty-first century audience, as do intertextual retellings such as April Lindner’s Catherine and Cara Lockwood’s Wuthering High, both young adult novels that update and revise the narrative of Emily Bronte’s Wuthering Heights.

This proposed volume seeks essays that analyze how twenty-first century texts for young audiences across a variety of media–including print, film, television, and digital formats–interact with Victorian literature and culture. What do such works reveal about contemporary understandings or assumptions regarding Victorian values and sensibilities? What has made the Victorian era such a productive and inspiring space for so many authors and young audiences of the twenty-first century? What is lost and what might be gained by reframing a text for Victorian adults for a contemporary audience of young people?

 Topics may include but are not limited to

▪       the Victorian text as intertext in contemporary literature

▪       neo-Victorian literature

▪       steampunk fiction

▪       representations of the Victorian past in time-slip fantasy and/or ghost stories

▪       contemporary retellings of iconic Victorian stories

▪       the portrayal of the Victorian period in contemporary nonfiction

▪       film adaptations of Victorian literature

▪       representations of Victorian cultural icons (Queen Victoria, Charles Darwin,  Jack the Ripper)

▪       Victorian sensibilities and aesthetics as influences on contemporary fiction

▪       historical fiction set in the Victorian period

We are currently seeking a book contract for this volume. Submit a 500-word abstract, along with a working bibliography and a brief, up-to-date CV by August 1, 2014 to Sara K. Day and Sonya Sawyer Fritz at Vic21Collection@gmail.com. Completed essays of 5000-7000 words will be due by March 1, 2015.

46th Annual Convention, Northeast Modern Language Association (NeMLA)
April 30-May 3, 2015
Toronto, Ontario
Host: Ryerson University

Hotel: The Fairmont Royal York

Session Title: Spectral Uprisings as Imperialist Critique: Rethinking the Anglo-Indian Gothic

Session Chair: Melissa Edmundson Makala

Session Description:
This panel invites submissions that examine and reevaluate the supernatural literature that arose out of the British Raj. Exploring this area allows us to ask larger questions, such as: What is the place of Anglo-Indian Gothic within the broader genre of Imperial Gothic? Can postcolonial theory be used to interpret the colonial Indian Gothic? How is ghostly activity a form of native rebellion that reflects very real fears behind these fictional tales? How were writers influenced by the work of Kipling and why has his work dominated the genre for so long? What literary influence have Anglo-Indian women had on this genre?

In particular, this panel aims to explore how the Anglo-Indian Gothic was an important cultural statement on the anxieties that existed between the British colonizers and their native Indian subjects. The genre thus provides an alternative way of looking at the negative effects of imperialism and provides a place for subversive social commentaries disguised within an entertaining Gothic tale. Anglo-Indian Gothic writers offer glimpses into the British imperial world of the nineteenth and early twentieth centuries, and their ghost stories offer additional insight for modern-day readers about the impact the British colonial presence had on the countries and peoples under the dominion of the Empire at its heights.

Suggested topics for this panel include: ghosts, second sight, madness, disease, violence/crime, dead/undead bodies, cultural anxiety, revenge, colonial children, the occult, reincarnation, curses, haunted dwellings, Gothic representations of the Indian Uprising, the Gothic landscape, Indian writers, reappraisals of Kipling, Anglo-Indian women writers, gender issues, and publication histories of Anglo-Indian Gothic works.

Submission Deadline: September 30, 2014

This year, NeMLA is switching to a user-based system to accept and track abstract submissions. In order to submit an abstract using the button for a CFP entry, you must sign up with NeMLA and log in. Using this new system, you can manage your personal information and review and update your abstract following submission. Interested participants can access the session information and submit abstracts by clicking on the following link:

https://nemla.org/convention/2015/cfp.html#cfp15256

Interested participants may submit abstracts to more than one NeMLA session; however, panelists can only present one paper (panel or seminar). Convention participants may present a paper at a panel and also present at a creative session or participate in a roundtable.

Please direct enquiries to Dr. Melissa Makala: me.makala@gmail.com.

