{"id":106,"date":"2012-06-04T05:39:49","date_gmt":"2012-06-04T11:39:49","guid":{"rendered":"http:\/\/www.fantastic-arts.org\/jfa\/?page_id=106"},"modified":"2021-05-11T18:33:30","modified_gmt":"2021-05-12T00:33:30","slug":"author-index","status":"publish","type":"page","link":"http:\/\/www.fantastic-arts.org\/jfa\/view-indices-and-lists\/author-index\/","title":{"rendered":"Author Index"},"content":{"rendered":"\n

Journal of the Fantastic in the Arts<\/strong><\/p>\n\n\n\n

Author Index<\/strong><\/p>\n\n\n\n

The following is a comprehensive index, sorted by author, of volumes 1.1 through 29.3<\/strong><\/p>\n\n\n\n

#<\/a><\/u> A<\/a><\/u> B<\/a><\/u> C<\/a><\/u> D<\/a><\/u> E<\/a><\/u> F<\/a><\/u> G<\/a><\/u> H<\/a><\/u> I<\/a><\/u> J<\/a><\/u> K<\/a><\/u> L<\/a><\/u> M<\/a><\/u> N<\/a><\/u> O<\/a><\/u> P<\/a><\/u> Q<\/a><\/u> R<\/a><\/u> S<\/a><\/u> T<\/a><\/u> U<\/a><\/u> V<\/a><\/u> W<\/a><\/u> X<\/a><\/u> Y<\/a><\/u> Z<\/a><\/u><\/p>\n\n\n\n

#<\/strong><\/p>\n\n\n\n

A<\/strong><\/p>\n\n\n\n

\u201cA Conversation about Fantasy with Ursula K. Le Guin and Brian Attebery.\u201d JFA<\/em> 17.4 (2006): 371-82.<\/p>\n\n\n\n

Adair, Gerald. \u201cIlluminating the Ghost Light: Final Acts in the Theatre of Fritz Leiber.\u201d 12.4, 362-81.<\/p>\n\n\n\n

Adcock, Craig. \u201cLight and Space in the Open Air: James Turrell\u2019s Roden Crater Project<\/em>.\u201d 3.1, 57-68.<\/p>\n\n\n\n

Agan, Cami D. \u201cAn Account of a Lost Geography: \u2018Of Beleriand and Its Realms\u2019.\u201d JFA<\/em> 30.1 (2019): 85-102.<\/p>\n\n\n\n

Aichele, George, Jr. \u201cSelf-Referentiality in Gene Wolfe\u2019s \u2018Seven American Nights.\u2019\u201d 3.2, 37-47.<\/p>\n\n\n\n

Aichele, George, Jr. \u201cFantasy and the Gospels: Theological and Ideological Implications.\u201d 8.2, 170-84.<\/p>\n\n\n\n

Aichele, George, Jr. \u201cTwo Forms of Metafantasy.\u201d 1.3, 55-68.<\/p>\n\n\n\n

Aldiss, Brian W. \u201cAll Those Big Machines\u2014The Theme Science Fiction Does Not Discuss.\u201d 7.1, 83-91.<\/p>\n\n\n\n

Aldiss, Brian W. \u201cKafka\u2019s Sister.\u201d 3.2, 14-21.<\/p>\n\n\n\n

Aldiss, Brian W. \u201cWas Zilla Right?: Fantasy and Truth.\u201d 1.1, 7-24.<\/p>\n\n\n\n

Alexander, Jonathan and Jasmine Lee. \u201c\u2018We Are All Abnegation Now\u2019: Suffering Agency in the Divergent Series.\u201d JFA<\/em> 28.3 (2017): 388-401.<\/p>\n\n\n\n

Al-Raheb, Hani. \u201cFive Patterns of the Fantastic in an Arabic Saga.\u201d 5.4, 42-55.<\/p>\n\n\n\n

Al-Raheb, Hani. \u201cReligious Satire in Rushdie\u2019s Satanic Verses<\/em>.\u201d 6.4, 330-40.<\/p>\n\n\n\n

Anderson, Kathleen. \u201cShaping Self Through Spontaneous Oral Narration in Richard Adams\u2019 Watership Down<\/em>.\u201d 6.1, 25-33.<\/p>\n\n\n\n

Anderson, Nicholas. \u201c\u2018Only We Have Perished\u2019: Karel \u010capek\u2019s R.U.R.<\/em> and the Catastrophe of Humankind\u201d.\u201d JFA<\/em> 25.2-3 (2014): 255-75. [226-46]<\/p>\n\n\n\n

Ankeny, Rebecca. \u201cPoem as Sign in The Lord of the Rings<\/em>.\u201d JFA<\/em> 16.2 (2005): 86-95.<\/p>\n\n\n\n

Arata, Louis A. \u201cDream Textures of the Popol Vuh<\/em>.\u201d 7.4, 74-83.<\/p>\n\n\n\n

Ashford, David. \u201c\u2018Orc Talk\u2019: Soviet Linguistics in Tolkien\u2019s Middle-Earth.\u201d JFA<\/em> 29.1 (2018): 26-40.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Adapting to Adaptations.\u201d JFA<\/em> 24.3 (2013): 394-98.<\/p>\n\n\n\n

Attebery, Brian. \u201cCultural Negotiation in Science Fiction Literature and Film.\u201d 11.4 (2001): 346-58.<\/p>\n\n\n\n

Attebery, Brian. \u201cEleanor Cameron: The Theory and Practice of Fantasy.\u201d JFA<\/em> 16.2 (2005): 96-109.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Epic Fantasy.\u201d JFA<\/em> 29.1 (2018): 1-3.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Fantasy and Oral Tradition.\u201d JFA<\/em> 29.2 (2018): 175-78.<\/p>\n\n\n\n

Attebery, Brian. \u201cFantasy\u2019s Reconstruction of Narrative Conventions.\u201d 1.1, 85-98.<\/p>\n\n\n\n

Attebery, Brian. \u201cGender, Fantasy, and the Authority of Tradition.\u201d 7.1, 51-60.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Happy Anniversaries.\u201d JFA<\/em> 30.1 (2019): 1-3.<\/p>\n\n\n\n

Attebery, Brian. \u201cHolly Black: An Introduction.\u201d JFA<\/em> 28.1 (2017): 26.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction.\u201d JFA<\/em> 18.2 (2007): 149-151.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction.\u201d JFA<\/em> 18.3 (2007): 289-291.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: A Special Issue for a More Than Special Writer.\u201d JFA <\/em>21.2 (2010): 158.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: The Backlist, Academics, and Electronic Publishing.\u201d JFA <\/em>22.2 (2011): 149-52.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Big Phanta versus Home Cures.\u201d JFA<\/em> 27.2 (2016): 201-03.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Canada and Other Ambiguous States.\u201d JFA<\/em> 26.2 (2015): 233-35.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Conferring, Convening, Conversing, Communing.\u201d JFA <\/em>20.2 (2009): 169-72.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Critical Networks.\u201d JFA<\/em> 27.3 (2016): 389-91.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Cultural Work.\u201d JFA <\/em>21.1 (2010): 1-4.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Delicious Monsters.\u201d JFA <\/em>23.3 (2012): 372-73.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Everything Old is New Again.\u201d JFA<\/em> 28.2 (2017): 199-201.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Fantastic Empires.\u201d JFA<\/em> 26.1 (2015): 1-3.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: The Fantastic in (Some of) the Arts.\u201d JFA <\/em>22.1 (2011): 1-3.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: The Fantastic Ridiculous.\u201d JFA <\/em>22.3 (2011): 310-12.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Fantastic Science\/Scientific Fantasy.\u201d JFA<\/em> 27.1 (2016): 1-3.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Fear and Fantasy.\u201d JFA<\/em> 19.1 (2008):1-4.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Fictional Modes and Cultural Energy.\u201d JFA <\/em>23.2 (2012): 194-96.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: The Form of the Content of the Form.\u201d JFA <\/em>20.3 (2009): 315-18.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: In Praise of Anticlimaxes.\u201d JFA <\/em>23.1 (2012): 1-3.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: \u2018More Fantasy Crap,\u2019 or, Why We Fight.\u201d JFA<\/em> 19.3 (2008): 293-96.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Not-Mundane Not-Science-Fiction.\u201d JFA <\/em>20.1 (2009): 1-4.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Race and the Fantastic.\u201d JFA <\/em>21.3 (2010): 334-37.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Reinhabiting Fantasy.\u201d JFA<\/em> 25.1 (2014): 1-2.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Tales of Fa\u00ebry and Wonder.\u201d JFA<\/em> 28.1 (2017): 1-3.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Techniques of Transport.\u201d JFA <\/em>24.1 (2013): 1-3.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Theorizing the Fantastic.\u201d JFA<\/em> 29.3 (2018): 333-35.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: Value Added.\u201d JFA<\/em> 19.2 (2008):169-172.<\/p>\n\n\n\n

Attebery, Brian. \u201cIntroduction: What Are Dreams For?\u201d JFA<\/em> 18.1 (2007):1-4.<\/p>\n\n\n\n

Attebery, Brian. \u201cNike Sulway: An Introduction.\u201d JFA<\/em> 30.1 (2019): 40-41.<\/p>\n\n\n\n

Attebery, Brian. \u201cPeake Studies.\u201d (Book Review) 3.4, 151-52.<\/p>\n\n\n\n

Attebery, Brian. \u201cThe Politics (If Any) of Fantasy.\u201d 4.1, 7-28.<\/p>\n\n\n\n

Attebery, Brian. \u201cTerri Windling: An Introduction.\u201d JFA<\/em> 28.1 (2017): 31-32.<\/p>\n\n\n\n

Attebery, Jennifer Eastman. \u201cThe Trolls of Fiction: Ogres or Warm Fuzzies?\u201d 7.1, 61-74.<\/p>\n\n\n\n

