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Category Archives: ICFA

IAFA GRADUATE STUDENT AWARD
The 29th International Conference on the Fantastic in the Arts

The International Association for the Fantastic in the Arts is pleased to continue its annual award and stipend to the graduate student submitting the most outstanding paper at the Association’s 2008 Conference, to be held at the Orlando Marriott Airport Hotel, Orlando, FL, March 19-23, 2008. The award, and a cheque for $250, will be presented to the winner at the Awards Banquet on Saturday evening.

CRITERIA & INSTRUCTIONS

1. The student will have had a paper accepted for presentation at the
Conference. The paper submitted for the competition should be essentially the same as that presented at the conference. The maximum length for entries is 3500 words (about 2 pages over the recommended reading length of 8-9 pages), excluding bibliography/works cited page. Students should be aware that funds are limited and that only one award will be given. The paper selected will be published in the Journal of the Fantastic in the Arts, and therefore must not have been previously published or submitted for publication elsewhere. Please note that acceptance of a paper for the Conference does not guarantee an award.

2. It is the responsibility of the student to send a copy of the paper by 1 February 2008 to the IAFA Student-Support Committee’s Chair, as well as a copy of the letter of acceptance and verification of student status.

Submissions should be in MSWord or rich text format (rtf) files, sent as e-mail attachments to Robin Anne Reid, Student Support Committee Chair, at:

Robin_Reid@tamu-commerce.edu
rrede13@yahoo.com

Students may be in master’s or doctoral programs, at any stage of their program (taking courses, taking exams, writing theses or dissertations), as long as they are currently enrolled. Verification of student status could be a letter of confirmation from a director or advisor, a copy of student ID, etc.

Support documents may be sent as attached files to the same address or sent by mail to:
Department of Literature and Languages
Texas A&M University-Commerce
Commerce, TX 75429

3. The committee is looking for good writing: clear, coherent, and
interesting. Essays should be solidly grounded in scholarly tradition, showing awareness of previous studies and of historical contexts. Essays may use any suitable method of analysis, including historical and sociological approaches as well as those which originate in literary theory. Judges tend to value the ability to examine materials from a theoretical perspective without simply plugging in a particular critical method. Essays should give a clear idea of the critical/theoretical framework within which the discussion will be situated, as well as identify primary and secondary texts for the discussion.

The 29th International Conference on the Fantastic in the Arts
Delightful Horror and the Sense of Wonder: Appreciating the Sublime in the Fantastic

[Feel free to distribute this general Call for Papers. The more it’s passed around the merrier! Also, although the original deadline of Oct. 31 has passed, the recent news of SFRA’s change of venue ((see below)) for SFRA 2008 has prompted the IAFA to revise its deadline for paper proposals for ICFA-29. The new deadline is December 15th.]

The 29th International Conference on the Fantastic in the Arts will be held March 19-23, 2008, at the Orlando Airport Marriott in Orlando, Florida. The conference begins at 3 pm on Wednesday and ends at 1 am on Sunday upon the conclusion of the conference banquet. The focus of ICFA-29 is on the relationship between the sense of wonder embodied by the sublime and the fantastic in literature, film, and other media. The sheer magnitude of the universe gives rise to the amazing, the astonishing, the astounding, the thrilling, and the wondrous. Edmund Burke argued it is “infinity [that] has a tendency to fill the mind with that sort of delightful horror which is the most genuine effect and truest test of the sublime.” It then should come as no surprise that the sublime has been a mainstay in science fiction, fantasy, horror, and other related fantastic modes. Papers are invited that explore this topic. In addition, we especially look forward to papers on the work of our guests:

Guest of Honor: Vernor Vinge, author of “The Technological Singularity” and Hugo Award-winning A Fire Upon the Deep.

Guest of Honor: Greer Ilene Gilman, author of the Crawford Award-winning Moonwise.

Guest Scholar: Roger Luckhurst, author of The Trauma Paradigm (Routledge) and Science Fiction (Polity Press).

As always, we also welcome proposals for individual papers and for academic sessions and panels on any aspect of the fantastic in any media.The new deadline is December 15th.

We encourage work from institutionally-affiliated scholars, independent scholars, international scholars who work in languages other than English, graduate students, and undergraduate students.

