Title Index

# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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“1920’s Yellow Peril Science Fiction: Political Appropriations of the Asian Racial ‘Alien.'” Carter F. Hanson. JFA 6.4 (1995): 312-29.

2001: A Space Odyssey: A Transcendental Trans-locution.” Suparno Banerjee. JFA 19.1 (2008): 39-50.

A

“Abraham Rothberg’s The Sword of the Golem: The Use of the Fantastic in Defense of Judaism.” Peter G. Christensen. JFA 7.2/3 (1995): 163-76.

“Adulthood’s Beginning: From Centered Oneness to Centerless Manyness in Greg Bear’s Forge of God and Anvil of Stars. Tim Wolf. JFA 8.1 (1997): 78-98.

“The Aesthetics of Risk in Dawn of the Dead and 28 Days Later.” Jordan S. Carroll. JFA 23.1 (2012): 40-59.

“‘Ainulindalë’: Tolkien’s Commitment to an Aesthetic Ontology.” Roger C. Schlobin. JFA 11.3 (2000): 257-65.

“The Alchemy of Love in A Fine and Private Place.” Joel N. Feimer. JFA 1.3 (1988): 69-78.

“Alex Proyas’s I, Robot: Much More Faithful to Asimov Than You Think.” Donald Palumbo. JFA 22.1 (2011): 60-74.

“Allegory Versus Bounce: Tolkien’s Smith of Wootton Major. Verlyn Flieger and T. A. Shippey. JFA 12.2 (2001): 186-200.

“All Those Big Machines: The Theme Science Fiction Does Not Discuss.” Brian Aldiss. JFA 7.1 (1995): 83-91.

“Alternate Historians: Newt, Kingers, Harry, and Me.” Tom Shippey. JFA 8.1 (1997): 15-33.

“Alternative Dystopia: Science, Power, and Fundamentalism in Rimi B. Chatterjee’s Signal Red.” Suparno Banerjee. JFA 20.1 (2009): 24-41.

“American Gothic: Tales of the Supernatural in Prime Time TV.” B. R. Smith. JFA 14.1 (2003): 77-85.

“The American Jeremiad and Star Trek‘s Puritan Legacy.” Lincoln Geraghty. JFA 14.2 (2003): 228-45.

“Andrea Hairston: An Introduction.” Jen Gunnels. JFA 22.3 (2011): 322-25.

“Androgyny: The Search for Wholeness in Karoline von Günderrode and Heinrich von Kleist: Christa Wolf’s Novel Kein Ort. Nirgends.” Edith Borchardt and Jennifer Wright. JFA 11.3 (2000): 245-56.

“The Angel as a Fantasy Figure in Classic and Contemporary Film.” Marcelaine Wininger Rovano. JFA 5.3 (1993): 58-74.

“Anguished Shouts and Their Religious Echoes: Octavia Butler’s Kindred in the Religious Studies Classroom (Octavia Butler as Public Intellectual [ICFA-21 Panel]).” Jennifer Rycenga. JFA 11.2 (1998): 185-89.

“Apocalypse and Alienation in Javier Negrete’s Nox perpetua.” Dale Knickerbocker. JFA 15.4 (2004): 288-308.

“Apocalyptic Horror.” Tina Pippin. JFA 8.2 (1997): 198-217.

“An Appreciation: Virgil Finlay.” Bob Gray. JFA 2.1 (1989): 47.

“Art, Cosmic Horror, and the Fetishizing Gaze in the Fiction of H. P. Lovecraft.” Vivian Ralickas. JFA 19.3 (2008): 297-316.

“The Art of Patricia McKillip’s: Music and Magic.” Faye Ringel. JFA 16.3 (2005): 178-90.

“The Art of Randy Elliot.” Bob Gray. JFA 3.2 (1991): 22-23.

“Arthur C. Clarke’s Rendezvous with Rama: Agent of Evolution.” Timothy C. Miller. JFA 9.4 (1998): 336-44.

“Arthur Schnitzler’s Traumnovelle and Stanley Kubrick’s Eyes Wide Shut: The Structure of Fantasy Then and Now.” Edith Borchardt. JFA 12.1 (2001): 4-17.

“The Artifact as Icon in Science Fiction.” Gary K. Wolfe. JFA 1.1 (1988): 51-70.

“The Artisan in Modern Fantasy.” Roger C. Schlobin. JFA 6.4 (1995): 285-94.

“Asimov’s Crusade against Bigotry: The Persistence of Prejudice as a Fractal Motif in the Robot/Empire/Foundation Metaseries.” Donald Palumbo. JFA 10.1 (1999): 43-63.

“Aspects of the Fantastic in Roddy Doyle’s A Star Called Henry: Deconstructing Romantic Nationalism.” Janis Dawson. JFA 12.2 (2001): 168-85.

“Assumptions of Reality: Low Fantasy, Magical Realism, and the Fantastic.” Greer Watson. JFA 11.2 (1998): 164-72.

“Attack of the Living Dead Virus: The Metaphor of Contagious Disease in Zombie Movies.” Cecilia Petretto. JFA 17.1 (2006): 21-32.

“At the End of the World: Australian Adolescent Literature and Apocalypse.” Roslyn Weaver. JFA 17.2 (2006): 155-68.

“Authenticity, Ethnography, and Colonialism in Philip K. Dick’s The Man in the High Castle.” Tim Evans. JFA 21.3 (2010): 386-93.

“Autocannibalistic Tradition and the Individual Talent: An Interview with Sean Stewart.” Alex Irvine. JFA 10.3 (1999): 262-75.

B

“Back to the Basics: Re-examining Stoker’s Sources for Dracula.” Elizabeth Miller. JFA 10.2 (1999): 187-96.

“The Back-up Plan, Guardianship, and Disguise: Interrelated Fractal Motifs in Asimov’s Robot/Empire/Foundation Metaseries.” Donald Palumbo. JFA 10.3 (1999): 286-307.

“Bakhtin’s Chronotype and the Fantastic: Gautier’s ‘Jettatura’ and ‘Arria Marcella.'” Grant Crichfield. JFA 4.3 (1991): 25-39.

“Baptizing the Imagination: The Fantastic as the Subversion of Fundamentalism.” Mara E. Donaldson. JFA 8.2 (1997): 185-97.

“The Beckoning Fair Ones: Some Thoughts on Muses.” Elizabeth Hand. JFA 15.3 (2004): 192-207.

Beowulf, Tolkien, and Epic Epiphanies.” E. L. Risden. JFA 9.3 (1998): 192-99.

“Bereshith and Ainulindalë: Allegoresis and Exegesis in Tension.” Norman K. Swazo. JFA 16.4 (2006): 302-19.

“Between the ‘Deaths’ of Science Fiction: A Skeptical View of the Possibility for Anti-Genres.” Andrew M. Butler. JFA 15.3 (2004): 208-16.

“‘Beyond the Bounds of Reverie?’ Another Look at the Dreams in Frankenstein.” Jonathan C. Glance. JFA 7.4 (1996): 30-47.

“The Birth of a Fantastic World: C. S. Lewis’s The Magician’s Nephew.” C. N. Manlove. JFA 1.1 (1988): 71-84.

“The ‘Black Frost’ Reception of Kurt Vonnegut’s Fantastic Novel Breakfast of Champions (1973).” Donald E. Morse. JFA 11.2 (1998): 143-53.

“Bodies in Cyberspace.” Brooks Landon. JFA 12.2 (2001): 201-12.

“The Body of the Work of the Body: Physio-Textuality in Contemporary Horror.” Michael J. Collins. JFA 5.3 (1993): 28-35.

“Book as Mirror, Mirror as Book: The Significance of the Looking-glass in Contemporary Revisions of Fairy Tales.” Veronica L. Schanoes. JFA 20.1 (2009): 5-23.

“Borderlands: The Who, What, When, Where, and Why of the Interstitial Arts.” Helen Pilinovsky. JFA 15.3 (2004): 240-42.

“Both Sides of the Gate: Patriarchy in Sheri S. Tepper’s The Gate to Women’s Country.” Shiloh Carroll. JFA 19.1 (2008): 25-38.

“Bram Stoker and the London Stage.” Stephanie Moss. JFA 10.2 (1999): 124-32.

“Bridging World and Story: Patricia McKillip’s Reluctant Heroes.” Christine Mains. JFA 16.1 (2005): 37-48.

“A Brief Editor’s Note.” W. A. Senior. JFA 13.3 (2003): 214.

“Bringing Chaos to Order: Vonnegut Criticism at Century’s End.” Donald E. Morse. JFA 10.4 (2000): 395-408.

“Building Castles in the Air: (De)Construction in Howl’s Moving Castle.” David Rudd. JFA 21.2 (2010): 257-70.

“But Not the Blackness of Space: The Brother from Another Planet as Icon from the Underground.” Melba Joyce Boyd. JFA 2.2 (1989): 95-107.

“But Who Is Rose Cotton?—Love and Romance in The Lord of the Rings.” Charles W. Nelson. JFA 3.3 (1994): 6-20.

“By Burro and by Beagle: Geographical Journeys through Time in Latin America.” Rachel Haywood Ferreira. JFA 18.2 (2007): 166-186.

C

“Canary Fever.” John Clute. JFA 15.3 (2004): 217-27.

“A Carnival of Apes: A Bakhtinian Perspective on Twelve Monkeys.” Carrol Fry and J. Robert Craig. JFA 13.1 (2002): 3-12.

“Celtic Myth and English-Language Fantasy Literature: Possible New Directions.” C. W. Sullivan, III. JFA 10.1 (1999): 88-96.

“A Century of Draculas.” James Craig Holte. JFA 10.2 (1999): 109-15.

“Changeling Self, Changing Other: Patricia McKillip’s The Changeling Sea as Feminist Fairy Tale.” Ann F. Howey. JFA 18.1 (2007): 42-60.

“Character, the Fantastic, and the Failure of Contemporary Literary Theory.” Roger C. Schlobin. JFA 13.3 (2003): 258-70.

“Children of a Darker God: A Taxonomy of Deep Horror Fiction and Film and Their Mass Popularity.” Roger C. Schlobin. JFA 1.1 (1988): 25-50.

“Children Stranded ‘Among These Dark Satanic Mills’: The Child’s Response to Evil in Fantasies from Four Different Countries.” Marilyn Jurich. JFA 13.3 (2003): 271-81.

“‘Chops,…Cheese, New Bread, Gret Swills of Beer’: Food and Home in Kenneth Grahame’s The Wind in the Willows.” C. W. Sullivan, III. JFA 15.2 (2005): 144-52.

“The Circle and the Cross: Womanhood, Manhood, and Cultural Destruction in Prophetic African Literature.” Alexis Brooks de Vita. JFA 21.3 (2010): 413-35.

“Circumcising Dracula.” Jeffrey Weinstock. JFA 12.1 (2001): 90-102.

“The City from the Inside: Poe’s Urban Fiction.” Jules Zanger. JFA 3.2 (1991): 29-36.

“Closure and Power in Salem’s Lot.” Joe Sutliff Sanders. JFA 10.2 (1999): 142-54.