NEMLA 2015 Toronto

Steampunk Femininity: Recasting the Angel in the House

An artistic and literary creative force, especially in graphic novels such as Girl Genius and A League of Extraordinary Gentlemen and in young adult novels such as Phillip Reeve’s Larklight (2006) and Scott Westerfeld’s Leviathan (2009), Steampunk is an organic development of Victorian fantasy, because it adds a fully realized science fiction component to an already solidified hybrid genre. Importantly, Steampunk has emerged as a strong feminist voice that simultaneously addresses contemporary and current discourses on femininity and masculinity through a retelling of an alternate past that rethinks the function Victorian gender roles. Central to Steampunk’s critique of the British patriarchy and Empire is its consistent creation of intelligent, independent, creative, and powerful female heroines the likes of which we have never seen in Victorian literature. Especially in contemporary Young Adult novels and graphic novels, characters like Mina Harker in The League of Extraordinary Gentlemen, Deryn Sharp in Leviathan, Sophie Hatter in Howl’s Moving Castle and Myrtle and Mrs. Mumby in Larklight extend even Victorians’ critique of empire by subverting woman’s place in the domestic realm and abandoning the image of woman as the ‘angel in the house.’

Area: British, Women’s and Gender Studies

For questions, contact Tali Noimann cnoimann@bmcc.cuny.edy. Please do not email email your submission. Use the link below to submit a 300-word abstract and a short bio.

Link to session submission: https://nemla.org/convention/2015/cfp.html#cfp15117

Deadline for abstracts Sept. 30, 2014

THE SOCIETY FOR UTOPIAN STUDIES

39th Annual Meeting

Global Work and Play

23-26 October 2014

Delta Montréal

475, Avenue Président Kennedy

Montréal, Canada

http://utopian-studies.org/conference2014

Utopias have nowhere left to hide in an era of global capital and information flows.  Imagining the perfect society means envisioning global as much as, or more than, national or local change.  Labor is transformed as heavy industry relentlessly relocates. Post-industrial refugees chase immaterial wealth flowing across borders that are porous for information and capital, but not for bodies.  Even leisure becomes work when corporations mine Twitter and Facebook for content to monetize, while gamifying daily life.  Under such conditions, visualizing a utopian balance of work and play grows both more difficult and more urgent.

Papers are welcome on all aspects of the utopian tradition, from the earliest utopian visions to the utopian speculations and yearnings of the 21st century, including art, architecture, urban and rural planning, literary utopias, dystopian writings and films, utopian political activism, theories of utopian spaces and ontologies, music, new media, and intentional communities. We especially welcome papers and panels on games, gamers and gamification; utopian and dystopian aspects of globalization; and non-Western utopian traditions.

Additionally, we are introducing a new poster and demonstration track. We invite abstracts for presentations featuring interactive games, apps, digital artifacts, tools, projects, websites, or works in progress with a utopian or dystopian dimension. Those invited to participate will be given a backdrop and table for a poster and/or computer in our exhibition hall. Indie developers and digital humanists are especially welcome.

Abstracts of up to 250 words are due 15 July 2014, and may be for:

   a 15-20 minute paper

   a panel: include a title, designated Chair, an abstract for the panel and for each of 3-4 papers

   an informal roundtable of 3-6 presenters, or a combination of presenters and respondents

   a presentation or performance of a utopian creative work or artifact

   a poster and/or demo

Please use our online form for submissions here.

*All submissions must include 3-5 keywords to assist in forming cohesive panels. The official language of the conference is English.

For information about registration, travel or accommodations, please contact Brian Greenspan, brian.greenspan@carleton.ca

For information about panel topics, assistance finding co-panelists, and other questions about the conference, please contact Peter Sands, sands@uwm.edu

“I don’t think I am like other people”: Anomalous Embodiment in Young Adult Speculative Fiction.

Editors Sherryl Vint and Mathieu Donner are seeking submissions for a volume of essays on young adult literature entitled Anomalous Embodiment in Young Adult Speculative Fiction.