The Jamie Bishop Memorial Award for an Essay Not in English is open to all members of the IAFA. The IAFA Graduate Student Award is open to all graduate students presenting papers at the year’s conference. Details are available via Robin Reid, Second Vice-President (Robin_Reid@tamu-commerce.edu). Finally, the Dell Magazines Undergraduate Science Fiction Award will also be handed out at this year’s conference.

Please See Page Two (Over) for Submission Guidelines
Look for Information and Updates at the IAFA website: www.iafa.org

Submission Guidelines

In order to be considered for the 2008 program, your proposal to (1) read a paper, (2) recruit and chair a paper session, or (3) organize and chair a panel discussion should be date-stamped no later than December 15th.; electronic correspondence is welcome. Proposals must be sent to the appropriate Division Head (addresses below). Advise the Division Head if you would like to volunteer to chair a paper session. Proposals must include a 500-word abstract and appropriate bibliography indicating the project’s scholarly or theoretical context. Presenters must be members of IAFA at the time of the conference. Be sure to indicate all audio-visual equipment needs in this initial proposal; later A/V requests cannot be guaranteed.

FANTASTIC IN CHILDREN’S & YOUNG-ADULT’S LITERATURE & ILLUSTRATION

All aspects of the fantastic in work aimed at children and young adults. Division Head: Joe Sutliff Sanders, California State University, Dept. of English, 5500 University Parkway, San Bernardino, CA, 92407-2397 (DR.JOESS@GMAIL.COM).

FANTASTIC LITERATURE IN ENGLISH
All aspects of the fantastic in British, American and Commonwealth literature. Division Head: Charles W. Nelson, Humanities Dept., Michigan Technological University, Houghton, MI 49931 (CWNELSON@MTU.EDU).

FANTASTIC IN FILM & MEDIA
All aspects of the fantastic in television, video, and film. Division Head: Susan A. George, Gender & Women’s Studies, University of California, Berkeley, 3326 Dwinelle Hall, Berkeley CA 94720-1070 (SAGEORGE13@SBCGLOBAL.NET).

COMMUNITIES & CULTURE IN THE FANTASTIC [formerly PCVA]
All aspects of the fantastic in fan cultures and communities, including fan fiction, comics/graphic novels, filking, conventions, hypertexts, viral marketing, RPG. Division Head: Barbara Lucas, VIS, 31225 Bainbridge Rd, Suite M, Solon OH 44139 (BARBEDWRITING@YAHOO.COM).

VISUAL & PERFORMING ARTS [formerly PCVA]
All aspects of the fantastic in live drama, music, dance, sculpture, body art, and photography and digital imagery. Division Head: Stefan Hall, Bowling Green State University, Dept. of Theatre and Film, 338 South Hall, Bowling Green, OH, 43403-0180 (STEFANH@BGNET.BGSU.EDU)

HORROR LITERATURE
All aspects of horror in mainstream and popular literature, including literary traditions, aesthetics, psychological constructs, and comparative influences. Division Head: Stephanie Moss, 10032 N. 52nd. Street, Tampa, FL 33517 (SMOSS@CAS.USF.EDU).

INTERNATIONAL FANTASTIC LITERATURE
All aspects of the fantastic in international and comparative literature. Division Head: Dale Knickerbocker, Dept. of Foreign Languages, East Carolina University, Greenville, NC 27858 (KNICKERBOCKERD@MAIL.ECU.EDU).

SCIENCE FICTION LITERATURE & THEORY
All aspects of science fiction literature, history, and theory. Division Head: Sherryl Vint, Dept. of English Literature, Brock University, St. Catharines, ON, L2S 3A1 (SVINT@BROCKU.CA).

March 19-23, 2008
Marriott Orlando Airport Hotel
Look for Information and Updates at the IAFA website: www.iafa.org

Hello, all IAFA members attending (or still thinking about attending) this year’s conference in beautiful Orlando, Florida in March 2008.

While our early deadline for submissions has passed, we do have a secondary deadline this year, November 30, 2007. Those of you who regularly attend ICFA know that we aim to provide a good mix of programming. We think that it’s in part this mix of programming that makes ICFA such a wonderful experience for all of us, whether we’re scholars or teachers, authors or poets.