“Coda: Criticism in the Age of Borges.” Rob Latham. JFA 1.4 (1988): 87-94.

“‘Coldtonguecoldhamcoldbeefpickledgherkinsaladfrenchrollscress-sandwichespottedmeatgingerbeerlemonadesodawater….’: Fantastic Foods in the Books of Kenneth Grahame, Jerome K. Jerome, H. E. Bates, and Other Bakers of the Fantasy England.” Peter Hunt. JFA 7.1 (1995): 5-22.

“Collage as Critique and Invention in the Fiction of William S. Burroughs and Kathy Acker.” Rob Latham. JFA 5.3 (1993): 46-57.

“Collections: Indiana University’s Lilly Library.” Kelly Searsmith. JFA 16.4 (2006): 390-94.

“Collections: University of South Florida Library and Special Collections.” Kelly Searsmith. JFA 17.4 (2007): 414-16.

“Comic Book Realism: Form and Genre in Junot Díaz’s The Brief Wondrous Life of Oscar Wao.” Daniel Bautista. JFA 21.1 (2010): 41-53.

“Computer Fictions: Narratives of the Machinic Phylum.” John Johnston. JFA 8.4 (1997): 443-63.

“The Concept of the Divided Self in Harlan Ellison’s ‘I Have No Mouth and I Must Scream’ and ‘Shatterday.'” Joseph Francavilla. JFA 6.2/3 (1994): 107-25.

“Confessions of the Unemployed” [poem]. Marilyn Jurich. JFA 2.4 (1990): 6.

Conjunctions 39 and Liminal Fantasy.” Farah Mendlesohn. JFA 15.3 (2004): 228-39.

“Connie Willis: An Introduction.” Gary K. Wolfe. JFA 22.3 (2011): 313-14.

“Considering Fantasy in the Bible: The Elusive Presence of the Unerasable Trace.” Conard Carroll. JFA 8.2 (1997): 124-50.

“The Contamination of the Fairy Tale, or the Changing Nature of the Grimms’s Fairy Tale.” Jack Zipes. JFA 11.1 (2000): 77-93.

“Contemporary Fantasy’s Foliate Face: An Interview with Charles Vess.” Kelly Searsmith. JFA 17.2 (2006): 105-22.

“Contemporary Photography and the Technological Sublime, or, Can There Be a Science Fiction Photography?” Roger Luckhurst. JFA 19.2 (2008): 181-95.

“Contemporary Women Writers and the ‘New Evil’: The Vampires of Anne Rice and Suzy McKee Charnas.” Maureen King. JFA 5.3 (1993): 75-84.

“A Conversation about Fantasy with Ursula K. Le Guin and Brian Attebery.” Monty Vierra and Kristi Austin, eds. and transcr. JFA 17.4 (2007): 371-82.

“‘Cosmic Horror’ and the Question of the Sublime in Lovecraft.” Vivian Ralickas. JFA 18.3 (2007): 364-98.

“Courteous, Humble and Helpful: Sam as Squire Figure in The Lord of the Rings.” Charles W. Nelson. JFA 2.1 (1989): 53-63.

“The Craving for Meaning: Explicit Allegory in the Non-Implicit Age.” Roger C. Schlobin. JFA 5.1 (1992): 3-12.

“Critical Theory, Academia, and Interstitiality.” Veronica Schanoes. JFA 15.3 (2004): 243-47.

“Critics in the Gulag.” Carl B. Yoke. JFA 1.2 (1988): 3-4.

“Crowning the King: Harry Potter and the Construction of Authority.” Farah Mendlesohn. JFA 12.3 (2001): 287-308.

“Cub Scouts Don’t Have Heavy Artillery.” Carl B. Yoke. JFA 2.4 (1990): 2-5.

“Cultural Imperialism and the Ends of Empire: Iain M. Banks’s Look to Windward.” Sherryl Vint. JFA 18.1 (2007): 83-98.

“Cultural Negotiation in Science Fiction Literature and Film.” Brian Attebery. JFA 11.4 (2001): 346-58.

“Cultural Palimpsests: Terry Pratchett’s New Fantasy Heroes.” Gideon Haberkorn. JFA 18.3 (2007): 319-39.

“The Cybernetic (City) State: Terminal Space Becomes Phenomenal.” Scott Bukatman. JFA 2.2 (1989): 43-63.

D

“Danger and Compulsion in The Wind in the Willows, or Toad and Hyde Together at Last.” Roger C. Schlobin. JFA 8.1 (1997): 34-41.

“Daughters of Eurydice in Absentia: The Feminine Heroic Quest for Presence in Houskeeping.” Lale Davidson. JFA 4.4 (1991): 19-36.

“A Darwinian Eden: Science and Myth in Kurt Vonnegut’s Galápagos.” Leonard Mustazza. JFA 3.2 (1991): 55-65.

“Decadence and Anguish: Edgar Allan Poe’s Influence on Réjean Ducharme.” V. A. Harger-Grinling and A. Thoms. JFA 1.2 (1988): 5-12.

“Decadence, Dandyism, and Aestheticism inThe Vampire Chronicles.” James Bell. JFA 17.3 (2006): 284-93.

“The Decentered Absolute: Significance in the Postmodern Fantastic.” Peter Malekin. JFA 1.4 (1988): 9-18.

“Deconstructing Deconstruction: Chimeras of Form and Content in Samuel R. Delany.” William M. Schuyler, Jr. JFA 1.4 (1988): 67-76.

“Deconstructing the Peach: James and the Giant Peach as Post-Modern Fairy Tale.” Eve Tal. JFA 14.2 (2003): 265-76.

“Defining Irrealism: Scientific Development and Allegorical Possibility.” Dean Swinford. JFA 12.1 (2001): 77-89.

“De/Reconstructing the ‘I’: PostFANTASTICmodernist Poetry.” Patrick D. Murphy. JFA 1.4 (1988): 39-48.

“Desacralization of Image and Confusion of Sexuality in the Disney Studio’s Beauty and the Beast.” Martha A. Bartter. JFA 9.1 (1998): 55-68.

“Destiny Manifesto (Octavia Butler as Public Intellectual [ICFA-21 Panel]).” Toni Francis. JFA 11.2 (1998): 179-81.

“The Devil’s Discourse: The Meeting of Allegory and the Fantastic.” Virginia M. Marino. JFA 8.3 (1997): 331-46.

“Dialectical ‘Complexifications’: The Centrality of Mary Malone, Dust, and the Mulefa in Philip Pullman’s His Dark Materials.” Rebekah Fitzsimmons. JFA 22.2 (2011): 212-33.

“Dialogic Narration and Ambivalent Utopian Hope in Lessing’s Shikasta and Le Guin’s Always Coming Home.” Carol Franko. JFA 2.3 (1990): 23-33.

Die Elixiere des Teufels : E. T. A. Hoffmann’s House of Mirrors.” Allienne R. Becker. JFA 9.2 (1998): 117-30.

“Different and Equal Together: SF Satire in District 9.” Andrea Hairston. JFA 22.3 (2011): 326-46.

“The Disappointed Bridge: Textual Hauntings in Joyce’s Ulysses.” Jeffrey A. Weinstock. JFA 8.3 (1997): 347-69.

“Disaster Fantasies: Byron as a Poet of the Fantastic.” Mervyn Nicholson. JFA 2.4 (1990): 110-32.

“Discovering the Machine in You: The Literary Social and Religious Implications of Neal Stephenson’s Snow Crash.” Daniel Grassian. JFA 12.3 (2001): 250-67.

“Disney World: A Plastic Monument to Death: From Rabelais to Disney.” Ilaria Serra. JFA 14.4 (2004): 459-70.

“Disorienting Encounters: Magical Realism and American Literature on the Vietnam War.” Steffen Hantke. JFA 12.3 (2001): 268-86.

“Disrupted Expectations: Young/old Protagonists in Diana Wynne Jones’s Novels.” Deborah Kaplan. JFA 21.2 (2010): 197-209.

“Diversity and Difference: Cosmopolitanism and The Lord of the Rings.” Helen Young. JFA 21.3 (2010): 351-65.

“The Door to Lilith’s Cave: Memory and Imagination in Jane Yolen’s Holocaust Novels.” Ellen R. Weil. JFA 5.2 (1993): 90-104.

“Dorothy Parker, Primeval, Little Nell, Robert Heinlein, Emma Thompson, Reports of My Death, Shakespeare, and Other Thoughts on Comedy.” Connie Willis. JFA 22.3 (2011): 315-21.

“The Double and Doubling in Modern and Postmodern Art.” Cris Hassold. JFA 6.2/3 (1994): 253-74.

“The Double-edged Nature of Neil Gaiman’s Ironical Perspectives and Liminal Fantasies.” Sandor Klapcsik. JFA 20.2 (2009): 193-209.

“Doubles and Doubling in the Arts.” Gordon E. Slethaug. JFA 6.2/3 (1994): 100-06.

“Dragonsaver: The Female Hero in Barbara Hambly’s Dragonsbane.” Patricia Monk. JFA 4.4 (1991): 60-81.

“Dragons I Have Known and Loved. Laurence Yep.” JFA 21.3 (2010): 384-85.

“‘Dreaming Real’: The Conquest of Psiberspace?” Andy Sawyer. JFA 9.4 (1998): 268-83.

“Dreaming the Role: Acting and the Structure of Imagination.” Craig Turner. JFA 7.4 (1996): 16-29.

“Dream Textures of the Popol Vuh.” Luis O. Arata. JFA 7.4 (1996): 74-83.

“Dream Visions and Stream-of-Consciousness: The Conscious and Unconscious Search for Meaning.” Evelyn Jaffe Schreiber. JFA 7.4 (1996): 4-15.

“Dualism and Mirror Imagery in Anglo-Saxon Riddles.” Gwendolyn A. Morgan. JFA 5.1 (1992): 74-85.

“Dubya’s Game: Motive Utiliarianism and the Doctrine of Preemption.” David Wheat. JFA 17.3 (2006): 266-83.

“Dwarf Resistance in Communist Poland: Fantastic-Ridiculous Dwarf Aesthetic as Political Subversion in the Orange Alternative Movement and the Movie Kingsize.” Marek Oziewicz. JFA 22.3 (2011): 363-76.

E

“Echoes of Influence: Music, Social Power, and the Law in Speculative Fiction.” John Garrison. JFA 17.4 (2007): 321-33.

“The Ecological System of Stephen King’s The Dark Half.” Edwin F. Casebeer. JFA 6.2/3 (1994): 126-42.

Edge of Darkness as Transhuman Thriller.” Joe Sanders. JFA 5.4 (1993): 83-91.

“Editor’s Foreword.” Carl B. Yoke. JFA 8.1 (1997): 1.

“Editor’s Introduction.” W. A. Senior. JFA 10.1 (1999): 1-3.

“Editor’s Note.” W. A. Senior. JFA 14.1 (2003): 2-3.

“Édouard Glissant’s La Lézarde: Between the Magical Surreal and the Fantastic.” Christiane Szeps. JFA 15.4 (2004): 358-68.

“The Efrafran Hunt for Immortality in Watership Down.” Charles A. Meyer. JFA 6.1 (1993): 71-87.