Attebery, Stina. \u201cColin Milburn: An Introduction.\u201d JFA<\/em> 27.1 (2016): 26-27.<\/p>\n\n\n\n

Auerbach, Nina. \u201cWho Are the Dead?\u201d 11.1 (2000): 8-13.<\/p>\n\n\n\n

Auger, Emily E. \u201cThe Lord of the Rings<\/em>\u2019 Interlace: From Tolkien to Tarot.\u201d JFA<\/em> 19.3 (2008): 317-30.<\/p>\n\n\n\n

Auger, Emily E. \u201cThe Lord of the Rings<\/em>\u2019 Interlace: Tolkien\u2019s Narrative and Lee\u2019s Illustrations.\u201d JFA<\/em> 19.1 (2008): 70-93.<\/p>\n\n\n\n

B<\/strong><\/p>\n\n\n\n

Bacchilega, Cristina. \u201cWhere Can Wonder Take Us?\u201d JFA<\/em> 281. (2017): 6-25.<\/p>\n\n\n\n

Bacon, Simon. Review Essay \u201cDevil\u2019s Advocates.\u201d Let the Right One In<\/em>, by Anne Bilson, Suspiria<\/em>, by Alexandra Heller-Nicholas, and The Blair Witch Project<\/em>, by Peter Turner. JFA<\/em> 28.1 (2017): 123-28.<\/p>\n\n\n\n

Baker, Daniel. \u201cWhy We Need Dragons: The Progressive Potential of Fantasy.\u201d JFA <\/em>23.3 (2012): 437-59.<\/p>\n\n\n\n

Baker, Daniel. \u201cWithin the Door: Portal-Quest Fantasy in Gaiman and Mi\u00e9ville.\u201d JFA<\/em> 27.3 (2016): 470-93.<\/p>\n\n\n\n

Baker, Neal. \u201cThe US-Japan Security Alliance and Blood: The Last Vampire.<\/em>\u201d 13.2 (2002): 143-52.<\/p>\n\n\n\n

Baldwin, Marc F. \u201cF. Scott Fitzgerald\u2019s \u2018One Trip Abroad\u2019: A Metafantasy of the Divided Self.\u201d 4.3, 69-78.<\/p>\n\n\n\n

Bandyopadhyay, Debashis. \u201cRuskin Bond\u2019s \u2018Whispering in the Dark\u2019: A Fantastic Quest for Identity.\u201d JFA <\/em>21.3 (2010): 394-412.<\/p>\n\n\n\n

Banerjee, Suparno. \u201c2001: A Space Odyssey<\/em>: A Transcendental Tran-locution.\u201d JFA<\/em> 19.1 (2008): 39-50.<\/p>\n\n\n\n

Banerjee, Suparno. \u201cAlternative Dystopia: Science, Power, and Fundamentalism in Rimi B. Chatterjee\u2019s Signal Red<\/em>.\u201d JFA <\/em>20.1 (2009): 24-41.<\/p>\n\n\n\n

Banerjee, Suparno. \u201cRuptured Bodies and Invaded Grains: Biotechnology as Bioviolence in Indian Science Fiction.\u201d JFA<\/em> 26.1 (2015): 58-75.<\/p>\n\n\n\n

Bardowell, Matthew R. \u201cJ. R. R. Tolkien\u2019s Creative Ethic and Its Finnish Analogues.\u201d JFA <\/em>20.1 (2009): 91-108.<\/p>\n\n\n\n

Bartlett, Sally A. \u201cFantasy and Mimesis in Doctor Faustus<\/em>.\u201d 5.3, 18-27.<\/p>\n\n\n\n

Bartter, Martha A. \u201cDesacralization of Image and Confusion of Sexuality in The Disney Studio\u2019s Beauty and the Beast.\u201d <\/em>9.1: 55-68.<\/p>\n\n\n\n

Bartter, Martha A. \u201c\u2018Who Am I, Really?\u2019 Myths of Maturation in Lois McMaster Bujold\u2019s Vorkosigan Series.\u201d 10.1 (Win. 1998): 30-42.<\/p>\n\n\n\n

Bausman, Cassandra. \u201cConvention Un-done: Un Lun Dun<\/em>\u2019s Unchosen Heroine and Narrative (Re)Vision.\u201d JFA<\/em> 25.1 (2014): 28-53.<\/p>\n\n\n\n

Bautista, Daniel. \u201cComic Book Realism: Form and Genre in Junot D\u00edaz\u2019s The Brief Wondrous Life of Oscar Wao<\/em>.\u201d JFA <\/em>21.1 (2010): 41-53.<\/p>\n\n\n\n

Bechtel, Greg. \u201cThe Word for World Is Story: Syncretic Fantasy as Healing Ritual in Thomas King\u2019s Green Grass, Running Water<\/em>.\u201d JFA<\/em> 19.2 (2008): 204-23.<\/p>\n\n\n\n

Becker, Allienne. \u201cDie Elixiere des Teufels: <\/em>E. T. A. Hoffmann\u2019s House of Mirrors.\u201d 9.2: 117-30.<\/p>\n\n\n\n

Bell, James. \u201cDecadence, Dandyism, and the Aestheticism in The Vampire Chronicles<\/em>.\u201d JFA<\/em> 17.3 (2006): 284-93.<\/p>\n\n\n\n

Berlina, Alexandra. \u201cFantastic Polyvalence beyond Dichotomies: The Snow Queen<\/em> and The Snow Child<\/em>.\u201d JFA<\/em> 26.2 (2015): 236-50.<\/p>\n\n\n\n

Bertha, Csilla. \u201cThe Harmony of Reality and Fantasy: The Fantastic in Irish Drama.\u201d 4.3, 2-24.<\/p>\n\n\n\n

Bertha, Csilla. \u201cThe Symbolic Versus the Fantastic: The Example of an Hungarian Painter.\u201d 6.4, 295-311.<\/p>\n\n\n\n

Bilbija, Ksenija. \u201cFrom Golem to Plastisex: An Analytical Survey of Spanish American Fantastic Literature.\u201d 7.2\/3, 201-14.<\/p>\n\n\n\n

Birns, Nicholas. \u201c\u2018You Have Grown Very Much\u2019: The Scouring of the Shire and the Novelistic Aspects of The Lord of the Rings<\/em>.\u201d JFA <\/em>23.1 (2012): 82-101.<\/p>\n\n\n\n

Bishop, Kyle William. \u201cIntroduction: Overview of AfterLives: What\u2019s next for Humanity?\u201d JFA<\/em> 25.2-3 (2014): 252-54. [223-25]<\/p>\n\n\n\n

Bishop, Kyle William. \u201cTechnophobia and the Cyborg Menace: Buffy Summers as Neo-Human Avatar.\u201d JFA<\/em> 19.3 (2008): 349-62.<\/p>\n\n\n\n

Bishop, Kyle William. \u201cVacationing in Zombieland<\/em>: The Classical Functions of the Modern Zombie Comedy.\u201d JFA <\/em>22.1 (2011): 24-38.<\/p>\n\n\n\n

Blackmore, Tim. \u201cTalking the Talk, Walking the Walk: The Role of Discourse in John Haldeman\u2019s \u2018The Monster\u2019 and Lucius Shepard\u2019s \u2018Delta Sly Honey\u2019.\u201d 6.2\/3, 191-202.<\/p>\n\n\n\n

Boehm, Carl. \u201c\u2018Hiro\u2019 of the Platonic: Neal Stephenson\u2019s Snow Crash<\/em>.\u201d JFA<\/em> 14.4 (2004): 394-408.<\/p>\n\n\n\n

Boehm, Carl. \u201cSuperman: Myth Through the Christ and the Revelation.\u201d 11.3 (2001): 236-44.<\/p>\n\n\n\n

Bok, Hannes. Art Portfolio. 2.4, 70-73.<\/p>\n\n\n\n

Bok, Hannas. Illustration. 3.2, 49.<\/p>\n\n\n\n

Boon, Kevin Alexander. \u201cEpisteme-ology of Science Fiction.\u201d 11.4 (2001): 359-74.<\/p>\n\n\n\n

Borchardt, Edith. \u201cArthur Schnitzler\u2019s Traumnovelle<\/em> and Stanley Kubrick\u2019s Eyes Wide Shut<\/em>: The Structure of Fantasy Then and Now.\u201d 12.1, 4-17.<\/p>\n\n\n\n

Borchardt, Edith and Jennifer Wright. \u201cAndrogyny: The Search for Wholeness in Karoline von Gunderrode and Heinrich von Kleist. Christa Wolf\u2019s novel Kein Ort. Nirgends.<\/em>\u201d 11.3 (2001): 245-56.<\/p>\n\n\n\n

Botting, Fred. \u201cInfinite Monstrosity: Justice, Terror, and Trauma in Frankenstein in Baghdad<\/em>.\u201d JFA<\/em> 30.1 (2019): 6-24.<\/p>\n\n\n\n

Boyd, Melba Joyce. \u201cBut Not the Blackness of Space: The Brother from Another Planet<\/em> as Icon from the Underground.\u201d 2.2, 95-107.<\/p>\n\n\n\n

Boyd, Melba Joyce. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 22-23.<\/p>\n\n\n\n

Bradley, Darin. \u201cThe Self-Weird World: Problems of Being as the Fantastic Invasion in Small-press Speculative Fiction.\u201d JFA<\/em> 18.1 (2007): 5-22.<\/p>\n\n\n\n

Branam, Amy. \u201cLaurence Yep: An Introduction.\u201d JFA <\/em>21.3 (2010): 384-85.<\/p>\n\n\n\n

Brawley, Chris. \u201cThe Fading of the World: Tolkien\u2019s Ecology and Loss in The Lord of the Rings<\/em>.\u201d JFA<\/em> 18.3 (2007): 292-307.<\/p>\n\n\n\n