We’ve already received lots of proposals for all kinds of events for this conference, but we’re still looking for more. For one thing, our new hotel (Orlando Airport Marriott) has an extra conference room for us to fill! We would love to hear from any member of IAFA about ideas for panels, fiction workshops, additional author and poetry readings, and special events.

Keep in mind that there are some limits on how many and what kinds of events participants can be part of. For instance, if you’re an attending author reading from your fiction in the creative track, you can’t also present an individual paper in an academic session, although you can still participate in a panel discussion. And if you’re an academic reading a paper, you can’t also read from your creative work in the creative track, although you can still participate in other kinds of creative events, such as workshops or themed talks about writing the fantastic.

If you’re not sure who to approach about what, you can contact any Division Head or 1VP Chrissie Mains (cemains AT shaw.ca or cmains AT ucalgary.ca) and we’ll work on putting you in touch with others with similar interests and ideas.

Anyone interested can organize both academic and creative events and propose them for inclusion in the programming (although obviously we can’t guarantee that every proposal can be accepted). The only limit to participation in ICFA is space (which is larger than in previous years) and the needs of the 1VP to be able to schedule events with a minimum of conflicts (sadly, that will never change).

Looking forward to seeing you in March
Chrissie Mains

Sunday after the conference there will be an opportunity to visit Universal’s Theme Park for an IAFA Group Rate of $67US that includes bus transportation and discounted admission to the site. The bus will leave the hotel at 9:30 am, deliver people to Universal, and then pick them up at 6:00 pm to return to the hotel. There is a minimum requirement of 30 people and there are 40 spaces in total, so first come first serve. If we are unable to meet our minimum requirement by February 1st we will be forced to cancel this social outing. Conference registrants, their partners, and families are all eligible for this tour.

The IAFA 2008 Membership & ICFA-29 Conference Pre-Registration Form is now posted on the new IAFA website at www.iafa.org under “Conference Info.” Also, please note the Sunday Group Outing to Universal Studios. See you all in Orlando.

The 29th International Conference on the Fantastic in the Arts

Delightful Horror and the Sense of Wonder:
Appreciating the Sublime in the Fantastic

The 29th International Conference on the Fantastic in the Arts will be held March 19-23, 2008, at the Marriott Orlando Airport Hotel in Orlando, Florida. The focus of ICFA-29 is on the relationship between the sense of wonder embodied by the sublime and the fantastic in literature, film, and other media. The sheer magnitude of the universe gives rise to the amazing, the astonishing, the astounding, the thrilling, and the wondrous. Edmund Burke argued it is “infinity [that] has a tendency to fill the mind with that sort of delightful horror which is the most genuine effect and truest test of the sublime.” It then should come as no surprise that the sublime has been a mainstay in science fiction, fantasy, horror, and other related fantastic modes. Papers are invited that explore this topic. In addition, we especially look forward to papers on the work of our guests:

Guest of Honor: Vernor Vinge, author of “The Technological Singularity” and Hugo Award winning A Fire Upon the Deep.

Guest of Honor: Greer Ilene Gilman, author of the Crawford Award-winning Moonwise.

Guest Scholar: Roger Luckhurst, author of The Trauma Paradigm (Routledge) and Science Fiction (Polity Press).

As always, we also welcome proposals for individual papers and for academic sessions and panels on any aspect of the fantastic in any media. The new deadline is October 31, 2007 but we will be happy to consider papers until the original deadline (November 30), pending availability.

We encourage work from institutionally-affiliated scholars, independent scholars, international scholars who work in languages other than English, graduate students, and undergraduate students.

The Jamie Bishop Memorial Award for an Essay Not in English is open to all members of the IAFA. The IAFA Graduate Student Award is open to all graduate students presenting papers at the year’s conference. Details are available via Robin Reid, Second Vice-President (Robin_Reid@tamu-commerce.edu). Finally, the Dell Magazines Undergraduate Science Fiction Award will also be handed out at this year’s conference.

March 19-23, 2008
Marriott Orlando Airport Hotel

Look for Information and Updates at the IAFA website: www.iafa.org

As we make the transition from an ICFA based in Fort Lauderdale to one based in Orlando, one of the things the IAFA has lost is local assistance/resources. The IAFA is looking for any Orlando-based members to assist in conference preparation, chiefly to move materials, help get the location prepped, report if some wildstorm has destroyed the hotel, etc. Your availability would be needed the Sunday before the conference until the Monday after the conference. So, any Orlando-based IAFA members want to take a direct involvement in getting ICFA off the ground in Orlando? If so, please make yourself known on the iafa-l so first contact can be established. Much thanks.