“Eleanor Cameron: The Theory and Practice of Fantasy.” Brian Attebery. JFA 16.2 (2005): 96-109.

“‘Eliminate All Other Factors’: Fantastic Hesitation in Arthur Conan Doyle’s Hound of the Baskervilles.” John Pennington. JFA 15.2 (2005): 132-43.

“The Ellison Personae: Author, Storyteller, Narrator.” Ellen R. Weil. JFA 1.3 (1988): 27-36.

“The End of the World in American History and Fantasy: The Trumpet of the Judgment.” Donald E. Morse. JFA 13.1 (2002): 33-46.

“Enlightened Sense of Wonder? Sublimity and Rationality in Asimov’s Foundation Series.” Jari Käkelä. JFA 22.2 (2011): 171-91.

“Episteme-ology of Science Fiction.” Kevin Alexander Boon. JFA 11.4 (2001): 359-74.

“Erotic and Existential Paradoxes of the Golem: Marge Piercy’s He, She and It.” Diane Sautter. JFA 7.2/3 (1995): 255-68.

“Establishing the Canon of Weird Fiction.” S. T. Joshi. JFA 14.3 (2003): 333-41.

“Everything Slipping Away: John Wyndham’s The Day of the Triffids.” C. N. Manlove. JFA 4.1 (1991): 29-53.

“Exorcising a Theater Myth: S. Ansky’s The Dybbuk.” Irene Eynat-Confino. JFA 11.1 (2000): 14-23.

The Exorcist: Deep Horror?” Robert F. Geary. JFA 5.4 (1993): 55-63.

“Extraordinary Pasts: Steampunk as a Mode of Historical Representation.” Margaret Rose. JFA 20.3 (2009): 319-33.

“‘The Eyes in the Trees’: Transculturation and Magical Realism in Barbara Kingsolver’s The Poisonwood Bible.” Kathy Weese. JFA 17.1 (2006): 4-20.

F

“Fabulous Historians: Ursula Le Guin and Angélica Gorodischer.” Patrick O’Connor. JFA 16.2 (2005): 128-41.

“Facing Change (Octavia Butler as Public Intellectual [ICFA-21 Panel]).” Jane Caputi. JFA 11.2 (1998): 175-78.

“The Fading of the World: Tolkien’s Ecology and Loss in The Lord of the Rings.” Chris Brawley. JFA 18.3 (2007): 292-307.

“‘The Fairies’ Christmas’: Elements of the Fantastic in Irish Political Cartoons of the Home Rule Movement.” Joel A. Hollander. JFA 8.1 (1997): 42-54.

“‘False Pretences’ and the ‘Real Show’: Identity, Performance, and the Nature of Fiction in Conrad’s Fate.” Caroline Webb. JFA 21.2 (2010): 221-32.

“Family Magic: Invisibility in Jamaica Kincaid’s Lucy.” Patricia Harkins. JFA 4.3 (1991): 53-68.

“Fantastic Illustrations to Dante’s Inferno: Romantic and Contemporary Visions.” Francine A. Koslow. JFA 2.4 (1990): 133-43.

“The Fantastic in Holocaust Literature: Writing and Unwriting the Unbearable.” Michael P. Yogev. JFA 5.2 (1993): 32-48.

“The Fantastic Powers of the Other Sex: Male Mothers in Fantastic Fiction.” David Greven. JFA 14.3 (2003): 301-17.

“Fantastic Tropes in The Folk of the Air.” Don Riggs. JFA 1.3 (1988): 79-86.

“Fantasy and the Gospels: Theological and Ideological Implications.” George Aichele, Jr. JFA 8.2 (1997): 170-84.

“Fantasy and Mimesis in Doctor Faustus.” Sally A. Bartlett. JFA 5.3 (1993): 18-27.

“Fantasy’s Reconstruction of Narrative Conventions.” Brian Attebery. JFA 1.1 (1988): 85-98.

“The Female Hero in Science Fiction and Fantasy: ‘Carrier-Bag’ to ‘No-Road.'” Sue Fisher Vaughn. JFA 4.4 (1991): 82-96.

“The Feminine as Fantastic.” Cris Hassold. JFA 3.1 (1990): 29-40.

“The Feminist and the Vampire: Constructing Postmodern Bodies.” Sylvia Kelso. JFA 8.4 (1997): 472-87.

“The Femivore: An Unnamed Archetype.” Roger C. Schlobin. JFA 2.1 (1989): 89-97.

“Fictional Cultures in Postmodern Art.” Dorothy Joiner. JFA 1.4 (1988): 59-66.

“Fictionalized Romantics: Byron, Shelley, Keats as Characters in Contemporary Genre Fiction.” Atara Stein. JFA 13.4 (2003): 379-88.

“The Fiction of Privacy: Fantasy and the Past.” Guy Gavriel Kay. JFA 20.2 (2009): 240-47.

“Fifty Years On: Animal Farm Gets Under the Skin.” Virginia Harger-Grinling and Chantal Jordan. JFA 14.2 (2003): 246-54.

“Films, Film Fantasies, and Fantasies: Manipulating Reality and the Self in Kiss of the Spider Woman.” Leonard G. Heldreth. JFA 3.4 (1994): 93-106.

“Five Patterns of the Fantastic in an Arabic Saga.” Hani Al-Raheb. JFA 5.4 (1993): 42-54.

“Foreword: The Rumpelstiltskin Factor.” Jane Yolen. JFA 5.2 (1993): 11-13.

“For Love or for Money: The Concept of Loyalty in the Works of Patricia McKillip.” Christine Mains. JFA 16.3 (2005): 219-32.

“The Fractured Whole: The Fictional World of Harlan Ellison.” Peter Malekin. JFA 1.3 (1988): 21-26.

“Frankenstein Revisited: Doris Lessing’s The Fifth Child.” Norma Rowen. JFA 2.3 (1990): 41-49.

Frankenstein without Frankenstein: The Iron Giant and the Absent Creator.” T. S. Miller. JFA 20.3 (2009): 385-405.

“From Golem to Plastisex: An Analytical Survey of Spanish American Fantastic Literature.” Ksenija Bilbija. JFA 7.2/3 (1995): 201-14.

“From Gollum to Gandalf: The Guide Figures in J. R. R. Tolkien’sThe Lord of the Rings.” Charles W. Nelson. JFA 13.1 (2002): 47-61.

“From Panel to Page: Queer Superhero Iconography in the Poetry of Álvaro Tato and the Narrative of Lluís Fernàndez.” Michael P. Harrison. JFA 22.3 (2011): 347-62.

“From Parody to Paradox: Jacques Cazotte and the Emergence of the Fantastic.” Markus Muller. JFA 15.4 (2004): 320-45.

“From Pathos to Tragedy: The Two Versions of The Fly.” Mary Ferguson Pharr. JFA 2.1 (1989): 37-46.

“From Peter Rabbit to Watership Down: There and Back Again to the Arcadian Ideal.” John Pennington. JFA 3.2 (1991): 66-80.

“From Trickery to Discovery: Trajectories of Science Fiction Film.” Brooks Landon. JFA 2.2 (1989): 3-9.

“F. Scott Fitzgerald’s ‘One Trip Abroad’: A Metafantasy of the Divided Self.” Marc Baldwin. JFA 4.3 (1991): 69-78.

G

“Game as Fantasy in Crucifixion Drama.” Tanya Gardiner-Scott. JFA 3.3 (1994): 50-61.

“The Games People Play.” Gabriela Steinke. JFA 21.2 (2010): 187-96.

“Gender, Fantasy, and the Authority of Tradition.” Brian Attebery. JFA 7.1 (1995): 51-60.

“Genetic Experimentation: Mad Scientists and the Beast.” Faye J. Ringel. JFA 2.1 (1989): 64-75.

“Ghosts of the Past and Present: Hauntology and the Spanish Civil War in Guillermo del Toro’s The Devil’s Backbone.” Anne E. Hardcastle. JFA 15.2 (2005): 119-31.

“Girl, Implicated: The Child in the Labyrinth in the Fantastic.” Greer Gilman. JFA 19.2 (2008): 199-203.

“Goddess on the Hearth: The Archetypal Significance of the Cat in Modern Fantasy.” Patricia Monk. JFA 12.3 (2001): 309-21.

“The Goddess Restored.” Victoria Sharpe. JFA 9.1 (1998): 36-45.

“The God in the Pentagram: Religion and Spirituality in Modern Fantasy.” Sylvia Kelso. JFA 18.1 (2007): 61-82.

“Golem and Robot: The Search for Connections.” Norma Comrada. JFA 7.2/3 (1995): 244-54.

“The Golem and the Garland of Letters in Borges and Broch.” Evans Lansing Smith. JFA 7.2/3 (1995): 177-90.

“Golem—Frankenstein—Golem of Your Own.” Jane P. Davidson. JFA 7.2/3 (1995): 228-43.

“The Golem on the Operatic Stage: Nature’s Warning.” Walter A. Strauss. JFA 7.2/3 (1995): 191-200.

“Grail, Groundhog, Godgame: Or, Doing Fantasy.” John Clute. JFA 10.4 (2000): 330-37.

“Green Reading: Tolkien, Leopold, and the Land Ethic.” Lucas P. Niiler. JFA 10.3 (1999): 276-85.

“Greer Gilman: An Introduction.” Faye Ringel. JFA 19.2 (2008): 196-98.

“The Grotesque in the Early Works of Gregory Gillespie.” Larry D. Lutschmansingh. JFA 3.1 (1990): 41-56.

“Guest Editor’s Afterword.” C. W. Sullivan, III. JFA 5.3 (1993): 99.

“Guest Editor’s Foreword.” C. W. Sullivan, III. JFA 7.1 (1995): 3-4.

“Guest Editor’s Introduction.” J. Robert Craig. JFA 14.1 (2003): 4-6.

“Guest Editor’s Introduction.” J. Robert Craig. JFA 13.3 (2003): 215-17.

“Guest Introduction.” Roger C. Schlobin. JFA 5.3 (1993): 3-4.

“Guy Gavriel Kay: An Introduction.” Gary K. Wolfe. JFA 20.2 (2009): 238-39.

“Gyges’s Ring: Invisibility in Plato, Tolkien, and Lope de Vega.” Frederick A. de Armas. JFA 3.4 (1994): 120-38.

H

“A Half-Naked Muscleman in Trunks: Charles Atlas, Superheroes, and Comic Book Masculinity.” Richard Landon. JFA 18.2 (2007): 200-16.

“‘The Halls of Waiting’: Death and Afterlife in Middle-earth.” Charles W. Nelson. JFA 9.3 (1998): 200-11.

“The Harmony of Reality and Fantasy: The Fantastic in Irish Drama.” Csilla Bertha. JFA 4.3 (1991): 2-24.

“Harvey Kurtzman’s MAD: Subversion and Fantasy.” M. Thomas Inge. JFA 17.2 (2006): 123-39.

Hayy ibn Yaqzan by Abu ibn Tufayl: An Arabic Mowgli.” Philip José Farmer. JFA 3.3 (1994): 72-78.