Brennan, Matthew C. \u201cThe Novel as Nightmare: Decentering of the Self in Bram Stoker\u2019s Dracula<\/em>.\u201d 7.4, 48-59.<\/p>\n\n\n\n

Bridgman, Joan. \u201cThe Significance of Myth in Watership Down<\/em>.\u201d 6.1, 7-24.<\/p>\n\n\n\n

Broderick, Damien. \u201cTransreal Nostalgia in a Time of Singularity\u201d JFA<\/em> 16.1 (2005): 21-37.<\/p>\n\n\n\n

Broer, Lawrence R. \u201cThe Heart of Harry Angstrom: Dream Visions in Updike\u2019s Rabbit Tetralogy.\u201d 7.4, 84-101.<\/p>\n\n\n\n

Brooks de Vita, Alexis. \u201cThe Circle and the Cross: Womanhood, Manhood, and Cultural Destruction in Prophetic African Literature.\u201d JFA <\/em>21.3 (2010): 413-35.<\/p>\n\n\n\n

Brown, Julie. \u201cOur Ladies of Perpetual Hell: Witches and Fantastic Virgins in Margaret Atwood\u2019s Cat\u2019s Eye<\/em>.\u201d 4.3, 40-52.<\/p>\n\n\n\n

Brown, Paula. \u201cGnostic Magic in Jonathan Strange and Mr. Norrell<\/em>.\u201d JFA <\/em>23.2 (2012): 239-59.<\/p>\n\n\n\n

Budruweit, Kelly. \u201cTwilight\u2019s Heteronormative Reversal of the Monstrous: Utopia and the Gothic Design.\u201d JFA<\/em> 27.2 (2016): 270-89.<\/p>\n\n\n\n

Budrys, Algis. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 16-18.<\/p>\n\n\n\n

Bukatman, Scott. \u201cThe Cybernetic (City) State: Terminal Space Becomes Phenomenal.\u201d 2.2, 43-63.<\/p>\n\n\n\n

Burbank, Richard D. \u201cMusical Fusion in the Works of Olaf Stapledon: A Matrix of Storms and Stars.\u201d JFA<\/em> 16.4 (2005): 350-68.<\/p>\n\n\n\n

Burke, Frank. \u201c\u2018We All Go a Little Mad Sometimes, Haven\u2019t You?\u2019: Alterity and Self-Other Mirroring in Horror Film and Criticism.\u201d 2.4, 74-94.<\/p>\n\n\n\n

Burnett, Fred W. \u201cPostmodern Fantasy and Postmodern Biblical Studies: A (Science) Fictive Review of Lance Olsen and Samuel Delany.\u201d 8.2, 244-74.<\/p>\n\n\n\n

Butler, Andrew. \u201cBetween the \u2018Deaths\u2019 of Science Fiction: A Skeptical View for the Possibility of Anti-Genres.\u201d JFA<\/em> 15.3 (2004): 208-16.<\/p>\n\n\n\n

Butler, Charlie. \u201cIntroduction.\u201d JFA <\/em>21.2 (2010): 159-61.<\/p>\n\n\n\n

Byatt, Jim. \u201c\u2018From Zoo. To Bot.\u2019: (De)Composition in Jim Crace\u2019s Being Dead<\/em>.\u201d JFA<\/em> 25.2-3 (2014): 276-92. [247-63]<\/p>\n\n\n\n

C<\/strong><\/p>\n\n\n\n

Calfee-Moye, Robin. \u201cRediscovery and Exploration: The Legend of Prince Madoc ap Owain Gwynedd.\u201d 5.3, 85-97.<\/p>\n\n\n\n

Canaan, Howard. \u201cMetafiction and the Gnostic Quest in The Man in the High Castle<\/em>.\u201d 12.4, 382-405.<\/p>\n\n\n\n

Canaan, Howard. \u201cThe Pressures of History and Fiction in Geoff Ryman\u2019s Was.<\/em>\u201d 13.3 (2003): 218-25.<\/p>\n\n\n\n

Canavan, A. P. \u201cSteven Erikson: An Introduction, by A. P. Canavan.\u201d JFA<\/em> 29.1 (2018): 18-20.<\/p>\n\n\n\n

Canino, Bob. \u201cHannes Bok: An Appreciation.\u201d 2.4, 69.<\/p>\n\n\n\n

Canino, Bob. \u201cPictures at an Exhibition.\u201d 3.2, 48.<\/p>\n\n\n\n

Caputi, Jane. \u201cFacing Change: Octavia Butler as Public Intellectual (ICFA-21 Panel).\u201d 11.2 (2000): 175-78.<\/p>\n\n\n\n

Carroll, Conrad. \u201cConsidering Fantasy in the Bible: The Elusive Presence of the Unerasable Trace.\u201d 8.2, 124-50.<\/p>\n\n\n\n

Carroll, Jordan S. \u201cThe Aesthetics of Risk in Dawn of the Dead <\/em>and 28 Days Later<\/em>.\u201d JFA <\/em>23.1 (2012): 40-59.<\/p>\n\n\n\n

Carroll, Shiloh. \u201cBoth Sides of the Gate: Patriarchy in Sheri S. Tepper\u2019s The Gate to Women\u2019s Country<\/em>.\u201d JFA<\/em> 19.1 (2008): 25-38.<\/p>\n\n\n\n

Carroll, Siobhan. \u201cHonor-bound: Self and Other in the Honor Culture of Robin Hobb\u2019s Soldier Son Series.\u201d JFA<\/em> 18.3 (2007): 308-18.<\/p>\n\n\n\n

Carroll, Siobhan. \u201cIntroduction: Nnedi Okorafor.\u201d JFA<\/em> 26.1 (2015): 19-20.<\/p>\n\n\n\n

Carter, Nancy Corson. \u201cShamanism in a Threatened World: Doris Lessing\u2019s Briefing for a Descent into Hell<\/em>.\u201d 2.3, 5-13.<\/p>\n\n\n\n

Casebeer, Edwin F. \u201cThe Ecological System of Stephen King\u2019s The Dark Half<\/em>.\u201d 6.2\/3, 126-42.<\/p>\n\n\n\n

Casebeer, Edwin F. \u201cPeter Straub\u2019s Shadowland: <\/em>The Initiation of a Magician.\u201d 9.2: 93-103.<\/p>\n\n\n\n

Chandler, Wayne A. \u201cThe Magic(s) of Stephen Brust.\u201d 9.2: 157-65.<\/p>\n\n\n\n

Chapman, Edgar L. \u201cSeeing Invisibility: Or Invisibility as Metaphor in Thomas Berger\u2019s Being Invisible<\/em>.\u201d 4.2, 65-93.<\/p>\n\n\n\n

Chattopadhyay, Boddhisattva. \u201cKalpavigyan and Imperial Technoscience: Three Nodes of an Argument.\u201d JFA<\/em> 28.1 (2017): 102-22.<\/p>\n\n\n\n

Chaviano, Daina. \u201cLa fantasia y la CF como espacios de libertad.\u201d JFA<\/em> 15.1 (2004): 12-19.<\/p>\n\n\n\n

Chaviano, Daina. \u201cScience Fiction and Fantastic Literature as Realms of Freedom.\u201d JFA<\/em> 15.1 (2004): 4-11.<\/p>\n\n\n\n

Chelland, Frances. \u201cOctavia Butler in the Classroom: Octavia Butler as Public Intellectual (ICFA-21 Panel).\u201d 11.2 (2000): 182-84.<\/p>\n\n\n\n

Christensen, Peter G. \u201cAbraham Rothberg\u2019s The Sword of the Golem<\/em>: The Use of the Fantastic in Defense of Judaism.\u201d 7.2\/3, 163-74.<\/p>\n\n\n\n

Christiansen, Steen. \u201cTerminal Films.\u201d JFA<\/em> 25.2-3 (2014): 293-306. [264-77]<\/p>\n\n\n\n

Clemons, Amy Lea. \u201cAdapting Revelation: Good Omens<\/em> as Comic Corrective.\u201d JFA<\/em> 28.1 (2017): 86-101.<\/p>\n\n\n\n

Cloyd, Aaron. \u201cElectric Nature: (Re)Constructing Wilderness in Do Androids Dream of Electric Sheep?<\/em>\u201d JFA<\/em> 26.1 (2015): 76-91.<\/p>\n\n\n\n

Clute, John. \u201cCanary Fever.\u201d JFA<\/em> 15.3 (2004): 217-27.<\/p>\n\n\n\n

Clute, John. \u201cGrail, Groundhog, Godgame: Or, Doing Fantasy.\u201d 10.4 (2000): 330-37.<\/p>\n\n\n\n

Cockrell, Amanda. \u201cOn This Enchanted Ground: Reflections of a Cold War Childhood in Russell Hoban\u2019s Riddley Walker<\/em> and Walter M. Miller\u2019s A Canticle for Leibowitz<\/em>.\u201d JFA<\/em> 15.1 (2004): 20-36.<\/p>\n\n\n\n

Cockrell, Amanda. \u201cWhen Coyote Leaves the Res: Incarnations of the Trickster from Wile E. to Le Guin.\u201d 10.1 (Win. 1998): 64-76.<\/p>\n\n\n\n

Cohen, Jeffrey Jerome. \u201cUndead (A Zombie Oriented Ontology).\u201d JFA <\/em>23.3 (2012): 397-412.<\/p>\n\n\n\n

Collins, Michael J. \u201cThe Bodu of the Work of the Body: Physio-Textuality in Contemporary Horror.\u201d 5.3, 28-35.<\/p>\n\n\n\n

Collins, Robert A. \u201c\u2018Ainulindale\u2019: Tolkien\u2019s Commitment to an Aesthetic Ontology.\u201d 11.3 (2001): 257-65.<\/p>\n\n\n\n

Collins, Robert A. \u201cTepper\u2019s \u2018Chinanga\u2019: A Parable of Deconstruction.\u201d 8.4, 443-63.<\/p>\n\n\n\n