Bill Clemente, the IAFA Treasurer, has posted photos of the recent Executive Board retreat at the Marriott Orlando Airport Hotel, our new ICFA site. If anyone would like to have a better visual then click on the link and enjoy.

There has been some discussion on iafa-l regarding the dates of ICFA-29 (March 19, 2008 to March 23, 2008) because there are a series of unavoidable conflicts, including the Easter weekend. Some of the reasons for the ICFA-29 dates and the extreme difficulties in moving the dates are discussed on iafa-l, so I won’t repeat them here. But, for those of who like advanced planning, here are the next series of ICFA dates:

ICFA-29 (2008): March 19 (Wednesday) to March 23 (Sunday)
ICFA-30 (2009): March 18 (Wednesday) to March 22 (Sunday)
ICFA-31 (2010): March 17 (Wednesday) to March 21 (Sunday)
ICFA-32 (2011): March 16 (Wednesday) to March 20 (Sunday)

On to Orlando!

I’ve come home from our 2007 Executive Board meeting, kissed my wife hello, ate some dinner, and have now retreated to my office to post initial thoughts on the Marriott Orlando Airport Hotel that awaits us for our future ICFA conferences. This is a wonderful site and full kudos go to Donald Morse and Jeri Zulli for finding this gem. While these are my personal thoughts and don’t necessarily reflect all the Board members’ official positions, I think it’s safe to say that the Executive Board was extremely pleased (maybe even thrilled) at the new location and the amenities it offers. It’s undergone (and will have completed by the time we’re there in March) a $17 million renovation and the quality shines forth. Here are some of the perks (in no particular order):

•a 24 hr. gym with state-of-the-art equipment (including 5 treadmills, 3 stair steppers, 3 stationary bikes, weights, change rooms with sauna/steam (male and female), lockers (but no locks; bring your own), a rubber floor, hot towels, and fresh fruit; also, the gym overlooks the indoor pool…

•…which also becomes the outdoor pool. The two pools are connected so one can swim indoors and then swim through a plastic barrier and, voila, you’re swimming outdoors. The pool varies in depth from 3-7 feet. There is also a baby pool for any attendees who bring young ‘uns and want them to go for a safe dip. The pools are open until 10:00 PM but we know hotel guests (including an Executive Board member or two) were swimming at 11:00 PM and even at 2:00 AM. The indoor pool also has a hot tub beside it and, of course, there are plenty of towels available; and, . . .

•. . .speaking of availability, there are plenty of deck chairs/loungers surrounding the pool area that will facilitate those vitally important late-night sessions that are as equally important as ICFA’s paper sessions and panels. There is plenty of deck space and not all of it surrounds the pool. In fact, your Executive Board has already found an ideal conversation area and dubbed it “the Boardroom” (thanks to Gary for that), but I’m not telling where it is – I have to draw a line at my promotional responsibilities somewhere. Anyway, there is plenty of deck space for conversations; and, what would deck space be without . . .

•. . . the Tiki bar?! I don’t have the official name handy, but suffice to say it is a fully-stocked bar that we’ve been assured will stay open until 11:00 PM every night of the conference. They have all the drinks you could imagine (or at least I’m told; I don’t drink so my liquor knowledge is limited) and a fave was the mango daiquiri, both the regular version and the “Jeri” mango daiquiri (ask her about the difference). The bar/pool area is also surrounded by a little lake and there are trails around the lake area, although I didn’t personally go to them so I cannot really offer substantial commentary. There are also tennis courts and a beach volleyball court. But, don’t feel you need to stay at the outdoor bar/pool area all the time, because. . .

•. . . there is a wonderful indoor bar that is part of the Luxe Restaurant. That bar is equally inviting and an added bonus is that they will serve patrons in the bar but also in the many nooks and crannies located in front of the bar/restaurant area and in the lobby; after all, what would a lobby/lounge area be like if they didn’t allow for intimate gatherings? Well, the Marriott has taken this into consideration as there are plenty of couches throughout the lobby area of the hotel and they are also served by the bar staff. Also, speaking of the Luxe Restaurant. . .