“The Heart of Harry Angstrom: Dream Visions in Updike’s Rabbit Tetralogy.” Lawrence R. Broer. JFA 7.4 (1996): 84-101.

“Heidegger, Psychoanalysis, and Haunted Wells in M. R. James’s Stories.” Andrew Hock Soon Ng. JFA 22.2 (2011): 192-211.

“Heinlein Criticism and the Scribner’s Juveniles.” C. W. Sullivan, III. JFA 17.2 (2006): 169-80.

“‘He Was Torn to Pieces with a Bear’: Grotesque Unity in The Winter’s Tale.” Kevin Crawford. JFA 10.3 (1999): 206-30.

“High Duty and Savage Delight: The Ambiguous Nature of Violence in Dracula.” Katie Harse. JFA 10.2 (1999): 116-23.

“Higher Verisimilitude and the Weirdness of the Universe: An Interview with Robert Charles Wilson.” Graham J. Murphy. JFA 20.2 (2009): 210-20.

“‘Hiro’ of the Platonic: Neal Stephenson’s Snow Crash.” Carl Boehm. JFA 14.4 (2004): 394-408.

“Holdings Project: The Harry Ransom Humanities Research Center at the University of Texas at Austin.” Bryan D. Dietrich. JFA 16.3 (2005): 263-64.

“Holdings Project: The University of Illinois at Urbana-Champaign.” Kelly Searsmith. JFA 16.2 (2005): 170-72.

“Holdings Report: University of Iowa.” Joe Sutliff Sanders. JFA 16.3 (2005): 265.

“A Holocaust Education in Reverse: Stephen King’s ‘The Summer of Corruption: Apt Pupil.'” Leon Stein. JFA 5.2 (1993): 60-79.

“Honor-bound: Self and Other in the Honor Culture of Robin Hobb’s Soldier Son Series.” Siobhan Carroll. JFA 18.3 (2007): 308-18.

“Horrifying ‘Boredom’ in Michael Crichton’s Fictions.” James Whitlark. JFA 13.3 (2003): 226-38.

“The Horror! The Horror! The Appropriation, and Reclamation, of Native American Mythology.” Joe Nazare. JFA 11.1 (2000): 24-51.

“How Do You Get into This Line of Work, Mister Buonarroti?” Carl B. Yoke. JFA 3.4 (1994): 80-83.

“How Should a Science Fiction Story Begin?” Brian Stableford. JFA 12.3 (2001): 322-37.

“Humankind and Reality: Illusion and Self-Deception in Peter S. Beagle’s Fiction.” Richard C. West. JFA 1.3 (1988): 47-54.

“The Hybridization of Genres: Reaping the Whirlwind.” Helen Pilinovsky. JFA 15.3 (2004): 189-91.

I

“‘If America Goes On Breeding Men Like That’: Dracula‘s Quincey Morris Problematized.” James R. Simmons. JFA 12.4 (2002): 425-36.

“‘If I Had to Write with a Pen’: Readership and Bram Stoker’s Diary Narrative.” Susan M. Cribb. JFA 10.2 (1999): 133-41.

“Illuminating the Ghost Light: Final Acts in the Theater of Fritz Leiber.” Gerald Adair. JFA 12.4 (2002): 364-81.

“Illuminating the Occult: W. B. Yeats in Nick Bantock’s Griffin and Sabine Series.” Therese-M. Meyer. JFA 21.1 (2010): 5-25.

“The Image of the Vampire in the Struggle for Societal Power: Dan Simmons’s Children of the Night.” Joona Smitherman Trapp. JFA 10.2 (1999): 155-62.

“Impertinent Miracles at the British Museum: Egyptology and Edwardian Fantasies for Young People.” Karen Sands-O’Connor. JFA 19.2 (2008): 224-37.

“‘I’m Telling You Stories….Trust Me’: Gender, Desire, and Identity in Jeanette Winterson’s Historical Fantasies.” Jana L. French. JFA 10.3 (1999): 231-52.

“In and Out of the Labyrinth: Myth and Minotaur in MacDonald Harris’s Bull Fire and Steven Sherrill’s The Minotaur Takes a Cigarette Break.” Sondra F. Swift. JFA 17.3 (2006): 255-65.

“Indigenous Scientific Literacies in Nalo Hopkinson’s Ceremonial Worlds.” Grace Dillon. JFA 18.1 (2007): 23-41.

“In Search of Creative Solitude in Modern Fantasy: An Essay on the Fascination with Evil.” Roger C. Schlobin. JFA 3.2 (1991): 5-13.

“In Search of the Not-One.” Gwendolyn Morgan. JFA 4.4 (1991): 3-8.

“Insects and Automata in Hoffmann, Balzac, Carter, and del Toro.” Eric White. JFA 19.3 (2008): 363-78.

“‘Inspired…by Philip K. Dick’: Ambiguity, Deception, and Illusion in Total Recall.” Donald E. Palumbo. JFA 4.1 (1991): 69-80.

“Internal Allusions and Recurring Mysteries in Asimov’s Robot/Empire/Foundation Metaseries.” Donald Palumbo. JFA 13.2 (2002): 134-42.

“Interpolation and Invisibility: From Herodotus to Cervantes’s Don Quixote.” Frederick A. de Armas. JFA 4.2 (1991): 8-28.

“Interstitial Arts: An Interview with Delia Sherman.” Helen Pilinovsky. JFA 15.3 (2004): 248-50.

“Introduction.” Brian Attebery. JFA 18.2 (2007): 149-51.

“Introduction.” Charlie Butler. JFA 21.2 (2010): 159-61.

“Introduction.” Dorothy Joiner. JFA 3.1 (1990): 2-4.

“Introduction.” Christine Mains. JFA 16.3 (2005): 175-77.

“Introduction.” Charles A. Meyer. JFA 6.1 (1993): 3-6.

“Introduction.” Nicholas Ruddick. JFA 2.3 (1990): 2-4.

“Introduction.” W. A. Senior. JFA 10.3 (1999): 203-05.

“Introduction.” W. A. Senior. JFA 10.2 (1999): 107-08.

“Introduction.” W. A. Senior. JFA 9.3 (1998): 173-74.

“Introduction: All Canons Blazing.” W. A. Senior. JFA 12.4 (2002): 61-63.

“Introduction: The Backlist, Academics, and Electronic Publishing.” Brian Attebery. JFA 22.2 (2011): 149-52.

“Introduction: Beagle and Ellison: A Special Issue.” Gary K. Wolfe. JFA 1.3 (1988): 3-6.

“Introduction: Bereshit bara Elohim: A Survey of the Genesis and Evolution of the Golem.” Maureen T. Krause. JFA 7.2/3 (1995): 113-36.

“Introduction: A Bibliographical Note on Harry Potter.” W. A. Senior. JFA 17.1 (2006): 1-3.

“Introduction: The Botnet/Zombie Army: Cyber-Terrorism.” W. A. Senior. JFA 17.3 (2006): 207-10.

“Introduction: Collections, Depositories, and Archives.” W. A. Senior. JFA 13.1 (2002): 1-2.

“Introduction: Conferring, Convening, Conversing, Communing.” Brian Attebery. JFA 20.2 (2009): 169-72.

“Introduction: Cultural Work.” Brian Attebery. JFA 21.1 (2010): 1-4.

“Introduction: Defending the Fantastic—Redux.” W. A. Senior. JFA 15.2 (2005): 97-100.

“Introduction: ‘Did You Know that Paul McCartney Had a Band Before Wings.'” Carl B. Yoke. JFA 3.2 (1991): 2-4.

“Introduction: Dream and Narrative Space.” Yuan Yuan. JFA 7.4 (1996): 1-3.

“Introduction: Etymological Whimsy.” W. A. Senior. JFA 8.3 (1997): 279-80.

“Introduction: The Fantastic in College and University Honors Programs.” W. A. Senior. JFA 13.4 (2003): 332-34.

“Introduction: The Fantastic in (Some of) the Arts.” Brian Attebery. JFA 22.1 (2011): 1-3.

“Introduction: The Fantastic Ridiculous.” Brian Attebery. JFA 22.3 (2011): 310-12.

“Introduction: Fantasy and the Bible.” Tina Pippin and George Aichele. JFA 8.2 (1997): 113-15.

“Introduction: Fantasy as Testimony.” Gary K. Wolfe. JFA 5.2 (1993): 3-10.

“Introduction: Fear and Fantasy.” Brian Attebery. JFA 19.1 (2008): 1-4.

“Introduction: The Form of the Content of the Form.” Brian Attebery. JFA 20.3 (2009): 315-18.

“Introduction: Frank Herbert’s Prescience: Dune and the Modern World.” W. A. Senior. JFA 17.4 (2007): 317-20.

“Introduction: Gigaquestions.” W. A. Senior. JFA 11.3 (2000): 233-35.

“Introduction: Goblins.” W. A. Senior. JFA 13.2 (2002): 110-13.

“Introduction: In Praise of Anticlimaxes.” Brian Attebery. JFA 23.1 (2012): 1-3.

“Introduction: Le Guin’s ‘Omelas’: Issues of Genre.” W. A. Senior. JFA 15.3 (2004): 186-88.

“Introduction: Mirror, Mirror on the Wall.” Carl B. Yoke. JFA 9.2 (1998): 87-92.

“Introduction: ‘More Fantasy Crap,’ or, Why We Fight.” Brian Attebery. JFA 19.3 (2008): 293-96.

“Introduction: Muggling On.” W. A. Senior. JFA 10.4 (2000): 327-29.

“Introduction: Next Year in Mondath.” Brian Attebery. JFA 18.3 (2007): 289-91.

“Introduction: Not-Mundane Not-Science-Fiction.” Brian Attebery. JFA 20.1 (2009): 1-4.

“Introduction: Octavia Butler as Public Intellectual (ICFA-21 Panel).” William Covino. JFA 11.2 (1998): 173-74.

“Introduction: Of Goddesses.” C. W. Sullivan, III, and Kathryn Fladenmuller. JFA 9.1 (1998): 1-2.

“Introduction: On Conference Publications.” W. A. Senior. JFA 12.2 (2001): 145-46.

“Introduction: On Editing a Journal.” W. A. Senior. JFA 14.4 (2004): 391-93.

“Introduction: One Ring to Rule Them All.” W. A. Senior. JFA 11.1 (2000): 5-7.

“Introduction: On Language, with a Nod to William Safire.” W. A. Senior. JFA 12.3 (2001): 247-49.

“Introduction: On Psi Powers.” H. L. Drake. JFA 9.4 (1998): 257-67.

“Introduction: Orwellian Shadows.” W. A. Senior. JFA 17.2 (2006): 101-04.

“Introduction: The Politics of Fantasy.” W. A. Senior. JFA 15.1 (2004): 1-3.

“Introduction: Race and the Fantastic.” Brian Attebery. JFA 21.3 (2010): 334-37.

“Introduction: Re-examining Classics: Teaching Science Fiction.” W. A. Senior. JFA 15.4 (2004): 285-87.

“Introduction: Scholarship and Context.” W. A. Senior. JFA 16.1 (2005): 1-2.