Comrada, Norma. \u201cGolem and Robot: The Search for Connections.\u201d 7.2\/3, 244-54.<\/p>\n\n\n\n

Conley, Greg. \u201cThe Uncrossable Evolutionary Gulfs of Algernon Blackwood.\u201d JFA<\/em> 24.3 (2013): 426-45.<\/p>\n\n\n\n

Connor, Anne. \u201cTaking the Bite out of the Vagina Dentata: Latin American Women Authors\u2019 Fantastic Transformation of the Feline Fatale.\u201d JFA<\/em> 24.1 (2013): 41-60.<\/p>\n\n\n\n

Coss, David L. \u201cSutpen\u2019s Sentient House.\u201d JFA<\/em> 15.2 (2005): 101-18.<\/p>\n\n\n\n

Covino, William. \u201cIntroduction: Octavia Butler as Public Intellectual (ICFA-21 Panel).\u201d 11.2 (2000): 173-74.<\/p>\n\n\n\n

Crago, Hugh. \u201c\u2018With a tale he cometh to you\u2019: A Phenomenological Journey to the Center of Story.\u201d JFA<\/em> 29.3 (2018): 422-44.<\/p>\n\n\n\n

Craig, J. Robert. \u201cGuest Editor\u2019s Introduction [ICFA: Culture of the Fantastic, Part I].\u201d 13.3 (2003): 215-17.<\/p>\n\n\n\n

Craig, J. Robert. \u201cGuest Editor\u2019s Introduction [ICFA: Culture of the Fantastic, Part II].\u201d 14.1] (Spr. 2003): 4-6.<\/p>\n\n\n\n

Craig, J. Robert. \u201cOn Visual Tropes as Expressions of the Psyche in Roman Polanski\u2019s The Tenant<\/em>.\u201d 9.2: 131-41.<\/p>\n\n\n\n

Crawford, Kevin. \u201c\u2018He was torn to pieces with a bear\u2019: Grotesque Unity in The Winter\u2019s Tale.\u201d<\/em> 10.3 (1999): 206-30.<\/p>\n\n\n\n

Cribb, Susan M. \u201c\u2018If I had to write with a pen\u2019: Readership and Bram Stoker\u2019s Diary Narrative.\u201d 10:2 (1999): 133-41.<\/p>\n\n\n\n

Crichfield, Grant. \u201cBakhtin\u2019s Chronotype and the Fantastic: Gautier\u2019s \u2018Jettatura\u2019 and \u2018Arria Marcella,\u2019\u201d 4.3, 25-39.<\/p>\n\n\n\n

Crosby, Donald H. \u201cNature\u2019s Nightmare: The Inner World of Hauptmann\u2019s Flagman Thiel<\/em>.\u201d 1.2, 25-34.<\/p>\n\n\n\n

Csicserny-Ronay, Jr., Istvan. \u201cScience Fiction and the Imperial Audience.\u201d JFA<\/em> 26.1 (2015): 7-18.<\/p>\n\n\n\n

D<\/strong><\/p>\n\n\n\n

D\u2019Alessangro, K.C. \u201cThe JFA <\/em>Forum on SF Films.\u201d 2.2, 18-19.<\/p>\n\n\n\n

Danylyshen, Darren. \u201cWhere Theory Meets Science Fiction: The Conjoining of Science Fiction with Theoretical Structures in Samuel R. Delayney\u2019s Neveryon<\/em> Series, Or: The Tale of the Iron Ring<\/em>.\u201d 12.2, 157-67.<\/p>\n\n\n\n

Davidson, Jane P. \u201cGolem \u2013 Frankenstein \u2013 Golem of your Own.\u201d 7.2\/3, 228-43.<\/p>\n\n\n\n

Davidson, Jane P. \u201cWolves, Witches, and Werewolves.\u201d 2.4, 47-68.<\/p>\n\n\n\n

Davidson, Lale. \u201cDaughters of Eurydice in Absentia: The Feminine Heroic Quest for Presence in Houskeeping<\/em>.\u201d 4.4, 19-36.<\/p>\n\n\n\n

Dawson, Janis. \u201cAspects of the Fantastic in Roddy Doyle\u2019s A Star Called Henry<\/em>: Deconstructing Romantic Nationalism.\u201d 12.2, 168-85.<\/p>\n\n\n\n

de Armas, Frederick A. \u201cGyges\u2019s Ring: Invisibility in Plato, Tolkien, and Lope de Vega.\u201d 3.4, 120-38.<\/p>\n\n\n\n

de Armas, Frederick A. \u201cInterpolation and Invisibility: From Herodotus to Cervantes\u2019s Don Quixote<\/em>.\u201d 4.2, 8-28.<\/p>\n\n\n\n

De Cicco, Mark. \u201c\u2018More Than Human\u2019: The Queer Gothic Scientist of the Fin-de-Si\u00e8cle.\u201d JFA <\/em>23.1 (2012): 4\u201324.<\/p>\n\n\n\n

Dean, Tanya. \u201cPiano Guts and Other Mothers: Staging Fantasy in David Greenspan and Stephin Merritt\u2019s Musical Adaptation of Neil Gaiman\u2019s Coraline<\/em>.\u201d JFA<\/em> 24.2 (2013): 264-74.<\/p>\n\n\n\n

Dendle, Peter. \u201cPatristic Demonology and Lovecraft\u2019s \u2018From Beyond\u2019.\u201d 8.3, 281-93.<\/p>\n\n\n\n

Deuze, Mark. \u201cLiving as a Zombie in Media is the Only Way to Survive.\u201d JFA<\/em> 25.2-3 (2014): 307-23. [278-94]<\/p>\n\n\n\n

Dickens, David B. \u201cRings, Belts, and a Bird\u2019s Nest: Invisibility in German Literature.\u201d 4.2, 29-48.<\/p>\n\n\n\n

Dickson, Nancy O. M. \u201cMorgan and the Morrighan.\u201d 9.1: 24-35.<\/p>\n\n\n\n

Dillon, Grace L. \u201cIndigenous Scientific Literacies in Nalo Hopkinson\u2019s Ceremonial Worlds\u201d. JFA<\/em> 18.1 (2007):23-41.<\/p>\n\n\n\n

Dixson, Barbara. \u201cStructural Complexity in Doris Lessing\u2019s Canopus Novels.\u201d 2.3, 14-22.<\/p>\n\n\n\n

Doherty, Thomas. \u201cThe JFA<\/em> Forum of SF Film.\u201d 2.2, 14-15.<\/p>\n\n\n\n

Doherty, Thomas. \u201cVideo, Science Fiction, and the Cinema of Surveillance.\u201d 2.2, 69-79.<\/p>\n\n\n\n

Donaldson, Mara E. \u201cBaptizing the Imagination: The Fantastic as the Subversion of Fundamentalism.\u201d 8.2, 185-97.<\/p>\n\n\n\n

Donawerth, Jane. \u201cPerforming the Technologies of Gender: Representations of Television in Science Fiction by Women.\u201d JFA<\/em> 18.2 (2007): 152-65.<\/p>\n\n\n\n

Donner, Mathieu. \u201c\u2018I have to figure out who I am\u2019: Embodied Self, Time, and the Ethics of Adolescence in David Levithan\u2019s Every Day<\/em>.\u201d JFA<\/em> 28.3 (2017): 402-24.<\/p>\n\n\n\n

Donner, Mathieu. \u201cIntroduction: Reading the Body, Reading (YA) Fiction.\u201d JFA<\/em> 28.3 (2017): 339-43.<\/p>\n\n\n\n

Doty, Gene. \u201cA Toss of the Dice: Writers, Readers, and Role-Playing Games.\u201d 14.1 (Spr. 2003): 51-67.<\/p>\n\n\n\n

Doty, Gene. \u201c\u2018The Pattern that Connects\u2019: Asymmetry, God, and Meaning in Russell Hoban\u2019s Pilgermann<\/em>.\u201d 8.2, 116-23.<\/p>\n\n\n\n

Doyle, Jim. \u201cThe Vampire\u201d [poem]. 2.1, 4.<\/p>\n\n\n\n

Drake, H. L. \u201cIntroduction: On Psi Powers.\u201d 9.4: 4-15.<\/p>\n\n\n\n

Draper, Ellen. \u201cThe JFA <\/em>Forum on SF Film.\u201d 2.2, 32-33.<\/p>\n\n\n\n

Dudenhoeffer, Larrie. \u201cMonster Mishmash: Iconicity and Intertextuality in Tobe Hooper\u2019s The Texas Chain Saw Massacre<\/em>.\u201d JFA<\/em> 19.1 (2008): 51-69.<\/p>\n\n\n\n

Duggan, Anne E. \u201cFrom Genie to Efreet.\u201d JFA<\/em> 26.1 (2015): 113-35.<\/p>\n\n\n\n

Duncan, Andy. \u201cJohn Kessel: A Biased Introduction.\u201d JFA<\/em> 30.1 (2019): 25-28.<\/p>\n\n\n\n

Dziemianowicz, Stephan. \u201cNirvana for Sleaze-lovers\u201d [book review]. 2.2, 110-11.<\/p>\n\n\n\n

E<\/strong><\/p>\n\n\n\n

Easterbrook, Neil. \u201cEdward James: An Introduction, by Neil Easterbrook.\u201d JFA<\/em> 29.1 (2018): 4-6.<\/p>\n\n\n\n

Ekman, Stefan. \u201cLondon Urban Fantasy: Places in History.\u201d JFA<\/em> 29.3 (2018): 380-401.<\/p>\n\n\n\n

Ekman, Stefan. \u201cUrban Fantasy: A Literature of the Unseen.\u201d JFA<\/em> 27.3 (2016): 452-69.<\/p>\n\n\n\n

Elliot, Randy. Portfolio of Illustrations. 3.2, 24-28.<\/p>\n\n\n\n

Ellison, Harlan. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 39-41.<\/p>\n\n\n\n