•. . . the food was very impressive and reasonably priced. The food in Lauderdale was problematic as expensive prices were paired with poor quality. In this case, I thought the food quality was wonderful and the prices seemed (to me) reasonable for hotel food. Granted, there is a problem with vegetarian dishes (I don’t believe there were any on their dinner menu) and we’ve brought that to their attention so hopefully that’ll be rectified by March. They did directly tell us that they are sensitive to their patrons’ food needs, so that’s a good sign for vegetarians and those who do have food allergies. While we ate in the Luxe Restaurant (I can’t speak for anyone else, but their breakfast was delicious: two scrambled eggs, toast, three sausages, juice, and hash browns for around $12) we didn’t get a chance to eat in the upscale Porterhouse Restaurant. That establishment requires reservations and the cost of the entrees run anywhere from the mid-20s to 40s, all depending on your food choice. We were told that the Orlando Sentinel has a special section of their paper where they publish restaurants’ recipes and the Porterhouse has had its recipes published in the newspaper, so that’s gotta be a good sign. So, certainly give the hotel food a try because I thought it was quite good and aside from the problem with vegetarian dishes it seems the other Board members agreed on its quality; yet, if you wanted to take a break from the hotel food and venture out to another establishment. . .

•. . . you’re in luck! There are other restaurants. In addition to the Marriott, there are about five or six other hotels all within walking distance and you can obviously eat there. In addition, there is a Denny’s about 5-10 mins. away, a T.G.I. Fridays about 10 mins. away, another chain establishment that will go unnamed (be quiet, Bill!) also about 5-10 mins. away, and an entire series of pubs/restaurants anywhere from 5-10 mins. to 30 mins. away [note: all time references are based on walking]. So, for those of you who are on a budget, notably our valued Undergraduate and Graduate Students, there are so many more food options (as well as a Walgreens, Kinkos, etc.) than the Lauderdale location ever offered. But, what about that eclectic and/or specialized culinary fare? Well. . .

•. . . I really can’t tell you. Since Orlando is a tourist mecca and we were in a tourist hotel area, I didn’t personally see specialized restaurants. The hotel has a map (which we’re going to adapt) so that might be useful, but specialty/non-chain/non-pub restaurants might require transportation so perhaps a rental car might be in order. Oh, did I mention that conference attendees will have free parking during the conference?!?! So, transportation is certainly facilitated, and speaking of transportation. . .

•. . . we barely heard the planes. The Lauderdale location had a steady retinue of planes flying over our heads but that was not the case in Orlando. True, we did hear planes but the number was dramatically reduced. At one point we realized it’d been several hours since we heard a plane flying overhead, so that made the experience so much better. As many of you will agree, the Lauderdale location felt like we were abandoned in an industrial park with nothing around us, sorta like…well, the airport! The Marriott is dramatically different as airport-noise is less obtrusive and with all the surrounding amenities it just feels like we’re in a civilized area. Our Marriott representative said that they’ve tried to make the Marriott feel like a resort and not an airport-hotel and, from my perspective, it certainly feels that way. The overall ambiance is much more professional, including such “little” things as windows in the meeting rooms where we’ll be holding our panels, bigger registration space, working elevators that don’t lurch up-and-down before opening their doors (sometimes before actually stopping at the floor), an automated elevator voice announcing the floor as well as braille on the buttons, free Xerox copying at the front desk (max. of 20 copies per person; note: the per-page printing costs are unusually high), televisions in the lobby and weight room that can be turned down (or off) by the patrons, a directory providing nearby licensed/bonded childcare (thanks for that, Robin!), and a staff that generally wants to see us happy.

Overall, I think you’ll all be pleased with what Orlando has to offer us and this new environment appears well-positioned and well-suited to address ICFA’s needs and help contribute to our growing conference experience. More information will be forthcoming, but I thought I’d share these initial comments.

But wait! I know, some of you are going to miss that cat that wandered around the Lauderdale location (did it have a name?). Rest assured, the Marriott has some local wildlife on the premises, including cute lizards, ducks (ask Stacie what they were doing when she and I found them), a wide variety of birds, at least one raccoon, turtles (well, one anyway that I saw in the lake) and, if you’re lucky, you’ll see Al and Junior (you’ll find out).

On to Orlando!