Skip navigation

Category Archives: ICFA

A link to the program is available at the top of the ICFA 36 conference page.

 

Dear ICFA Attendees:

The hotel deadline is fast approaching, and rooms will not be available at the conference rate after February 6–and will probably not be available at any rate.

Words and worlds. Poetry  Dear all it’s time to think of offering a fantastic/scifi/horror poetry reading at the conference ! As usual,  we have two sessions, this time both at  1’1/2 hours so aim to be able to have a maximum of twelve to fifteen people reading. This always fills up fast so please let me know if you want  to read  at g.wisker@brighton.ac.uk.

Words and worlds. Fiction  This year sees the welcome return of the words and worlds fiction session. So if you have a piece of short fantastic/scifi/horror fiction/ a short  extract  you would like to read, please let me know. We have 1 1/2 hrs , so slots of up to 20 mins (but preferably a bit shorter) are possible. Again please let me know at g.wisker@brighton.ac.uk

ICFA attendees:

If you missed the October 31 deadline for conference paper or panel submission, or were considering submitting a paper or panel but the deadline slid by–be of good cheer.

The deadline has been extended and the submission portal will remain open until Monday, November 10.

Please send us your papers and panels.

Thirty-Sixth International Conference
on the Fantastic in the Arts

The Scientific Imagination

March 18-22, 2015
Marriott Orlando Airport Hotel

The Scientific Imagination will be the theme for ICFA 36. Join us as we explore the possibilities and intersections of science and imagination—from Faust and Frankenstein, through the Golden Age and the New Wave, to steampunk and mash-ups—in all their guises, including fiction, film, television, music, theater, comics, visual art, and social media. Papers might explore topics such as rationalism vs. belief, science for good and ill, alternate and speculative technologies and biologies, futurism, imaginary sciences, time travel, and the tensions inherent in discovery, among other topics. We welcome papers on the work of our guests: Guest of Honor James Morrow (winner of the Sturgeon Award, the World Fantasy Award, and two Nebula Awards), Guest of Honor Joan Slonczewski (winner of two Campbell Awards), and Guest Scholar Colin Milburn (author of Nanovision: Engineering the Future). We also welcome proposals for individual papers and for academic sessions and panels on any aspect of the fantastic in any media. The deadline for proposals is October 31, 2014. We encourage work from institutionally affiliated scholars, independent scholars, international scholars who work in languages other than English, and graduate students.

Guest of Honor
James Morrow

James Morrow is a science fiction writer and author of the Godhead Trilogy, which includes the novels Towing JehovahBlameless in Abaddon, and The Eternal Footman. He has won the Theodore Sturgeon award for Shambling Towards Hiroshima, the World Fantasy Award for Only Begotten Daughter, and Nebula Awards for “City of Truth” and “Bible Stories for Adults, No. 17: The Deluge.” A self-described “scientific humanist,” he is widely recognized as one of our premiere satirists of religion, philosophy, and human belief systems. He is also a playwright. His most recent novels are The Philosopher’s Apprentice and Shambling Towards Hiroshima.

Guest of Honor
Joan Slonczewski

Joan Slonczewski is a Professor of Microbiology at Kenyon College and an award-winning science fiction writer. She holds a Ph.D. in Molecular Biophysics and Biochemistry from Yale University and teaches courses including Microbiology, Virology, and Biology in Science Fiction at Kenyon, in addition to mentoring students conducting research in Kenyon’s Bacterial pH Laboratory. She has won grants for her research from the National Institutes of Health, the National Science Foundation, and other major donors. She has twice received the John W. Campbell Award for best science fiction novel, for The Highest Frontier and A Door Into Ocean.

Guest Scholar
Colin Milburn

Colin Milburn holds the Gary Snyder Chair in Science and the Humanities at UC Davis, where he is an Associate Professor of English and Director of the UC Davis Humanities Innovation Lab. His research focuses on the intersections of science, literature, and media technologies, and he is affiliated with programs in Cinema and Technocultural Studies, Performance Studies, Cultural Studies, and Critical Theory, as well as the W. M. Keck Center for Active Visualization in the Earth and the Center for Science & Innovation Studies. His books include Nanovision: Engineering the Future and Mondo Nano: Fun and Games in the World of Digital Matter, forthcoming in 2014.

Our submissions portal, will open Sep. 15 to receive proposals!

 http://www.fantastic-arts.org/annual-conference/submissions/

Download the Call for Papers Here!

So, that’s gone.

Airport Hilton

 

Online advance registration for ICFA will continue through next Wednesday, 12 March 2014, 11:59 p.m. Eastern Standard Time (UTC-05:00). Then we will shut down registration so that registration can finalize preparations.

This does not mean that people cannot register for the ICFA.

“On site” registration will open Wednesday, 19 March 2014. Day passes will also be available.

You may now view the Program of the 35th ICFA in .pdf form.

Hello, everyone!

Your dedicated Registrar, Valorie Ebert, would like for anyone who wishes to volunteer at this year’s conference to follow the link in this email and fill out the survey.

Thank you for your participation.

https://docs.google.com/forms/d/1krBnXe7eswxCoIYfFdCAJOSVzuPP09NRQxtm29YDfVA/viewform

Hello Graduate Students,

I’m writing to let you all know that we still have FIVE open spots in the writing workshop with Sherryl Vint! If you’ve been putting off signing up, or thinking you missed your chance, please contact me at elizabeth-lundberg@uiowa.edu with answers to the following questions.

Thanks, and see you all in March!

Liz Lundberg

IAFA Student Caucus Co-Representative

—————

1) What is your name?

2) Which email address should we use to contact you?

3) What is your institutional affiliation, and who is your adviser?

4) At what stage are you in your graduate program?

5) What is your dissertation/thesis topic? (1-2 sentences)

6) What are some issues or problems in your writing you’d like to address? (1-2 sentences)