Ellison, Harlan. \u201cThe Wind Took Your Answer Away.\u201d 1.3, 7-20.<\/p>\n\n\n\n

Emmerichs, Sharon. \u201cStraddling Genres: McKillip and the Landscape of the Female Hero-Identity.\u201d JFA<\/em> 16.3 (2005): 206-18.<\/p>\n\n\n\n

Erikson, Steven. \u201cStand Fast.\u201d JFA<\/em> 29.1 (2018): 21-25.<\/p>\n\n\n\n

Evans, Jonathan. \u201cMedieval Dragon-lore in Middle Earth.\u201d 9.3: 175-91.<\/p>\n\n\n\n

Evans, Taylor. \u201cThe Technology of Race: White Supremacy and Scientifiction.\u201d JFA<\/em> 27.1 (2016): 47-67.<\/p>\n\n\n\n

Evans, Timothy H. \u201cAuthenticity, Ethnography, and Colonialism in Philip K. Dick\u2019s The Man in the High Castle<\/em>.\u201d JFA <\/em>21.3 (2010): 366-83.<\/p>\n\n\n\n

Eynat-Confino, Irene. \u201cExorcising a Theater Myth: S. Ansky\u2019s The Dybbuk.<\/em>\u201d 11.1 (2000): 14-23.<\/p>\n\n\n\n

F<\/strong><\/p>\n\n\n\n

Farmer, Philip Jose. \u201cHayy ibn Yaqzan<\/em>: An Arabic Mowgli.\u201d 3.3, 72-78.<\/p>\n\n\n\n

Farris, Anelise. \u201cGuests in Conversation: An Interview With Holly Black.\u201d JFA<\/em> 28.1 (2017): 27-30.<\/p>\n\n\n\n

Fawver, Kurt. \u201c\u2018Present\u2019-ly Safe: The Anthropocentricism of Time in H. P. Lovecraft\u2019s Fiction.\u201d JFA <\/em>20.2 (2009): 248-61.<\/p>\n\n\n\n

Feimer, Joel N. \u201cThe Alchemy of Love in A Fine and Private Place<\/em>.\u201d 1.3, 69-78.<\/p>\n\n\n\n

Ferreira, Maria Aline Seabra. \u201cMyth and Anti-Myth in Angela Carter\u2019s The Passion of New Eve.\u201d<\/em> 9.4: 31-49.<\/p>\n\n\n\n

Ferreira, Rachel Haywood. \u201cBy Burro and by Beagle<\/em>: Geographical Journeys through Time in Latin America.\u201d JFA<\/em> 18.2 (2007): 166-86.<\/p>\n\n\n\n

Ferrier-Watson, Sean. \u201cThe Many Roads of Oz: An Existential Reading of Maguire\u2019s \u2018Wicked Witch of the West\u2019.\u201d JFA<\/em> 28.2 (2017): 219-35.<\/p>\n\n\n\n

Findlay, Virgil. Art Portfolio. 2.1, 48-51.<\/p>\n\n\n\n

Fischer, Helgard. \u201cThe Structure of Magical Revolutions.\u201d JFA <\/em>21.2 (2010): 246-56.<\/p>\n\n\n\n

Fitzsimmons, Rebekah. \u201cDialectical \u2018Complexifications\u2019: The Centrality of Mary Malone, Dust, and the Mulefa <\/em>in Philip Pullman\u2019s His Dark Materials.\u201d JFA <\/em>22.2 (2011): 212-33.<\/p>\n\n\n\n

Fladenmuller, Kathryn and C. W. Sullivan III. \u201cIntroduction: Of Goddesses.\u201d 9.1: 1-2.<\/p>\n\n\n\n

Fleischbein, Ren\u00e9. \u201cNew Hero: Metafictive Female Heroism in Fire and Hemlock<\/em>.\u201d JFA <\/em>21.2 (2010): 233-45.<\/p>\n\n\n\n

Flieger, Verlyn. \u201cWho\u2019s Got the Goddess?\u201d 9.1: 3-14.<\/p>\n\n\n\n

Flieger, Verlyn, and T. A. Shippey. \u201cAllegory Versus Bounce: Tolkien\u2019s Smith of Wooten Major.<\/em>\u201d 12.2, 186-200.<\/p>\n\n\n\n

Fowler, Douglas. \u201cMillhauser, Suskind, and the Postmodern Promise.\u201d 1.4, 77-86.<\/p>\n\n\n\n

Fox, Timothy R. \u201cRealizing Fantastic Trickster Liberations in Gerald Vizenor\u2019s Griever: An American Monkey King in China<\/em>.\u201d JFA <\/em>20.1 (2009): 70-90.<\/p>\n\n\n\n

Francavilla, Joseph. \u201cThe Concept of the Divided Self in Harlan Ellison\u2019s \u2018I Have No Mouth and I Must Scream\u2019 and \u2018Shatterday\u2019.\u201d 6.2\/3, 107-25.<\/p>\n\n\n\n

Francis, Diana Pharaoh. \u201cParadigms of Colonization: Exploring Themes of Imperialism in Guy Gavriel Kay\u2019s Tigana.<\/em>\u201d 13.2 (2002): 114-33.<\/p>\n\n\n\n

Francis, Diana Pharaoh. \u201cSocial Robotics: Constructing the Ideal Woman from Used Ideological Parts.\u201d 7.1, 92-101.<\/p>\n\n\n\n

Francis, Toni. \u201cDestiny Manifesto: Octavia Butler as Public Intellectual (ICFA-21 Panel).\u201d 11.2 (2000): 179-81.<\/p>\n\n\n\n

Franko, Carol. \u201cDialogic Narration and Ambivalent Utopian Hope in Lessing\u2019s Shikasta<\/em> and LeGuin\u2019s Always Coming Home<\/em>.\u201d 2.3, 23-33.<\/p>\n\n\n\n

Frelik, Pawe\u0142. \u201cDark Matters: Mapping Science Fiction on the Extreme Metal Continuum.\u201d JFA<\/em> 24.2 (2013): 289-309.<\/p>\n\n\n\n

French, Jana L. \u201c\u2018I\u2019m telling you stories\u2026.Trust me\u2019: Gender, Desire, and Identity in Jeanette Winterson\u2019s Historical Fantasies.\u201d 10.3 (1999): 231-52.<\/p>\n\n\n\n

Frongia, Terri. \u201cTales of Old Prague: Of Ghettos, Passover, and the Blood Libel.\u201d 7.2\/3, 146-62.<\/p>\n\n\n\n

Fry, Carrol, and J. Robert Craig. \u201cA Carnival of Apes: A Bakhtinian Perspective on Twelve Monkeys.<\/em>\u201d 13.1 (2002): 3-12.<\/p>\n\n\n\n

Frye, Mitch. \u201cThe Refinement of \u2018Crude Allegory\u2019: Eugenic Themes and Genotypic Horror in the Weird Fiction of H.P. Lovecraft.\u201d JFA<\/em> 17.3 (2006): 237-54.<\/p>\n\n\n\n

Fuller, Sarah Canfield. \u201cReading the Cyborg in Mary Shelley\u2019s Frankenstein.<\/em>\u201d 14.2 (Sum. 2003): 217-27.<\/p>\n\n\n\n

G<\/strong><\/p>\n\n\n\n

Gaiman, Neil. \u201cThe Pornography of Genre, or the Genre of Pornography.\u201d JFA <\/em>24.3 (2013): 401-07.<\/p>\n\n\n\n

Gardiner-Scott, Tanya. \u201cGame as Fantasy in Crucifixion Drama.\u201d 3.3, 50-61.<\/p>\n\n\n\n

Gardiner-Scott, Tanya. \u201cMervyn Peake: The Relativity of Perception.\u201d 1.2, 13-24.<\/p>\n\n\n\n

Garrison, John. \u201cEchoes of Influence: Music, Social Power, and the Law in Speculative Fiction.\u201d JFA<\/em> 17.4 (2006): 321-33.<\/p>\n\n\n\n

Gascoyne, Debbie. \u201c\u2018Why don\u2019t you be a tiger?\u2019: The Performative, Transformative, and Creative Power of the Word in the Universes of Diana Wynne Jones.\u201d JFA <\/em>21.2 (2010): 210-20.<\/p>\n\n\n\n

Geary, Robert F. \u201cThe Exorcist<\/em>: Deep Horror?\u201d 5.4, 55-63.<\/p>\n\n\n\n

Geary, Robert F. \u201cThe Powers of Dracula<\/em>.\u201d 4.1, 81-91.<\/p>\n\n\n\n

Geraghty, Lincoln. \u201cThe American Jeremiad and Star Trek\u2019<\/em>s Puritan Legacy.\u201d 14.2 (Sum. 2003): 228-45.<\/p>\n\n\n\n

Gershuny, Walter. \u201cTripping the Light Fantastic With Theodore de Banville.\u201d 10.3: 253-61.<\/p>\n\n\n\n

Gilman, Greer. \u201cGirl, Implicated: The Child in the Labyrinth in the Fantastic.\u201d JFA<\/em> 19.2 (2008): 199-203.<\/p>\n\n\n\n

Glance, Jonathan C. \u201c\u2018Beyond the Bounds of Reverie?\u2019: Another Look at the Dreams in Frankenstein<\/em>.\u201d 7.4, 30-47.<\/p>\n\n\n\n

Glasner, Lily. \u201c\u2018But what does it all mean?\u2019: Religious Reality as a Political Call in the Chronicles of Narnia<\/em>.\u201d JFA<\/em> 25.1 (2014): 54-77.<\/p>\n\n\n\n

Goodrich, Peter. \u201cMannerism and the Macabre in H. P. Lovecraft\u2019s Dunsanian \u201cDream Quest\u201d.\u201d JFA<\/em> 15.1 (2004): 37-48.<\/p>\n\n\n\n