The large commercial as well as critical successes of such works as J.K. Rowling’s Harry Potter, Suzanne Collins’s The Hunger Games, Philip Pullman’s His Dark Materials or Stephanie Meyer’s Twilight series have pushed young adult fiction to the forefront of the literary world. However, and though most of these texts themselves engage in one way or another with questions related to the body, and, more precisely, to a body that refuses to conform to social norms as to what a body ‘ought to be’, few academic studies have really explored the relation that young adult fiction entertains with this adolescent ‘abnormal’ body.

In her work on corporeal feminism, Volatile Bodies, Elizabeth Grosz suggests that adolescence is not only the period during which the body itself undergoes massive transformation, shifting from childhood to adulthood, but that it is also in this period that ‘the subject feels the greatest discord between the body image and the lived body, between its psychical idealized self-image and its bodily changes’ and that therefore, the ‘philosophical desire to transcend corporeality and its urges may be dated from this period’ (Volatile Bodies 75). Following upon Grosz’s observation, this interdisciplinary collection of essays addresses the relation that young adult fiction weaves between the adolescent body and the ‘norm’, this socially constructed idealized body image which the subject perceives to be in direct conflict with her/his own experience.

This collection will thus be centred on the representation, both positive and negative, of such body or bodies. From the vampiric and lycanthropic bodies of Twilight and Teen Wolf to the ‘harvested’ bodies of Neal Shusterman’s novel Unwind, YA fiction entertains a complex relation to the adolescent body. Often singularized as ‘abnormal’, this body comes to symbolise the violence of a hegemonic and normative medical discourse which constitutes itself around an ideal of ‘normality’. However, and more than a simple condemnation or interrogation of the problematic dominant representation of the corporeal within young adult fiction, this collection also proposes to explore how such texts can present a foray into new alternative territories. As such, the collection proposes a focus on what Gilles Deleuze and Félix Guattari’s label the anomalous body, or embodiment re-articulated not necessarily as the presumption of an inside and an outside of normality, but rather as ‘a position or set of positions in relation to a multiplicity’ (A Thousand Plateaus, 244), one which interrogates and challenges the setting of such a boundary by positioning itself at the threshold of normativity.

We are particularly looking for contributions on works which either (1) interrogate, problematize the dominant discourse on normative embodiment present in YA fiction, (2) emphasize, by a play on repetition or any other means, the limitations of the traditional discourse on the ‘abnormal’ or ‘disabled’ body, and signal the inherent violence of such normative paradigms, and/or (3) propose an alternative approach to the anomalous body. Relevant topics include (but are not limited to):

·       (Re-)Articulating disability;

·       The adolescent as ‘abnormally’ embodied;

·       Transcending gender and the sexuated body;

·       Medical norms and the violence of ‘normative’ embodiment;

·       Bodies and prosthetic technologies, or the posthuman boundary;

·       Genetics, Diseases and medication, or transforming the body from the inside;

·       Cognitive readings of the body, or how do we read body difference;

·       Embodied subjectivities, anomalous/abnormal consciousness;

We invite proposals (approximately 500 words) for 8’000-10’000-word chapters by Monday 15th September. Abstract submissions should be included in a Word document and sent to Sherryl Vint (sherryl.vint@ucr.edu) and Mathieu Donner (Mathieu.Donner@nottingham.ac.uk). Please remember to include name, affiliation, academic title and email address. Postgraduate and early-careers researchers are encouraged to participate.

In November 2014, the Mid-Atlantic Popular and American Culture Association will be holding its 25th Anniversary Conference in Baltimore, MD.  We are inviting all academics who live and work in the Mid-Atlantic Region (or anyone interested in a trip to Baltimore) to consider submitting an abstract for the conference.  The Science Fiction and Fantasy area is encouraging scholars who are interested in the genre (or its related areas in Victorian Literature, particularly in reference to Steampunk, or the relationship of medieval literature to fantasy, for example) to submit a proposal.  Our call for papers is reproduced below.  Please feel free to share with your colleagues and your graduate students.

We look forward to hearing from you.