“Introduction: S-F or Fantasy?” W. A. Senior. JFA 11.2 (1998): 130-32.

“Introduction: An SF Scenario: The Reality of 2005.” W. A. Senior. JFA 16.2 (2005): 83-85.

“Introduction: Solid Science.” W. A. Senior. JFA 12.1 (2001): 1-3.

“Introduction: Some Notes on ‘the Abyss’: The Rhetoric of the Fantastic.” W. A. Senior. JFA 16.4 (2006): 273-76.

“Introduction: A Special Issue for a More Than Special Writer.” Brian Attebery. JFA 21.2 (2010): 158.

“Introduction: The Starbucks Tree.” W. A. Senior. JFA 14.3 (2003): 298-300.

“Introduction: Theories of/and Fantastic Literature.” Rob Latham. JFA 8.4 (1997): 395-97.

“Introduction: Value Added.” Brian Attebery. JFA 19.2 (2008): 169-72.

“Introduction: What Are Dreams For?” Brian Attebery. JFA 18.1 (2007): 1-4.

“Introduction: When the Hungarian Literary Theorist, Györgyi Lukács Met the American Science Fiction Writer, Wayne Mark Chapman.” Donald E. Morse. JFA 11.4 (2001): 342-45.

“Introduction: Where Have All the Monsters Gone?” W. A. Senior. JFA 14.2 (2003): 214-16.

“Isaiah: Dreams and Nightmares, Fantasy and Horror.” Peter D. Miscall. JFA 8.2 (1997): 151-69.

“‘I Will Play No Games with You’: Riddlery, Narrative and Ethics in The Riddle-Master’s Game.” Kerrie Le Lievre. JFA 16.3 (2005): 233-45.

J

“The JFA Forum on SF Film.” Brooks Landon, ed. Includes commentaries by: Vivian Sobchack, Howard Waldrop, Frank McConnell, Thomas Doherty, Lewis Shiner, Algis Budrys, K. C. d’Alessandro, Frederik Pohl, John Shirley, Dennis Lynch, Melba Joyce Boyd, George Zebrowski, Eric S. Rabkin, Scott Bukatman, James Gunn, Ellen Draper, Rob Latham, George Slusser, Constance Penley, and Harlan Ellison. JFA 2.2 (1989): 10-41.

“John Gardner’s Grendel: A Story Retold and Transformed in the Process.” Marie Nelson. JFA 18.3 (2007): 340-63.

“Joseph Addison: The First Critic of the Fantastic.” David Sandner. JFA 11.1 (2000): 52-61.

“Joss Whedon’s Dollhouse and Joss Whedon’s Dollhouse.” Scott Rogers. JFA 22.2 (2011): 153-70.

“Journal of the Fantastic in the Arts.” Marshall B. Tymn. JFA 1.1 (1988): 3-4.

“J. R. R. Tolkien’s Creative Ethic and Its Finnish Analogues.” Matthew R. Bardowell. JFA 20.1 (2009): 91-108.

“J. R. R. Tolkien: The ‘Monstrous’ in the Mirror.” Daniel Timmons. JFA 9.3 (1998): 229-46.

“Tolkien and the Telling of a Traditional Narrative.” C. W. Sullivan, III. 1, 7.75-82.

“Justinus Kerner’s Seherin von Prevorst: A Parapsychological Psychodrama.” Lee B. Jennings. JFA 9.4 (1998): 303-12.

K

“Kafka’s Sister.” Brian W. Aldiss, JFA 3.2 (1991): 14-21.

“Kenneth Morris: The Milestone in Welsh Celtic Fantasy Fiction.” C. W. Sullivan, III. JFA 16.2 (2005): 142-51.

“Keynote Address: Diana Wynne Jones.” Nicholas Tucker. JFA 21.2 (2010): 162-68.

“King Arthur and the Massacre of the May Day Babies: A Story Told by Sir Thomas Malory, Later Retold by John Steinbeck, Mary Stewart, and T. H. White.” Marie Nelson. JFA 11.3 (2000): 266-81.

“Knowing and Geography in Octavia Butler, Ursula K. Le Guin and Maureen McHugh.” Alice Jenkins. JFA 16.4 (2006): 320-34.

“Kurt Vonnegut’s Fantastic Faces.” Peter Reed. JFA 10.1 (1999): 77-87.

L

“‘The Lady of Shalott’ as Paradigm in Patricia McKillip’s The Tower at Stony Wood.” Martha Hixon. JFA 16.3 (2005): 191-205.

“La fantasia y la CF como espacios de libertad.” Daina Chaviano. JFA 15.1 (2004): 12-19.

The Last of the Just: Lifting Moloch to Heaven.” Jules Zanger. JFA 5.2 (1993): 49-59.

“Laurence Yep: An Introduction. Amy Branam.” JFA 21.3 (2010): 366-83.

“Lavinia: A Woman Reinvents Herself in Fact and/or Fiction.” Sandra Lindow. JFA 20.2 (2009): 221-37.

“Leakings: Reappropriating Science Fiction—The Case of Kurt Vonnegut.” Bényei Tamás. JFA 11.4 (2001): 432-53.

“The Legacy of Mack Reynolds.” Curtis C. Smith. JFA 5.4 (1993): 73-82.

“Lessing and the Sacred City.” Lois A. Marchino. JFA 2.3 (1990): 34-40.

“‘Life Is a Hideous Thing’: Primate-Geniture in H. P. Lovecraft’s ‘Arthur Jermyn.'” Bennett Lovett-Graff. JFA 8.3 (1997): 370-88.

“Light and Space in the Open Air: James Turrell’s Roden Crater Project.” Craig Adcock. JFA 3.1 (1990): 57-68.

“Little Red Riding Hood Meets the Werewolf: Genre and Gender Tensions in Neil Jordan’s The Company of Wolves.” Sara Martin. JFA 12.1 (2001): 18-33.

“Little Sister Is Watching You: Archer’s Goon and 1984.” Kyra Jucovy. JFA 21.2 (2010): 271-89.

Loces Genii: Urban Settings in the Fantasy of Peter Beagle, Martha Wells, and Barbara Hambley.” Sylvia Kelso. JFA 13.1 (2002): 13-32.

“Lois McMaster Bujold: Feminism and ‘The Gernsback Continuum’ in Recent Women’s SF.” Sylvia Kelso. JFA 10.1 (1999): 17-29.

“Long Live Gonzo: An Introduction to Rudy Rucker.” Rob Latham. JFA 16.1 (2005): 3-5.

“Lord of the Monsters: Minstrelsy Redux: King Kong, Hip Hop, and the Brutal Black Buck.” Andrea Hairston. JFA 18.2 (2007): 187-99.

The Lord of the Rings‘ Interlace: From Tolkien to Tarot.” Emily E. Auger. JFA 19.3 (2008): 317-30.

The Lord of the Rings‘ Interlace: Tolkien’s Narrative and Lee’s Illustrations.” Emily E. Auger. JFA 19.1 (2008): 70-93.

“Loving Death: The Meaning of Male Sexual Impotence in Vampire Literature.” Lloyd Worley. JFA 2.1 (1989): 25-36.

“Lucifer: A Fantastic Figure.” Judith Lee. JFA 8.2 (1997): 218-34.

“Luxuriant and Prurient Chaos: Life’s a Fantasy on Primrose Lane.” Roderick McGillis. JFA 14.2 (2003): 255-64.

M

“Madame Dracula: The Life of Emily Gerard.” Lokke Heiss. JFA 10.2 (1999): 174-86.

“Magical Realism: The (R)evolution of Santería and Hispanic Hagiography in Cuba.” Rafael Ocasio. JFA 8.2 (1997): 235-43.

“Magic as an Alternative to Science.” William M. Schuyler, Jr. JFA 9.2 (1998): 104-16.

“Magic or Make-Believe? Acquiring the Conventions of Witches and Witchcraft.” Greer Watson. JFA 6.4 (1995): 341-59.

“The Magic(s) of Stephen Brust.” Wayne A. Chandler. JFA 9.2 (1998): 157-65.

“Mannerism and the Macabre in H. P. Lovecraft’s Dunsanian ‘Dream-Quest.'” Peter Goodrich. JFA 15.1 (2004): 37-48.

“Margaret Atwood’s The Handmaid’s Tale: Echoes of Orwell.” Earl Ingersoll. JFA 5.4 (1993): 64-72.

“Maria Nikolajeva: An Introduction.” Michael Levy. JFA 20.2 (2009): 182-83.

“Masks in the Forest: The Dynamics of Surface and Depth in Robert Holdstock’s Mythago Cycle.” Kálmán Matolcsy. JFA 17.4 (2007): 350-70.

“The Master and Margarita: A Fantasy of Redemption.” Jonathan Ludwig. JFA 13.2 (2002): 153-68.

“Maybe They’re Phasing Us In: Re-mapping Fantasy Tropes in the Face of Gender, Race, and Sexuality.” Nalo Hopkinson. JFA 18.1 (2007): 99-107.

“Medieval Dragon-lore in Middle-earth.” Jonathan Evans. JFA 9.3 (1998): 175-91.

“Medieval Literature and Modern Fantasy: Toward a Common Metaphysics.” W. A. Senior. JFA 3.3 (1994): 32-49.

“Men in Love: The Fantasizing of Bram Stoker and Edvard Munch.” Suzanna Nyberg. JFA 8.4 (1997): 488-502.

“The Merrill Collection.” Sherryl Vint. JFA 15.1 (2004): 91-93.

“Mervyn Peake: The Relativity of Perception.” Tanya Gardiner-Scott. JFA 1.2 (1988): 13-24.

“Metafiction and the Gnostic Quest in The Man in the High Castle.” Howard Canaan. JFA 12.4 (2002): 382-405.

“Metafiction in the Comics: The Sensational She-Hulk.” Donald Palumbo. JFA 8.3 (1997): 310-30.

“Michael Aurbach: Final Portraits.” Dorothy Joiner. JFA 3.1 (1990): 69-79.

“Michael Dorsey’s Beauty Parlor Series: Historical Permanence.” Paul Grootkerk. JFA 3.1 (1990): 15-28.

“Middleton’s The Witch: Witchcraft and the Domestic Female Hero.” James R. Keller. JFA 4.4 (1991): 37-59.

“Millhauser, Süskind, and the Postmodern Promise.” Douglas Fowler. JFA 1.4 (1988): 77-86.

“‘Misery Is Manifold’: Bereavement in the Tales of Edgar Allan Poe.” Samantha Stobert. JFA 11.3 (2000): 282-93.

“The Mistaken Mistake: Permutations of the Golem Legend.” Mike Pinsky. JFA 7.2/3 (1995): 215-27.

“A Modern Instance: Magic, Imagination, and Power.” John Crowley. JFA 12.2 (2001): 147-56.

“The Monomyth in Back to the Future: Science Fiction Film Comedy as Adolescent Wish-Fulfillment Fantasy.” Donald Palumbo. JFA 17.1 (2006): 60-76.

“The Monomyth and Chaos Theory: ‘Perhaps We Should Believe in Magic.'” Donald Palumbo. JFA 12.1 (2001): 34-76.

