{"id":2116,"date":"2023-10-12T21:17:00","date_gmt":"2023-10-13T03:17:00","guid":{"rendered":"http:\/\/www.fantastic-arts.org\/jfa\/?page_id=2116"},"modified":"2023-10-27T14:11:20","modified_gmt":"2023-10-27T20:11:20","slug":"jfa-34-2-focused-issue-newtrospection","status":"publish","type":"page","link":"https:\/\/www.fantastic-arts.org\/jfa\/jfa-34-2-focused-issue-newtrospection\/","title":{"rendered":"JFA 34.2"},"content":{"rendered":"\n<p>Focused Issue<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"http:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-724x1024.jpg\" alt=\"\" class=\"wp-image-2117\" srcset=\"https:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-724x1024.jpg 724w, https:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-212x300.jpg 212w, https:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-768x1086.jpg 768w, https:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-1086x1536.jpg 1086w, https:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-1448x2048.jpg 1448w, https:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-588x832.jpg 588w, https:\/\/www.fantastic-arts.org\/jfa\/wp-content\/uploads\/2023\/10\/jfa_2307_final2-scaled.jpg 1810w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><figcaption class=\"wp-element-caption\">Cover image of Volume 34 Issue Number 2 of the <em>Journal of the Fantastic in the Arts<\/em><\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/iaftfita.wildapricot.org\/JoinUs\" target=\"_blank\" rel=\"noreferrer noopener\">Become a Member of the International Association of the Fantastic in the Arts<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/fiction4all.com\/ebooks\/b18792-journal-of-the-fantastic-in-the-arts---newtrospection.htm\">Purchase from Favian Press<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.amazon.com\/Journal-Fantastic-Arts-Number-Newstrospection-ebook\/dp\/B0CLGQQNXF\/ref=sr_1_5?crid=3J1DW9DTKHPDS&amp;keywords=%22journal+of+the+fantastic+in+the+arts%22&amp;qid=1698437338&amp;sprefix=%22%2Caps%2C136&amp;sr=8-5\">Buy from Amazon &#8211; Kindle<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.amazon.com\/Journal-Fantastic-Arts-Number-NEWTROSPECTION\/dp\/1786958627\/ref=sr_1_7?crid=3J1DW9DTKHPDS&amp;keywords=%22journal+of+the+fantastic+in+the+arts%22&amp;qid=1698437253&amp;sprefix=%22%2Caps%2C136&amp;sr=8-7\">Buy from Amazon &#8211; Paperback<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\">Buy from Smashwords<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><strong>JFA 34.2<\/strong> &#8211; Table of Contents<br>Guest Editors Haerin Shin and Sang-Keun Yoo<\/p><cite><em>Newtrospection: Reverse-Engineering Modernity in South Korean Speculative Fiction<\/em><\/cite><\/blockquote><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><em>Introduction<\/em><\/p>\n\n\n\n<p>Newtrospection: Reverse-Engineering Modernity in South Korean Speculative Fiction&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Sang-Keun Yoo<\/em><\/p>\n\n\n\n<p>A Radical Future: Gender and Science Fiction in Contemporary Korean Literature&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Ji-Eun Lee<\/em><\/p>\n\n\n\n<p>Two Can Play This <em>Squid Game<\/em>: The Japanese Entanglements of South Korean Speculative Fiction&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Se Young Kim<\/em><\/p>\n\n\n\n<p>Becoming a Ghost: Newtrospective Representation of Historical Violence Through Virtual Reality Media in Gina Kim\u2019s <em>Bloodless<\/em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Sang-Keun Yoo<\/em><\/p>\n\n\n\n<p>Life Reset: Resisting Gamified Life in South Korean Speculative Webtoons&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Sang Eun Eunice Lee<\/em><\/p>\n\n\n\n<p><em>Design Fiction<\/em><\/p>\n\n\n\n<p>Excerpts from an Anti-Standardized \u201c\uc218\ub2a5\u201d: A Design-Fictional Approach to Korea&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Seo-Young Chu<\/em><\/p>\n\n\n\n<p>\u201cGenre Narratives Are Powerful Tools to Illustrate the Beauty of an Unfamiliar World\u201d: Haerin Shin\u2019s Interview with SF novelist Bo-Young Kim&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Translated by Sang-Keun Yoo<\/em><\/p>\n\n\n\n<p>\u201cThose Left on Earth Are Equally Significant\u201d: Sang-Keun Yoo\u2019s Interview with <em>Space Sweepers<\/em> Director Sung-hee Jo&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Translated by Sang-Keun Yoo<\/em><\/p>\n\n\n\n<p>\u201cThis Inexplicable Complexity That Underscores Our Humanity\u201d: Sang-Keun Yoo\u2019s Interview With <em>The School Nurse Files<\/em> Director Kyoung-mi Lee &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Translated by Sang-Keun Yoo<\/em><\/p>\n\n\n\n<p>REVIEWS<\/p>\n\n\n\n<p>Cli-Fi, Noir, and The Nonhuman Subject in Netflix\u2019s<em> The Silent<\/em> <em>Sea<\/em> (2021)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <em>Rev. by Katrina Younes<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Focused Issue JFA 34.2 &#8211; Table of ContentsGuest Editors Haerin Shin and Sang-Keun Yoo Newtrospection: Reverse-Engineering Modernity in South Korean Speculative Fiction Introduction Newtrospection: Reverse-Engineering Modernity in South Korean Speculative Fiction&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sang-Keun Yoo A Radical Future: Gender and Science Fiction in Contemporary Korean Literature&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ji-Eun Lee Two Can Play This Squid Game: The [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2116","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages\/2116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/comments?post=2116"}],"version-history":[{"count":5,"href":"https:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages\/2116\/revisions"}],"predecessor-version":[{"id":2137,"href":"https:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages\/2116\/revisions\/2137"}],"wp:attachment":[{"href":"https:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/media?parent=2116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}