Goodrich, Peter. \u201cThe New Age Mage: Merlin as Contemporary Occult Icon.\u201d 5.1, 42-73.<\/p>\n\n\n\n

Goodwin, Jonathan. \u201cTelepathy and Cosmic Horror in Olaf Stapledon\u2019s The Flames<\/em>.\u201d JFA<\/em> 25.1 (2014): 78-92.<\/p>\n\n\n\n

Gordon, Andrew. \u201cScience Fiction and Fantasy Film Criticism.\u201d 2.2, 81-94.<\/p>\n\n\n\n

Gordon, Joan. \u201cSurviving the Survivor: Art Spiegelman\u2019s Maus<\/em>.\u201d 5.2, 80-89.<\/p>\n\n\n\n

Grassian, Daniel. \u201cDiscovering the Machine in You: The Literary Social and Religious Implications of Neal Stephenson\u2019s Snow Crash<\/em>.\u201d 12.3, 250-67.<\/p>\n\n\n\n

Gray, Bob. \u201cAn Appreciation: Virgil Findlay.\u201d 2.1, 47.<\/p>\n\n\n\n

Gray, Bob. \u201cMurray Tinkleman: An Appreciation.\u201d 2.2, 64.<\/p>\n\n\n\n

Gray, Bob. \u201cThe Art of Randy Elliot.\u201d 3.2, 22-23.<\/p>\n\n\n\n

Greven, David. \u201cThe Fantastic Powers of the Other Sex: Male Mothers in Fantastic Fiction.\u201d 14.3 (2003): 301-17.<\/p>\n\n\n\n

Grootkerk, Paul. \u201cMichael Dorsey\u2019s Beauty Parlor Series: Historical Permanence.\u201d 3.1, 5-28.<\/p>\n\n\n\n

Gunn, James. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 30-32.<\/p>\n\n\n\n

Gunnels, Jen. \u201cAndrea Hairston: An Introduction.\u201d JFA <\/em>22.3 (2011): 322-25.<\/p>\n\n\n\n

Gunnels, Jen. \u201c\u2018Ta\u2019mey Dun, Bommey Dun\u2019 (Great Deeds, Great Songs): The Klingon Opera U <\/em>as Ethnodramaturgical Performance.\u201d JFA <\/em>23.1 (2012): 60-81.<\/p>\n\n\n\n

Gunnels, Jen, and Isabella van Elferen. \u201cIntroduction: \u2018Should we poke it with a stick?\u2019: Approaches to Fantastic Performance.\u201d JFA<\/em> 24.2 (2013): 184-87.<\/p>\n\n\n\n

Guzkowski, Adam. \u201cMovements in Space: Science Fiction, Dance, and the Politics of Performance.\u201d JFA<\/em> 24.2 (2013): 231-45.<\/p>\n\n\n\n

H<\/strong><\/p>\n\n\n\n

Haberkorn, Gideon. \u201cCultural Palimpsests: Terry Pratchett\u2019s New Fantasy Heroes.\u201d JFA <\/em>18.3 (2007): 319-39.<\/p>\n\n\n\n

Hairston, Andrea. \u201cDifferent and Equal Together: SF Satire in District 9<\/em>.\u201d JFA <\/em>22.3 (2011): 326-46.<\/p>\n\n\n\n

Hairston, Andrea. \u201cLord of the Monsters: Minstrels Redux: King Kong, Hip Hop, and the Brutal Black Buck.\u201d JFA<\/em> 18.2 (2007): 187-99.<\/p>\n\n\n\n

Haldeman, Joe. \u201cVenor Vinge: An Introduction.\u201d JFA<\/em> 19.2 (2008): 173-74.<\/p>\n\n\n\n

Hall, Stefan. \u201cTakayuki Tatsumi: An Introduction.\u201d JFA <\/em>21.3 (2010): 436-38.<\/p>\n\n\n\n

Hand, Elizabeth. \u201cThe Beckoning Fair Ones: Some Thoughts on Muses.\u201d JFA<\/em> 15.3 (2004): 192-207.<\/p>\n\n\n\n

Hanlon, Tina L. \u201cThe Taming of the Dragon in Twentieth Century Picture Books.\u201d 14.1 (Spr. 2003): 7-26.<\/p>\n\n\n\n

Hanson, Carter F. \u201c1920\u2019s Yellow Peril Science Fiction: Political Appropriations of the Asian Racial Alien\u2019.\u201d 6.4, 312-29.<\/p>\n\n\n\n

Hantke, Steffen. \u201cDisorienting Encounters: Magical Realism and American Literature on the Vietnam War.\u201d 12.3, 268-86.<\/p>\n\n\n\n

Hardcastle, Anne E. \u201cGhosts of the Past and Present: Hauntology and the Spanish Civil War in Guillermo del Toro\u2019s The Devil\u2019s Backbone.<\/em>\u201d JFA<\/em> 15.2 (2005): 119-31.<\/p>\n\n\n\n

Harger-Grinling, V.A., and A. Thomas. \u201cDecadence and Anguish: Edgar Allan Poe\u2019s Influence on Rjean Ducharme.\u201d 1.2, 5-12.<\/p>\n\n\n\n

Harger-Grinling, Virginia and Chantal Jordan. \u201dFifty Years On: Animal Farm<\/em> Gets Under the Skin.\u201d 14.2 (Sum. 2003): 246-54.<\/p>\n\n\n\n

Harkins, Patricia. \u201cFamily Magic in Jamaica Kincaid\u2019s Lucy<\/em>.\u201d 4.3, 53-68.<\/p>\n\n\n\n

Harkins, Patricia. \u201cThe Speaking Dead in Sir Amadace and the White Knight<\/em>.\u201d 3.3, 62-71.<\/p>\n\n\n\n

Harkins, Patricia. \u201c\u2018Spells of Darkness\u2019: Invisibility in The White Witch of Rosehall<\/em>.\u201d 4.2, 49-64.<\/p>\n\n\n\n

Harrison, Michael P. \u201cFrom Panel to Page: Queer Superhero Iconography in the Poetry of \u00c1lvaro Tato and the Narrative of Llu\u00eds Fern\u00e0ndez.\u201d JFA <\/em>22.3 (2011): 347-62.<\/p>\n\n\n\n

Harse, Katie. \u201cHigh Duty and Savage Delight: The Ambiguous Nature of Violence in Dracula<\/em>.\u201d 10:2 (1999): 115-23.<\/p>\n\n\n\n

Harse, Katie. \u2018\u201cSick of Count Dracula\u2019: Scott, Carter, Rice and the Response to Stoker\u2019s Authority.\u201d 13.3 (2003): 250-57.<\/p>\n\n\n\n

Hassold, Cris. \u201cThe Double and Doubling in Modern and Postmodern Art.\u201d 6.2\/3, 253-74.<\/p>\n\n\n\n

Hassold, Cris. \u201cThe Feminine as Fantastic.\u201d 3.1, 29-40.<\/p>\n\n\n\n

Hayles, N. Katherine. \u201cSchizoid Android: Cybernetics and the Mid-Sixties Novels of Philip K. Dick.\u201d 8.4, 419-42.<\/p>\n\n\n\n

Heise-von der Lippe, Anya. \u201cFred Botting: An Introduction.\u201d JFA<\/em> 30.1 (2019): 4.<\/p>\n\n\n\n

Heiss, [Ralph] Lokke. \u201cMadame Dracula: The Life of Emily Gerard.\u201d 10:2 (1999): 174-86.<\/p>\n\n\n\n

Heldreth, Leonard G. \u201cFilms, Film Fantasies, and Fantasies: Manipulating Reality and the Self in Kiss of the Spider Woman<\/em>.\u201d 3.4, 93-106.<\/p>\n\n\n\n

Heldreth, Leonard G. \u201cRising Like Old Corpses: Stephen King and the Horrors of Time-Past.\u201d 2.1, 1-13.<\/p>\n\n\n\n

Heldreth, Lillian M. \u201cTanith Lee\u2019s Werewolves Within: Reversals of Gothic Tradition.\u201d 2.1, 15-23.<\/p>\n\n\n\n

Hixon, Martha P. \u201cPower Plays: Paradigms of Power in The Pinhoe Egg <\/em>and The Merlin Conspiracy<\/em>.\u201d JFA <\/em>21.2 (2010): 169-86.<\/p>\n\n\n\n

Hixon, Martha. \u201c\u2018The Lady of Shalott\u2019 as Paradigm in Patricia McKillip\u2019s The Tower at Stony Wood<\/em>.\u201d JFA<\/em> 16.3 (2005): 191-205.<\/p>\n\n\n\n

Hollander, Joel A. \u201c\u2018The Faries\u2019 Christmas\u2019: Elements of the Fantastic in Irish Political Cartoons of the Home Rule Movement.\u201d 8.1, 42-54.<\/p>\n\n\n\n

Hollinger, Veronica. \u201cTheater for the Fin-du-Millennium: Playing (at) the End.\u201d 1.4, 29-38.<\/p>\n\n\n\n

Hollinger, Veronica. \u201cThe Vampire and\/as the Alien.\u201d 5.3, 5-17.<\/p>\n\n\n\n

Holte, James Craig. \u201cA Century of Draculas.\u201d  10:2 (1999): 109-14.<\/p>\n\n\n\n

Holte, James Craig. \u201cNot All Fangs are Phallic: Female Film Vampires.\u201d  10:2 (1999): 163-73.<\/p>\n\n\n\n

Honigsberg, David M. \u201cRava\u2019s Golem.\u201d 7.2\/3, 137-45.<\/p>\n\n\n\n

Hopkinson, Nalo. \u201cA Reluctant Ambassador from the Planet of Midnight.\u201d JFA <\/em>21.3 (2010): 339-50.<\/p>\n\n\n\n