“The Monomyth in Daniel Keyes’s Flowers for Algernon: Keyes, Campbell, and Plato.” Donald Palumbo. JFA 14.4 (2004): 427-46.

“Monster Mishmash: Iconicity and Intertextuality in Tobe Hooper’s The Texas Chain Saw Massacre.” Larrie Dudenhoeffer. JFA 19.1 (2008): 51-69.

“‘More Than Human’: The Queer Occult Explorer of the Fin-de-Siècle.” Mark De Cicco. JFA 23.1 (2012): 4-24.

“Morgan and the Mórrighan.” Nancy O. M. Dickson. JFA 9.1 (1998): 24-35.

“Mothers, Monsters, Maturation: Female Evil in Beowulf.” Gwendolyn A. Morgan. JFA 4.1 (1991): 54-68.

“Mrs. Todd’s (Pastoral) Shortcut.” Fred Porcheddu. JFA 19.1 (2008): 5-24.

“Murray Tinkleman: An Appreciation.” Bob Gray. JFA 2.2 (1989): 64.

“Musical Fusion in the Works of Olaf Stapledon: A Matrix of Storms and Stars.” Richard D. Burbank. JFA 16.4 (2006): 350-68.

“Mutants, Metaphor, and Marginalism: What X-actly Do the X-Men Stand For?” P. Andrew Miller. JFA 13.3 (2003): 282-90.

“Mystical vs. Realistic Influences in Isaac Bashevis Singer’s In My Father’s Court.” Lillian Schanfield. JFA 11.2 (1998): 133-42.

“Myth and Anti-Myth in Angela Carter’s The Passion of New Eve.” Maria Aline Seabra Ferreira. JFA 9.4 (1998): 284-302.

“The Mythology of the ‘Ainulindalë’: Tolkien’s Creation of Hope.” Elizabeth A. Whittingham. JFA 9.3 (1998): 212-28.

N

“Nalo Hopkinson: An Introduction.” Rob Latham. JFA 21.3 (2010): 338.

“Narrativium and Lies-to-Children: ‘Palatable Instruction’ in The Science of Discworld.” Andy Sawyer. JFA 13.1 (2002): 62-81.

“Native Sons: Regionalism in the Work of Nathaniel Hawthorne and Stephen King.” Tony Magistrale. JFA 2.1 (1989): 76-86.

“Nature’s Nightmare: The Inner World of Hauptmann’s Flagman Thiel.” Donald H. Crosby. JFA 1.2 (1988): 25-34.

“The New Age Mage: Merlin as Contemporary Occult Icon.” Peter Goodrich. JFA 5.1 (1992): 42-73.

“New Hero: Metafictive Female Heroism in Fire and Hemlock.” René Fleischbein. JFA 21.2 (2010): 233-45.

“The New Schlobin Collection at East Carolina University.” Aaron R. Carpenter. JFA 16.3 (2005): 266-67.

“News from Somewhere: A Case for Romance-Tradition Fantasy’s Reformist Poetic.” Kelly Searsmith. JFA 11.1 (2000): 62-76.

“‘The Northern Thing’ Reconsidered.” C. W. Sullivan, III. JFA 3.3 (1994): 21-31.

“Not All Fangs Are Phallic: Female Film Vampires.” James Craig Holte. JFA 10.2 (1999): 163-73.

“‘Not So Very Blue, after All’: Resisting the Temptation to Correct Charles Perrault’s ‘Bluebeard.'” Nicholas Ruddick. JFA 15.4 (2004): 346-57.

“The Novel as Nightmare: Decentering the Self in Bram Stoker’s Dracula.” Matthew C. Brennan. JFA 7.4 (1996): 48-59.

O

“Octavia Butler in the Classroom (Octavia Butler as Public Intellectual [ICFA-21 Panel]).” Frances Chelland. JFA 11.2 (1998): 182-84.

“One More Time: The Conclusion of Alan Garner’s The Owl Service.” C. W. Sullivan III. JFA 9.1 (1998): 46-54.

“On This Enchanted Ground: Reflections of a Cold War Childhood in Russell Hoban’s Riddley Walker and Walter M. Miller’s A Canticle for Leibowitz.” Amanda Cockrell. JFA 15.1 (2004): 20-36.

“On Visual Tropes as Expressions of the Psyche in Roman Polanski’s The Tenant.” J. Robert Craig. JFA 9.2 (1998): 131-41.

“Orchids in a Cage: Political Myths and Social Reality in East German Science Fiction (1949-1989).” Usch Kiausch. JFA 11.4 (2001): 375-94.

“Orr Else? The Protagonists of Le Guin’s The Lathe of Heaven.” Carl D. Malmgren. JFA 9.4 (1998): 313-23.

“Our Ladies of Perpetual Hell: Witches and Fantastic Virgins in Margaret Atwood’s Cat’s Eye.” Julie Brown. JFA 4.3 (1991): 40-52.

“Our Zombies, Ourselves: Exiting the Foucauldian Universe in George A. Romero’s Land of the Dead.” June Pulliam. JFA 20.1 (2009): 42-56.

“Overture: What Was Postmodernism?” Lance Olsen. JFA 1.4 (1988): 3-8.

P

“Paradigms of Colonization: Exploring Themes of Imperialism in Guy Gavriel Kay’sTigana.” Diana Pharaoh Francis. JFA 13.2 (2002): 114-33.

“Paranormal Romance: Secrets of the Female Fantastic.” Lee Tobin-McClain. JFA 11.3 (2000): 294-306.

“The Parsifal Influence in the Work of Jean Delville.” Catherine Morris Westcott. JFA 3.1 (1990): 5-14.

“The Passion of the Phallus and Angela Carter’s The Passion of New Eve.” Lenora Ledwon. JFA 5.4 (1993): 26-41.

“The Pathological Machine: Dark City‘s Translation of Schreber’s Memoirs.” David H. Wilson. JFA 15.2 (2005): 153-64.

“Patristic Demonology and Lovecraft’s ‘From Beyond.'” Peter Dendle. JFA 8.3 (1997): 281-93.

“‘The Pattern That Connects’: Asymmetry, God, and Meaning in Russell Hoban’s Pilgermann.” Gene Doty. JFA 8.2 (1997): 116-23.

“Performing the Technologies of Gender: Representations of Television in Science Fiction by Women.” Jane Donawerth. JFA 18.2 (2007): 152-65.

“‘Peter Straub and John Crowley in Conversation.’ ICFA 26, March 18, 2005. Moderated by Gary K. Wolfe.” Sherryl Vint, ed. and transcr. JFA 16.1 (2005): 49-61.

“Peter Straub and Transcendental Horror.” Gary K. Wolfe and Amelia Beamer. JFA 18.2 (2007): 217-31.

“Peter Straub’s Shadowland: The Initiation of a Magician.” Edwin F. Casebeer. JFA 9.2 (1998): 93-103.

“Phantasy and Deconstruction.” Karen Michalson. JFA 2.4 (1990): 95-108.

“Phoenix Rising: Like Dracula from the Grave.” Carl B. Yoke. JFA 2.1 (1989): 2-3.

“Pictures at an Exhibition.” Bob Canino. JFA 3.2 (1991): 48.

“Pictures in the Fire: An Interview with Peter Straub.” John C. Tibbetts. JFA 22.3 (2011): 377-94.

“Playing with Power: The Science of Magic in Interactive Fantasy.” Scott D. Vander Ploeg and Kenneth Phillips. JFA 9.2 (1998): 142-56.

“‘Plots within Plots…Patterns within Patterns’: Chaos-Theory Concepts and Structures in Frank Herbert’s Dune Novels.” Donald Palumbo. JFA 8.1 (1997): 55-77.

“Poem as Sign in The Lord of the Rings.” Rebecca Ankeny. JFA 16.2 (2005): 86-95.

“The Politics (If Any) of Fantasy.” Brian Attebery. JFA 4.1 (1991): 7-28.

“‘Poof! Now You See Me, Now You Don’t.'” Carl B. Yoke. JFA 4.2 (1991): 2-7.

“The Postcolonial Fantastic as New Ground of Invention: Reading Carole McDonnell’s ‘Lingua Franca.'” Heather Snell. JFA 20.3 (2009): 350-62.

“Postmodern Fantasy and Postmodern Biblical Studies: A (Science) Fictive Review of Lance Olsen and Samuel Delany.” Fred. W. Burnett. JFA 8.2 (1997): 244-74.

“Postmodern Narrative and the Limits of Fantasy.” Lance Olsen. JFA 1.1 (1988): 99-110.

“The Power of Myth and Rabbit Survival in Richard Adams’s Watership Down.” Charles A. Meyer. JFA 3.4 (1994): 139-50.

“The Power of Symbols and the Failure of Virtue: Catholicism in Stephen King’s Salem’s Lot.” Leonard Mustazza. JFA 3.4 (1994): 107-19.

“Power Plays: Paradigms of Power in The Pinhoe Egg and The Merlin Conspiracy.” Martha P. Hixon. JFA 21.2 (2010): 169-86.

“The Powers of Dracula.” Robert F. Geary. JFA 4.1 (1991): 81-91.

“‘Present’-ly Safe: The Anthropocentricism of Time in H. P. Lovecraft’s Fiction.” Kurt Fawver. JFA 20.2 (2009): 248-61.

“The Pressures of History and Fiction in Geoff Ryman’sWas.” Howard Canaan. JFA 13.3 (2003): 218-25.

“Profusion Sublime and Fantastic: Robert Holdstock’s Mythago Wood.” Marek Oziewicz. JFA 19.1 (2008): 94-111.

“Protecting the Island: Narrative Continuance in Lost.” Elizabeth Berkebile McManus. JFA 22.1 (2011): 4-23.

“Psi and Technology in Science Fiction.” Susan Stratton. JFA 9.4 (1998): 324-35.

“Psychohistory and Chaos Theory: The ‘Foundation Trilogy’ and the Fractal Structure of Asimov’s Robot/Empire/Foundation Metaseries.” Donald Palumbo. JFA 7.1 (1995): 23-50.

“Putting the Pieces Together: Information Theory, Neuromancer, and Science Fiction.” Nicholas Ruddick. JFA 3.4 (1994): 84-92.

“Putting a Red Nose on the Text: Play and Performance in the Postmodern Fantastic.” Ralph Yarrow. JFA 1.4 (1988): 19-28.

Q, R

“Race and Black Humor: From a Planetary Perspective.” Takayuki Tatsumi. JFA 21.3 (2010): 439-54.

“Race Matters: People of Color, Ideology, and the Politics of Erasure and Reversal in Ursula Le Guin’s The Left Hand of Darkness and Mary Doria Russell’s The Sparrow.” Jamil Khader. JFA 16.2 (2005): 110-27.

Raising Arizona: Not Quite Ozzie and Harriet Meet the Biker from Hell.” Joe Sanders. JFA 6.2/3 (1994): 217-33.

“Rava’s Golem.” David M. Honigsberg. JFA 7.2/3 (1995): 137-45.

“Reading the Cyborg in Mary Shelley’s Frankenstein.” Sarah Canfield Fuller. JFA 14.2 (2003): 217-27.