Leigha McReynolds and Marilyn Stern

Area Co-chairs

Call for Papers MAPACA 2014

SCIENCE FICTION & FANTASY AREA

The Mid-Atlantic Popular and American Culture Association (MAPACA) invites academics, graduate and undergraduate students, independent scholars, and artists to submit papers for the annual conference, to be held in Baltimore, November 6-8, 2014. Those interested in presenting at the conference are invited to submit a proposal or panel by June 15, 2014. Abstracts should be no more than 300 words long. Include a brief bio with your proposal. Single papers, as well as 3- or 4-person panels and roundtables, are encouraged. All proposals should be submitted via the online system at www.mapaca.net, where you can also find more information on our organization and our conference.

Science Fiction and Fantasy welcomes papers/presentations in any critical, theoretical, or (inter)disciplinary approach to any topic related to SF/F: art; literature; radio; film; television; video, role-playing, and multi-player online games. Though not an exhaustive list, potential presenters may wish to consider the following:

Ø  Gender and Sexuality

Ø  Race and Otherness

Ø  Class and Hierarchies

Ø  Utopia/Dystopia

Ø  Mythology and Quest Narratives

Ø  Creatures and Aliens

Ø  Science and Magic

Ø  Reading Other Worlds

Ø  Language and Rhetoric

Ø  Genre: Space Opera, Cyberpunk, Dark Fantasy, Steampunk, etc.

Ø  Fans and Fandom/Community Building

Ø  Textual Analysis

Ø  Sociological or Psychological Readings

Ø  Archival Research/History

Ø  Technology: Textual and Literal

Ø  Online Identity Construction

Ø  Fairy Tales

Ø  Paranormal Romance

Ø  Young Adult Literature

Ø  Tolkien (literature and film)

Area Chairs:

Marilyn Stern                             Leigha McReynolds

sternm@wit.edu                        lhm@gwmail.gwu.edu

Visit www.mapaca.net for a full list of areas.

Leigha McReynolds
Conference Organizer, NASSR 2014
Co-chair Science Fiction and Fantasy Division, MAPACA
PhD Candidate in English
The George Washington University

The announcement of Jay’s passing came this morning from his family on his own blog, here.

There is an in memoriam post at Tor.com, here, and Cheryl Morgan remembers Jay here. Find more information about the film Lakeside, which follows Jay through a year of therapy, here.

Jay’s great many friends have shared their memories for the past several days on Facebook and blogs. For someone to be so connected to a community, it is a deep loss when they leave it.

I would like to announce the winners of the sixth annual R.D. Mullen Research Fellowships, which are funded by the journal Science Fiction Studies in the name of our late founding editor to support archival research in the Eaton Collection at UC Riverside. The committee—chaired by me and consisting of Jane Donawerth, Joan Gordon, Roger Luckhurst, and John Rieder—reviewed a number of excellent applications and settled on a slate of three winners for 2014-15:

·      JAMES MACHIN is a PhD student in Arts and Humanities at Birkbeck College, University of London. His dissertation offers a cultural history of “weird fiction,” with a focus on its “Golden Age” of 1880-1940. He has had articles published in The Victorian and East-West Cultural Passage and has a review forthcoming in the Irish Journal of Gothic and Horror Studies. While at the Eaton, he will explore the legacy of nineteenth-century decadence in Weird Tales magazine and will also examine the recently acquired archive of William Hope Hodgson’s papers.

·      STEVEN MOLLMANN is a PhD candidate in English at the University of Connecticut, Storrs. His dissertation examines scientists in Victorian literature and the way that thinking like a scientist is represented as a visual practice. He has had articles published in English Literature in Transition and Gaskell Journal and has presented his work at numerous conferences. His time in the Eaton will be spent reading rare future-war stories from the turn of the twentieth century, investigating the ways in which science and scientists were mobilized in fictional scenarios of large-scale conflict and revolution.

·      HANNAH MUELLER is a PhD student in German Studies at Cornell University, where she is pursuing Minors in Feminist, Gender, and Sexuality Studies and Film Studies. She has had chapters published in books on gender in Sherlock Holmes stories and on nudity in “quality television” series and has also done extensive translation work. While at the Eaton, she will examine materials relevant to her ongoing study of “transformative media fandom,” with particular attention to the influence of media fans on the representation of female and sexual minority characters in popular culture.

I am very grateful to my committee for their work in vetting the applications, and my congratulations to the three winners.—Rob Latham, UC Riverside