Hopkinson, Nalo. \u201cMaybe They\u2019re Phasing Us In: Re-mapping Fantasy Tropes in the Face of Gender, Race, and Sexuality.\u201d JFA<\/em> 18.1 (2007): 99-107.<\/p>\n\n\n\n

Horstkotte, Martin. \u201cThe Worlds of the Fantastic Other in PostModern English Fiction.\u201d JFA<\/em> 14.3 (2003): 318-32.<\/p>\n\n\n\n

Howey, Ann F. \u201cChangeling Self, Changing Other: Patricia McKillip\u2019s The Changeling Sea<\/em> as Feminist Fairy Tale.\u201d JFA<\/em> 18.1 (2007): 42-60.<\/p>\n\n\n\n

Hume, Kathryn. \u201cJames Morrow: An Introduction.\u201d JFA<\/em> 27.1 (2016): 4-5.<\/p>\n\n\n\n

Hunt, Peter. \u201c\u2018Coldtonguecoldhamcoldbeefpickledgherkinsaladfrench-rollscresssandwidgespo ttedmeatgingerbeerlemonadesodawater….\u2019 Fantastic Foods in the Books of Kenneth Grahame, Jerome K. Jerome, H.E. Bates, and Other Bakers of Fantasy England.\u201d 7.1, 5-22.<\/p>\n\n\n\n

I<\/strong><\/p>\n\n\n\n

Inge, M. Thomas. \u201cHarvey Kurtzman\u2019s MAD<\/em>: Subversion and Fantasy.\u201d JFA<\/em> 17.2 (2006): 123-39.<\/p>\n\n\n\n

Ingersoll, Earl. \u201cMargaret Atwood\u2019s The Handmaid\u2019s Tale<\/em>: Echoes of Orwell.\u201d 5.4, 64-72.<\/p>\n\n\n\n

Irvine, Alex. \u201cAutocannibalistic Tradition and The Individual Talent: An Interview with Sean Stewart.\u201d 10.3 (1999): 262-75.<\/p>\n\n\n\n

J<\/strong><\/p>\n\n\n\n

James, Edward. \u201cEpics in Three Parts.\u201d JFA<\/em> 29.1 (2018): 7-17.<\/p>\n\n\n\n

Janicker, Rebecca. \u201cVisions of Monstrosity: Lovecraft, Adaptation and the Comic Arts.\u201d JFA<\/em> 26.3 (2015): 469-88.<\/p>\n\n\n\n

Jenkins, Alice. \u201cKnowing and Geography in Octavia Butler, Ursula K. Le Guin and Maureen McHugh.\u201d JFA<\/em> 16.4 (2005): 320-34.<\/p>\n\n\n\n

Jennings, Lee. B. \u201cJustinus Kerner\u2019s Seherin von Prevorst: <\/em>A Parapsychological Psychodrama.\u201d 9.4: 49-58.<\/p>\n\n\n\n

Johnston, John. \u201dComputer Fictions: Narratives of the Machinic Phylum.\u201d 8.4, 443-63.<\/p>\n\n\n\n

Johnson, Kij, and Brian Attebery. \u201cTen Questions for Kij Johnson.\u201d JFA<\/em> 24.3 (2013): 421-25.<\/p>\n\n\n\n

Joiner, Dorothy. \u201cFictional Cultures in Postmodern Art.\u201d 1.4, 59-66.<\/p>\n\n\n\n

Joiner, Dorothy. \u201cIntroduction [to Special Art Issue]\u201d 3.1, 2-4.<\/p>\n\n\n\n

Jones, Caroline E. \u201cChanging the World: Faces of Rebellion in Suzanne Collins\u2019s Hunger Games Trilogy.\u201d JFA<\/em> 27.2 (2016): 225-47.<\/p>\n\n\n\n

J\u00f6nsson, Gabriella. \u201cThe Second Vampire: filles fatales <\/em>in J. Sheridan Le Fanu\u2019s Carmilla<\/em> and Anne Rice\u2019s Interview with the Vampire<\/em>.\u201d JFA<\/em> 17.1 (2006): 33-48.<\/p>\n\n\n\n

Joshi, S. T. \u201cEstablishing the Canon of Weird Fiction.\u201d JFA<\/em> 14.3 (2003): 333-41.<\/p>\n\n\n\n

Jucovy, Kyra. \u201cLittle Sister Is Watching You: Archer\u2019s Goon <\/em>and 1984<\/em>.\u201d JFA <\/em>21.2 (2010): 271-89.<\/p>\n\n\n\n

Jurich, Marilyn. \u201cChildren Stranded \u2018Among These Dark Satanic Mills\u2019: The Child\u2019s Response to Evil in Fantasies From Four Different Countries.\u201d 13.3 (2003): 271-81.<\/p>\n\n\n\n

Jurich, Marilyn. \u201cConfessions of the Unemployed\u201d [poem]. 2.4, 6.<\/p>\n\n\n\n

Jurich, Marilyn. \u201c\u2018A Woman\u2019s a Two-Faced,\u2019 or the Doppelgangerin Unveiled.\u201d 6.2\/3, 143-65.<\/p>\n\n\n\n

K<\/strong><\/p>\n\n\n\n

K\u00e4kel\u00e4, Jari. \u201cEnlightened Sense of Wonder? Sublimity and Rationality in Asimov\u2019s Foundation Series.\u201d JFA <\/em>22.2 (2011): 171-91.<\/p>\n\n\n\n

Kaplan, Deborah. \u201cDisrupted Expectations: Young\/old Protagonists in Diana Wynne Jones\u2019s Novels.\u201d JFA <\/em>21.2 (2010): 197-209.<\/p>\n\n\n\n

Kay, Guy Gavriel. \u201cThe Fiction of Privacy: Fantasy and the Past.\u201d JFA <\/em>20.2 (2009): 240-47.<\/p>\n\n\n\n

Keetley, Dawn. \u201cZombie Republic: Property and the Propertyless Multitude in Romero\u2019s Dead Films and Kirkman\u2019s The Walking Dead.\u201d JFA<\/em> 25.2-3 (2014): 324-42. [295-313]<\/p>\n\n\n\n

Kelleghan, Fiona. \u201cSomething Hungry This Way Comes: Terrestrial and Ex-Terrestrial Feline Feeding Patterns and Behavior.\u201d 10.4 (2000): 338-52.<\/p>\n\n\n\n

Keller, James R. \u201cMiddleton\u2019s The Witch<\/em>: Witchcraft and the Domestic Female Hero.\u201d 4.4, 37-59.<\/p>\n\n\n\n

Kelso, Sylvia. \u201cThe Feminist and the Vampire: Constructing Postmodern Bodies.\u201d 8.4, 472-87.<\/p>\n\n\n\n

Kelso, Sylvia. \u201cThe God in the Pentagram: Religion and Spirituality in Modern Fantasy.\u201d JFA<\/em> 18.1 (2007): 61-82.<\/p>\n\n\n\n

Kelso, Sylvia. \u201cLoces Genii<\/em>: Urban Settings in the Fantasy of Peter Beagle, Martha Wells, and Barbara Hambly.\u201d 13.1 (2002): 13-32.<\/p>\n\n\n\n

Kelso, Sylvia. \u201cLois McMaster Bujold: Feminism and \u2018The Gernsback Continuum\u2019 in Recent Women\u2019s SF.\u201d 10.1 (Win. 1998): 17-29.<\/p>\n\n\n\n

Kerman, Judith B. \u201cUses of the Fantastic in the Literature of the Holocaust.\u201d 5.2, 14-31.<\/p>\n\n\n\n

Kessel, John. \u201cMary, Jane, and Me.\u201d JFA<\/em> 30.1 (2019): 29-39.<\/p>\n\n\n\n

Khader, Jamil. \u201cRace Matters: People of Color, Ideology, and the Politics of Erasure and Reversal in Ursula Le Guin\u2019s The Left Hand of Darkness <\/em>and Maria Doria Russell\u2019s The Sparrow<\/em>.\u201d JFA<\/em> 16.2 (2005): 110-27.<\/p>\n\n\n\n

Kiausch, Usch [Ursula]. \u201cOrchids in A Cage: Political Myths and Social Reality in East German Science Fiction (1949-1989).\u201d 11.4 (2001): 375-94.<\/p>\n\n\n\n

Kidder, Orion Ussner. \u201cUseful Play: Historicization in Alan Moore\u2019s Supreme <\/em>and Warren Ellis\/John Cassaday\u2019s Planetary<\/em>.\u201d JFA <\/em>21.1 (2010): 77-96.<\/p>\n\n\n\n

Kincaid, Paul. Review Essay \u201cClassic? SF?\u201d BFI Film Classics Series: Solaris<\/em>, by Mark Bould; Eternal Sunshine of the Spotless Mind<\/em>, by Andrew M. Butler; The War of the Worlds<\/em>, by Barry Forshaw; Silent Running<\/em>, by Mark Kermode; Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb<\/em>, by Peter Kr\u00e4mer; Akira<\/em>, by Michelle Le Blanc and Colin Odell; Alien<\/em>, by Roger Luckhurst; Brazil<\/em>, by Paul McAuley; Quatermass and the Pit<\/em>, by Kim Newman. JFA<\/em> 26.3 (2015): 546-50.<\/p>\n\n\n\n