“Ready or Not, Here We Come: Metaphors of the Martian Megatext from Wells to Robinson.” Thomas J. Morrissey. JFA 10.4 (2000): 372-94.

“Reality, Fiction, and Wu in The Man in the High Castle.” Jianjiong Zhu. JFA 5.3 (1993): 36-45.

“Realizing Fantastic Trickster Liberations in Gerald Vizenor’s Griever: An American Monkey King in China.” Timothy R. Fox. JFA 20.1 (2009): 70-90.

“The Realm of Revealing: The Technological Double in the Modern Science Fiction Film.” J. P. Telotte. JFA 6.2/3 (1994): 234-52.

“Recent Trends in the Contemporary American Fairy Tale.” Jack Zipes. JFA 5.1 (1992): 13-41.

“Rediscovery and Exploration: The Legend of Prince Madoc ap Owain Gwynedd.” Robin Calfee-Moye. JFA 5.3 (1993): 85-97.

“The Refinement of ‘Crude Allegory’: Eugenic Themes and Genotypic Horror in the Weird Fiction of H. P. Lovecraft.” Mitch Frye. JFA 17.3 (2006): 237-54.

“Religion, Monstrosity, and the Sovereign Decision in Blish’s A Case of Conscience.” Derek Thiess. JFA 19.3 (2008): 331-48.

“Religious Satire in Rushdie’s Satanic Verses.” Hani Al-Raheb. JFA 6.4 (1995): 330-40.

“A Reluctant Ambassador from the Planet of Midnight.” Nalo Hopkinson. JFA 21.3 (2010): 339-50.

“Resources for the Study of American Fantasy Literature Through 1998.” Roger C. Schlobin. JFA 10.4 (2000): 409-39.

“Revisiting Doris Lessing: A Checklist for Critical Studies, 1962-1988.” Marshall Tymn, ed. JFA 2.3 (1990): 50-62.

“‘Revolutionizing Reality’: The Irish Fantastic.” Donald E. Morse. JFA 8.1 (1997): 2-14.

“Rhetoric and Death in Thelma and Louise: Notes Toward a Logic of the Fantastic.” David Metzger. JFA 4.4 (1991): 9-18.

“Rings, Belts, and a Bird’s Nest: Invisibility in German Literature.” David B. Dickens. JFA 4.2 (1991): 29-48.

“Rising Like Old Corpses: Stephen King and the Horrors of Time-Past.” Leonard G. Heldreth. JFA 2.1 (1989): 5-13.

“‘rituals’ footprints ankle-deep in stone’: The Irrelevancy of Setting in the Fantastic.” Roger C. Schlobin. JFA 11.2 (1998): 154-63.

“Roger Luckhurst: An Introduction.” Sherryl Vint. JFA 19.2 (2008): 178-80.

“Ruskin Bond’s ‘Whispering in the Dark’: A Fantastic Quest for Identity.” Debashis Bandyopadhyay. JFA 21.3 (2010): 394-412.

S

“Saturnalia and Sanctuary: The Role of the Tale in Watership Down.” John G. Peters. JFA 6.1 (1993): 51-62.

“Schizoid Android: Cybernetics and the Mid-Sixties Novels of Philip K. Dick.” N. Katherine Hayles. JFA 8.4 (1997): 419-42.

“Science Fiction and Fantastic Literature as Realms of Freedom.” Daina Chaviano. JFA 15.1 (2004): 4-11.

“Science-Fiction and Fantasy Film Criticism: The Case of Lucas and Spielberg.” Andrew Gordon. JFA 2.2 (1989): 81-94.

“Science Fiction and Fantasy Research Collection, Cushing Memorial Library.” Texas A&M University. Catherine Coker and Hal W. Hall. JFA 19.1 (2008): 150-54.

“The Science Fiction Dream.” Geoff Ryman. JFA 18.2 (2007): 232-46.

“The Search for a Quantum Ethics: Michael Frayn’s Copenhagen and Other Recent British Science Plays.” Nick Ruddick. JFA 11.4 (2001): 415-31.

“The Second Vampire: filles fatales in J. Sheridan Le Fanu’s Carmilla and Anne Rice’sInterview with the Vampire.” Gabriella Jönsson. JFA 17.1 (2006): 33-48.

“‘Seeing’ Invisibility: Or Invisibility as Metaphor in Thomas Berger’s Being Invisible.” Edgar L. Chapman. JFA 4.2 (1991): 65-93.

“Seek the Gnarl.” Rudy Rucker. JFA 16.1 (2005): 6-20.

“A Select Bibliography of Patricia McKillip’s Fiction.” Christine Mains. JFA 16.3 (2005): 246-48.

“Self-Referentiality in Gene Wolfe’s ‘Seven American Nights.'” George Aichele, Jr. JFA 3.2 (1991): 37-47.

“The Self-Weird World: Problems of Being as the Fantastic Invasion in Small-press Speculative Fiction.” Darin Bradley. JFA 18.1 (2007): 5-22.

“Shakespeare in Discworld: Witches, Fantasy, and Desire.” Kristin Noone. JFA 21.1 (2010): 26-40.

“Shakespearean Reincarnations: An Intertextual Reading of J. G. Ballard’s ‘The Ultimate City.'” Umberto Rossi. JFA 20.3 (2009): 363-84.

“Shamanism in a Threatened World: Doris Lessing’s Briefing for a Descent into Hell.” Nancy Corson Carter. JFA 2.3 (1990): 5-13.

“Shamanistic Mythmaking: From Civilization to Wilderness in Watership Down.” John Pennington. JFA 6.1 (1993): 34-50.

“Shapeshifters and Skinwalkers: The Writer’s Curse of Negative Capability.” Dan Simmons. JFA 8.4 (1997): 398-418.

“Shapeshifting in Caryl Churchill’s The Skriker.” Graham Wolfe. JFA 22.2 (2011): 234-56.

“Shaping Self Through Spontaneous Oral Narration in Richard Adams’s Watership Down.” Kathleen Anderson. JFA 6.1 (1993): 25-33.

“The Shared Universe: An Experiment in Speculative Fiction.” Patricia Monk. JFA 2.4 (1990): 7-46.

“‘Sick of Count Dracula’: Scott, Carter, Rice and the Response to Stoker’s Authority.” Katie Harse. JFA 13.3 (2003): 250-57.

“The Significance of Myth in Watership Down.” Joan Bridgman. JFA 6.1 (1993): 7-24.

“Slaying the Dragon Within: Andre Norton’s Female Heroes.” Carl B. Yoke. JFA 4.3 (1991): 79-92.

“Snatching Victory from the Jaws of Defeat: Twenty Fractal Variations on a Theme in the Conclusions of Asimov’s Robot/Empire/Foundation Metaseries.” Donald Palumbo. JFA 12.4 (2002): 406-16.

“Social Robotics: Constructing the Ideal Woman from Used Ideological Parts.” Diana Pharaoh Francis. JFA 7.1 (1995): 92-101.

“Solar Mythology in George MacDonald’s ‘Little Daylight’ and ‘The Day Boy and the Night Girl.'” John Pennington. JFA 10.3 (1999): 308-20.

“‘Some Longing and at the Same Time Some Deadly Fear’: Victorian Masochism and Dracula.” Gabriel A. Rieger. JFA 17.1 (2006): 49-59.

“Someone Else’s Dream? An Approach to Twentieth-Century Fantastic Fiction.” Smadar Shiffman. JFA 13.4 (2003): 352-67.

“Something Hungry This Way Comes: Terrestrial and Ex-terrestrial Feline Feeding Patterns and Behavior.” Fiona Kelleghan. JFA 10.4 (2000): 338-52.

“‘A Sort of Mouse-Person’: Radicalizing Gender in The Witches.” Jennifer Mitchell. JFA 23.1 (2012): 25-39.

“The Speaking Dead in Sir Amadace and the White Knight.” Patricia Harkins. JFA 3.3 (1994): 62-71.

“Spectral Witnesses: The Doubled Voice in Martin Amis’s Time’s Arrow, Toni Morrison’s Beloved and Wim Wenders’s Wings of Desire.” Michael Trussler. JFA 14.1 (2003): 28-50.

“‘Spells of Darkness’: Invisibility in The White Witch of Rosehall.” JFA 4.2 (1991): 49-64.

“Stasis and Chaos: Some Popular Dynamics of Popular Genres.” Gary K. Wolfe. JFA 10.1 (1999): 4-16.

“Stephen King’s Fiction and the Legacy of Poe.” Burton R. Pollin. JFA 5.4 (1993): 2-25.

“Straddling Genres: McKillip and the Landscape of the Female Hero-Identity.” Sharon Emmerichs. JFA 16.3 (2005): 206-18.

“Structural and Psychological Aspects of the Spider Woman Symbol in Kiss of the Spider Woman.” Philippa B. Yin. JFA 1.2 (1988): 65-82.

“Structural Complexity in Doris Lessing’s Canopus Novels.” Barbara Dixson. JFA 2.3 (1990): 14-22.

“The Structure of Magical Revolutions.” Helgard Fischer. JFA 21.2 (2010): 246-56.

“The Stuff That Dreams Are Made Of: Interpreting Dreams in Salman Rushdie’s The Satanic Verses.” Brunda Moka-Dias. JFA 7.4 (1996): 60-73.

“Subversive Metropolis: The Grotesque Body in the Phantasmic Urban Landscape.” Darja Malcolm-Clarke. JFA 17.2 (2006): 140-54.

“Suicide and the Absurd: The Influence of Jean-Paul Sartre’s and Albert Camus’s Existentialism on Stephen R. Donaldson’s The Chronicles of Thomas Covenant the Unbeliever.” Benjamin Laskar. JFA 14.4 (2004): 409-26.

“Superman: Myth through the Christ and the Revelation.” Carl Boehm. JFA 11.3 (2000): 236-44.

“The Survival of the Goddess in Marie de France and Marion Zimmer Bradley.” Don Riggs. JFA 9.1 (1998): 15-23.

“Surviving the Survivor: Art Spiegelman’s Maus.” Joan Gordon. JFA 5.2 (1993): 80-89.

“Sutpen’s Sentient House.” David L. Coss. JFA 15.2 (2005): 101-18.

“Symbolic Settings in Science Fiction: H. G. Wells, Ray Bradbury, and Harlan Ellison.” Joe Patrouch. JFA 1.3 (1988): 37-46.

“The Symbolic Versus the Fantastic: The Example of an Hungarian Painter.” Csilla Bertha. JFA 6.4 (1995): 295-311.

“A Syntax of Symbols in the Representation of Death and Dreams: Death as Simultaneity in Siesta and Jacob’s Ladder.” Sharon Sieber. JFA 14.1 (2003): 86-101.

T

“Takayuki Tatsumi: An Introduction.” Stefan Hall. JFA 21.3 (2010): 436-38.

“‘Ta’mey Dun, Bommey Dun’ (Great Deeds, Great Songs): The Klingon Opera U as Ethnodramaturgical Performance.” Jen Gunnels. JFA 23.1 (2012): 60-81.

“Tales of Old Prague: Of Ghettos, Passover, and the Blood Libel.” Terri Frongia. JFA 7.2/3 (1995): 146-62.

