Call for Applications: Gothic and Horror Division Head
The International Association for the Fantastic in the Arts is accepting applications for the position of Division Head of the Gothic and Horror (GAH) Division. (Please see division description below.)
Division Heads are appointed by the President, on the recommendation of the First Vice-President, who chairs the Council of Division Heads, after formal discussion and majority vote of the Board. The term is for three years. The GAH Division Head will begin immediately without a shadow year.
Each Division Head organizes and supervises all conference activity within a subdivision of fantastic scholarship. Division Heads work under the guidance of the First Vice-President. Division Heads are responsible for recruiting session proposals and papers and are responsible for formatting these to the requirements of the First Vice-President. Division Heads are responsible for forwarding all information to the First Vice-President in a timely fashion. Division Heads have the responsibility to check the draft program for accuracy and AV needs. Division Heads are expected to liaise with other Division Heads and the First Vice-President. The First Vice-President is the final arbiter of the program under the aegis of the Executive Board. At the conference the Division Heads oversee sessions in their respective Divisions and collect suggestions for future topics, special guests, etc.
Those interested in applying must send a cover letter explaining their interest in and qualifications for the position, and a current CV, to the First Vice-President, Valorie Ebert at firstname.lastname@example.org, no later than 20 May 2019.
The Gothic and Horror Literature division focuses not only on Gothic and Horror as often-overlapping literary modes, but also on closely related modes including the Grotesque and the Weird. Papers may explore any aspect of literary horror (including but not limited to body horror, psychological horror, philosophical horror, or folk horror) including the evolution, cultural significance, and theory of horror. Papers exploring related topics, such as the role of the supernatural, the sublime, monstrosity, or affects including horror, terror, dread or anxiety, as well as interconnections between horror literature and other media, including film, comics and games, are also welcome.