“Tales Your Mother Never Told You: Aliens and the Horrors of Motherhood.” Susan Yunis and Tammy Ostrander. JFA 14.1 (2003): 68-76.

“Talking the Talk, Walking the Walk: The Role of Discourse in John Haldeman’s ‘The Monster’ and Lucius Shepard’s ‘Delta Sly Honey.'” Tim Blackmore. JFA 6.2/3 (1994): 191-202.

“The Taming of the Dragon in Twentieth Century Picture Books.” Tina L. Hanlon. JFA 14.1 (2003): 7-27.

“Tanith Lee’s Werewolves Within: Reversals of Gothic Tradition.” Lillian M. Heldreth. JFA 2.1 (1989): 15-23.

“Technology, Technophobia and Gynophobia in Gonzalo Torrente Ballester’s Quizá nos lleve el viento al infinito.” Dale Knickerbocker. JFA 10.4 (2000): 353-71.

“Technophobia and the Cyborg Menace: Buffy Summers as Neo-Human Avatar.” Kyle Bishop. JFA 19.3 (2008): 349-62.

“‘Tel art plus divin que humain’: The Reality of Fantasy in Ronsard’s Poetic Practice.” Donald Gilman. JFA 1.2 (1988): 35-48.

“Tepper’s ‘Chinanga’: A Parable of Deconstruction.” Robert A. Collins. JFA 8.4 (1997): 464-71.

“Tertiary Reality in Children’s Fantasy.” Greer Watson. JFA 14.3 (2003): 350-66.

“Textual Doubling and Divided Selves: The Strange Case of Dr. Jekyll and Mary Reilly.” John Pennington. JFA 6.2/3 (1994): 203-16.

“Theater for the Fin-du-Millennium: Playing (at) the End.” Veronica Hollinger. JFA 1.4 (1988): 29-38.

“There Goes the Neighborhood: Chaotic Apocalypse and Monstrous Genesis in H. P. Lovecraft’s ‘The Street,’ ‘The Horror at Red Hook,’ and ‘He.'” Jay McRoy. JFA 13.4 (2003): 335-51.

“There’s No Place Like Home: Simulating Postmodern America in The Wizard of Oz and Blue Velvet.” Rob Latham. JFA 1.4 (1988): 49-58.

“‘This Rough Magic I Here Abjure’: Shakespeare’s The Tempest and the Fairy-Tale Body.” Duke Pesta. JFA 15.1 (2004): 49-60.

“Theorizing the Fantastic: Editing Fantastic Literature: A Critical Reader and the Six Stages of Fantasy Criticism.” David Sandner. JFA 16.4 (2006): 277-301.

“Threshold’s Crossed and Boundaries Broken? A Kristevan Insight into Ian Irvine’s Quartet, The View from the Mirror.” Kate Simons. JFA 13.4 (2003): 368-78.

“Time and Totalitarianism.” Maria Nikolajeva. JFA 20.2 (2009): 184-92.

“The Time Quartet as Madeleine L’Engle’s Theology.” Marek Oziewicz. JFA 17.3 (2006): 211-36.

“‘To goon on pilgrimages’: A Special Issue on Modern Fantasy and Medieval Literature.” W. A. Senior. JFA 3.3 (1994): 3-5.

“A Toss of the Dice: Writers, Readers, and Role-Playing Games.” Gene Doty. JFA 14.1 (2003): 51-67.

“Touching the Night Sky: ‘Progressing’ the Fifties in Strange Adventures and Mystery in Space.” Albert Wendland. JFA 13.4 (2003): 389-402.

“Toward a Taxonomy of Fantasy.” Farah Mendlesohn. JFA 13.2 (2002): 169-83.

“Transcending Monstrous Flesh: A Revision of the Hero’s Mythic Quest.” Crystal L. O’Leary. JFA 13.3 (2003): 239-49.

“Transreal Nostalgia in a Time of Singularity.” Damien Broderick. JFA 16.1 (2005): 21-36.

“Transvestites and Transformations, Or Take It Off and Get Real: Queneau’s Zazie dans le métro.” Patricia Strüebig. JFA 1.2 (1988): 49-64.

“Trauma and Becoming-Art in Gregg Araki’s Mysterious Skin and Asia Argento’s The Heart Is Deceitful above All Things.” Tom O’Connor. JFA 21.1 (2010): 54-76.

“A Tribute to IAFA Founder Robert A. Collins.” Carol McGuirk, Rob Latham, Bill Senior, and Judith Collins McCormick. JFA 20.2 (2009): 173-81.

“Tripping the Light Fantastic with Théodore de Banville.” Walter Gershuny. JFA 10.3 (1999): 253-61.

“The Trolls of Fiction: Ogres or Warm Fuzzies?” Jennifer Eastman Attebery. JFA 7.1 (1995): 61-74.

“Two Forms of Metafantasy.” George Aichele, Jr. JFA 1.3 (1988): 55-68.

U

“The University of Minnesota Libraries.” Sherryl Vint. JFA 16.3 (2005): 268-70.

“Up-to-date with a Vengeance: Modern Monsters in Bram Stoker’s Dracula and Margaret Oliphant’s ‘The Secret Chamber.'” David Sandner. JFA 8.3 (1997): 294-309.

“Useful Play: Historicization in Alan Moore’s Supreme and Warren Ellis/John Cassaday’s Planetary.” Orion Ussner Kidder. JFA 21.1 (2010): 77-96.

“Uses of the Fantastic in the Literature of the Holocaust.” Judith B. Kerman. JFA 5.2 (1993): 14-31.

“The US-Japan Security Alliance and Blood: The Last Vampire.” Neal Baker. JFA 13.2 (2002): 143-52.

“Utopia’s Timing: Saturn, Jupiter and Michelangelo’s David.” Don Riggs. JFA 14.3 (2003): 342-49.

V

“Vacationing in Zombieland: The Classical Functions of the Modern Zombie Comedy.” Kyle William Bishop. JFA 22.1 (2011): 24-38.

“The Vampire” [poem]. Jim Doyle. JFA 2.1 (1989): 4.

“The Vampire and/as the Alien.” Veronica Hollinger. JFA 5.3 (1993): 5-17.

“Variations on the Double Motif in Ventriloquist Films: The Great Gabbo, Dead of Night, and Magic.” Leonard G. Heldreth. JFA 3.2 (1991): 81-94.

“Vernor Vinge: An Introduction.” Joe Haldeman. JFA 19.2 (2008): 173-74.

“Video, Science Fiction, and the Cinema of Surveillance.” Thomas Doherty. JFA 2.2 (1989): 69-79.

“Virtual Poltergeists and Memory: The Question of Ahistoricism in William Gibson’s Neuromancer (1984).” Amy Novak. JFA 11.4 (2001): 395-414.

“Voice Lessons: The Seductive Appeal of Vocal Control in Frank Herbert’s Dune.” Robert L. Mack. JFA 22.1 (2011): 39-59.

W

“Was Zilla Right?: Fantasy and Truth.” Brian W. Aldiss. JFA 1.1 (1988): 7-24.

“The Watchers: Tales of Tomorrow on Television.” John Tibbetts. JFA 19.3 (2008): 379-98.

Watership Down: A Genre Study.” Robert Miltner. JFA 6.1 (1993): 63-70.

“‘We All Go a Little Mad Sometimes, Haven’t You?’: Alterity and Self-Other Mirroring in Horror Film and Criticism.” Frank Burke. JFA 2.4 (1990): 74-94.

“What Dreams Sound Like: Forbidden Planet and the Electronic Musical Instrument.” Nicholas Laudadio. JFA 17.4 (2007): 334-49.

“What Future for Fantasy?” Vernor Vinge. JFA 19.2 (2008): 175-77.

“What Screams Are Made Of: Representing Cosmic Fear in H. P. Lovecraft’s ‘Pickman Model.'” Carl Sederholm. JFA 16.4 (2006): 335-49.

“When Coyote Leaves the Res: Incarnations of the Trickster from Wile E. to Le Guin.” Amanda Cockrell. JFA 10.1 (1999): 64-76.

“When Curiosity Gets the Better of Us: The Atomic Bomb in The Magician’s Nephew.” Kathryn Walls. JFA 20.3 (2009): 334-49.

“Where Theory Meets Science Fiction: The Conjoining of Traditional Fantasy with Theoretical Structures in Samuel R. Delany’s Nevèrÿon Series, Or: The Tale of The Iron Ring.” Darren Danylyshen. JFA 12.2 (2001): 157-67.

“‘Who Am I, Really?’ Myths of Maturation in Lois McMaster Bujold’s Vorkosigan Series.” Martha A. Bartter. JFA 10.1 (1999): 30-42.

“Who Are the Dead?” Nina Auerbach. JFA 11.1 (2000): 8-13.

“Who’s Got the Goddess?” Verlyn Flieger. JFA 9.1 (1998): 3-14.

“‘Why don’t you be a tiger?’: The Performative, Transformative, and Creative Power of the Word in the Universes of Diana Wynne Jones.” Debbie Gascoyne. JFA 21.2 (2010): 210-20.

“William Blake and the Personal Epic Fantastic.” E. L. Risden. JFA 14.2 (2003): 417-24.

“The Wind Took Your Answer Away.” Harland Ellison. JFA 1.3 (1988): 7-20.

“The Witch as Double: Feminist Doubles in German Literature and Irmtrand Morgner’s Amanda.” Barbara Mabee. JFA 6.2/3 (1994): 166-90.

“Within a Circle of Silver.” Carl B. Yoke. JFA 4.1 (1991): 3-6.

“Wolf in Professor’s Clothing: J. K. Rowling’s Werewolf as Educator.” Brent Stypczynski. JFA 20.1 (2009): 57-69.

“Wolves, Witches, and Werewolves.” Jane P. Davidson. JFA 2.4 (1990): 47-68.

“A Woman’s a Two-Faced,’ or the Doppelgängerin Unveiled.” Marilyn Jurich. JFA 6.2/3 (1994): 143-65.

“The Word for World Is Story: Syncretic Fantasy as Healing Ritual in Thomas King’s Green Grass, Running Water.” Greg Bechtel. JFA 19.2 (2008): 204-23.

“Words for Worlds: SF into Spanish.” Marcial Souto. JFA 15.1 (2004): 61-66.

“The Worlds of the Fantastic Other in Postmodern English Fiction.” Martin Horstkotte. JFA 14.3 (2003): 318-32.

“W. R. Kinsella’s Postmodern, Metafictional Fantasy Shoeless Joe.” Donald E. Morse. JFA 15.4 (2004): 309-19.

“Writing the Possessed Child in British Culture: James Herbert’s Shrine.” Adrian Schober. JFA 14.4 (2004): 447-58.

Y

“The Year’s Best Scholarship in Fantastic Literature in the Arts.” Marshall B. Tymn, ed. JFA 2.3 (1990): 63-128.

“‘You Have Grown Very Much’: The Scouring of the Shire and the Novelistic Aspects of The Lord of the Rings.” Nicholas Birns. JFA 23.1 (2012): 82-101.

Z