Kincaid, Paul. Review Essay: \u201c(Mis)representing Wells.\u201d Rev. of H. G. Wells\u2019s The Sea Lady: A Tissue of Moonshine: A Critical Text of the 1902 London First Edition, with an Introduction and Appendices<\/em>, The Annotated H.G. Wells 7, edited by Leon Stover; Man Who Could Work Miracles: A Critical Text of the 1936 New York First Edition, with an Introduction and Appendices<\/em>, The Annotated H.G. Wells 8, edited by Leon Stover; Things to Come: A Critical Text of the 1935 London First Edition, with an Introduction and Appendices<\/em>, The Annotated H.G. Wells 9, edited by Leon Stover; The Time Machine: An Invention: A Critical Text of the 1895 London First Edition, with an Introduction and Appendices<\/em>, The Annotated H.G. Wells 1, edited by Leon Stover; The Island of Doctor Moreau: A Critical Text of the 1896 London First Edition, with an Introduction and Appendices<\/em>, The Annotated H.G. Wells 2, edited by Leon Stover; The Invisible Man: A Grotesque Romance: A Critical Text of the 1897 New York First Edition, with an Introduction and Appendices<\/em>, The Annotated H.G. Wells 3, edited by Leon Stover; The War of the Worlds: A Critical Text of the 1898 London First Edition, with an Introduction, Illustrations and Appendices<\/em>, The Annotated H.G. Wells 4, edited by Leon Stover; When the Sleeper Wakes: A Critical Text of the 1899 New York and London First Edition, with an Introduction and Appendices<\/em>, The Annotated H.G. Wells 5, edited by Leon Stover; The First Men in the Moon: A Critical Text of the 1901 London First Edition, with an Introduction and Appendices<\/em>, The Annotated H.G. Wells 6, edited by Leon Stover. JFA<\/em> 24.1 (2013): 83- 96.<\/p>\n\n\n\n

Kincaid, Paul. Review Essay \u201cPolitical Fantasy and Speculative Fictions.\u201d Political Future Fiction: Speculative and Counter-Factual Politics in Edwardian Fiction<\/em>, by Kate Macdonald, general ed.; Volume 1. The Empire of the Future<\/em>, by Richard Bleiler, ed.; Volume 2. Fictions of a Feminist Future<\/em>, by Kate Macdonald; Volume 3. Speculative Fiction and Imperialism in Africa<\/em>, by Stephen Donovan, ed. JFA<\/em> 26.1 (2015): 136-43.<\/p>\n\n\n\n

King, Maureen. \u201cContemporary Women Writers and the \u2018New Evil\u2019: The Vampires of Anne Rice and Suzy McKee Charnes.\u201d 5.3, 75-84.<\/p>\n\n\n\n

Klapcsik, Sandor. \u201cThe Double-edged Nature of Neil Gaiman\u2019s Ironical Perspectives and Liminal Fantasies.\u201d JFA <\/em>20.2 (2009): 193-209.<\/p>\n\n\n\n

Knickerbocker, Dale. \u201cApocalypse and Alienation in Javier Negerete\u2019s Nox perpetua.<\/em>\u201d JFA<\/em> 15.4(2004): 288-308.<\/p>\n\n\n\n

Knickerbocker, Dale. \u201cTechnology, Technophobia and Gynophobia in Bonzalo Torrente Ballester\u2019s Quiza nos lleve el viento al infinito.<\/em>\u201d  10.4 (2000): 353-71.<\/p>\n\n\n\n

Koslow, Francine A. \u201cFantastic Illustrations to Dante\u2019s Inferno<\/em>: Romantic and Contemporary Visions.\u201d 2.4, 133-43.<\/p>\n\n\n\n

Kozaczka, Adam. \u201cH. P. Lovecraft, Too Much Sex and Not Enough: Alan Moore\u2019s Playfully Repressive Hypothesis.\u201d JFA<\/em> 26.3 (2015): 489-511.<\/p>\n\n\n\n

Krause, Maureen T. \u201cIntroduction: Bereshit bara Elohim: A Survey of the Genesis and Evolution of the Golem.\u201d 7.2\/3, 113-36.<\/p>\n\n\n\n

Kurtz, Malisa. \u201cScience Fictional Assemblages: SF and Postcolonialism?\u201d JFA<\/em> 26.1 (2015): 37-57.<\/p>\n\n\n\n

L<\/strong><\/p>\n\n\n\n

Landais, Clotilde. \u201cAliss<\/em> by Patrick Sen\u00e9cal: The Narrative Metalepsis as an Instrument of the Uncanny in Contemporary Fantastic Fiction.\u201d JFA 28.2 (2017): 236-52.<\/p>\n\n\n\n

Landon, Brooks. \u201cBodies in Cyberspace.\u201d 12.2, 201-12.<\/p>\n\n\n\n

Landon, Brooks. \u201cFrom Trickery to Discovery: Trajectories of Science Fiction Film.\u201d 2.2, 3-9.<\/p>\n\n\n\n

Landon, Brooks, ed. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 10-41.<\/p>\n\n\n\n

Landon, Richard. \u201cA Half-Naked Muscleman in Trunks: Charles Atlas, Superheroes, and Comic Book Masculinity.\u201d JFA 18.2 (2007): 200-16.<\/p>\n\n\n\n

Larsen, Michael J. \u201cSelected Bibliography.\u201d 6.2\/3, 275-77.<\/p>\n\n\n\n

Laskar, Benjamin. \u201cSuicide and the Absurd: The Influence of Jean-Paul Sartre\u2019s and Albert Camus\u2019s Existentialism on Stephen R. Donaldson\u2019s The Chronicles of Thomas Covenant the Unbeliever<\/em>.\u201d JFA 14.4(2004): 409-26.<\/p>\n\n\n\n

Latham, Rob. \u201cCoda: Criticism in the Age of Borges.\u201d 1.4, 87-94.<\/p>\n\n\n\n

Latham, Rob. \u201cCollage as Critique and Invention in the Fiction of William A. Burroughs and Kathy Acker.\u201d 5.3, 46-57.<\/p>\n\n\n\n

Latham, Rob. \u201cEncyclopedia Worth Waiting For.\u201d 6.4, 360-65.<\/p>\n\n\n\n

Latham, Rob. \u201cIntroduction: Theories of\/and Fantastic Literature.\u201d 8.4, 395-97.<\/p>\n\n\n\n

Latham, Rob. \u201cIstvan Csicsery-Ronay, Jr.: An Introduction.\u201d JFA 26.1 (2015): 4.<\/p>\n\n\n\n

Latham, Rob. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 33-35.<\/p>\n\n\n\n

Latham, Rob. \u201cLong Live Gonzo: An Introduction to Rudy Rucker.\u201d JFA 16.1 (2005): 3-5.<\/p>\n\n\n\n

Latham, Rob. \u201cNalo Hopkinson: An Introduction.\u201d JFA 21.3 (2010): 338.<\/p>\n\n\n\n

Latham, Rob. \u201cReview: The Encyclopedia of Fantasy as a \u2018Critical Tour de Force\u2019.\u201d 9.1: 69-76.<\/p>\n\n\n\n

Latham, Rob. \u201cReview Essay: Snobbery, Seasoned with Bile, Clute Is.\u201d 1.2, 83-94.<\/p>\n\n\n\n

Latham, Rob. \u201cThere\u2019s No Place Like Home: Simulating Postmodern America in The Wizard of Oz and Blue Velvet.\u201d 1.4, 49-58.<\/p>\n\n\n\n

Laudadio, Nicholas. \u201cWhat Dreams Sound Like: Forbidden Planet<\/em> and the Electronic Musical Instrument.\u201d JFA<\/em> 17.4 (2006): 334-49.<\/p>\n\n\n\n

Lauro, Sarah Juliet. \u201cIntroduction: Elegy.\u201d JFA<\/em> 25.2-3 (2014): 242-51. [213-22]<\/p>\n\n\n\n

Le Lievre, Kerrie. \u201c\u2018I will play no games with you\u2019: Riddlery, Narrative and Ethics in The Riddle-Master\u2019s Game.\u201d JFA<\/em> 16.3 (2005): 233-46.<\/p>\n\n\n\n

Ledwon, Lenora. \u201cThe Passion of the New Phallus and Angela Carter\u2019s The Passion of New Eve<\/em>.\u201d 5.4, 26-41.<\/p>\n\n\n\n

Lee, Jasmine and Jonathan Alexander. \u201c\u2018We Are All Abnegation Now\u2019: Suffering Agency in the Divergent Series.\u201d JFA<\/em> 28.3 (2017): 388-401.<\/p>\n\n\n\n

Lee, Judith. \u201cLucifer: a Fantastic Figure.\u201d 8.2, 218-34.<\/p>\n\n\n\n

Lepp\u00e4lahti, Merja. \u201cFrom Folklore to Fantasy: The Living Dead, Metamorphoses, and Other Strange Things.\u201d JFA<\/em> 29.2 (2018): 179-200.<\/p>\n\n\n\n

Levy, Michael. \u201cMaria Nikolajeva: An Introduction.\u201d JFA<\/em> 20.2 (2009): 182-83.<\/p>\n\n\n\n

Limp\u00e1r, Ildik\u00f3. \u201cMasculinity, Visibility, and the Vampire Literary Tradition in What We Do in the Shadows<\/em>.\u201d JFA<\/em> 29.2 (2018): 266-88.<\/p>\n\n\n\n

Lind, Joshua Hjalmer. \u201cThe Ghost-Father in 1980s Heavy Metal.\u201d JFA<\/em> 24.2 (2013): 275-88.<\/p>\n\n\n\n

Lindow, Sandra. \u201cLavinia: A Woman Reinvents Herself in Fact and\/or Fiction.\u201d JFA<\/em> 20.2 (2009): 221-37.<\/p>\n\n\n\n

Lindow, Sandra. \u201cNnedi Okorafor: Exploring the Empire of Girls\u2019 Moral Development.\u201d JFA<\/em> 28.1 (2017): 46-69.<\/p>\n\n\n\n

Link, Kelly. Interview with Brian Attebery. JFA<\/em> 23.3 (2012): 415-17.<\/p>\n\n\n\n

Lovett-Graff, Bennet. \u201c\u2018Life is a Hideous Thing\u2019: Primate-Geniture in H. P. Lovecraft\u2019s \u2018Arthur Jermyn\u2019.\u201d 8.3, 370-89.<\/p>\n\n\n\n

Lublin, Robert. \u201cFaust and the \u2018Death of Man.\u2019\u201d JFA 24.2 (2013): 211-30.<\/p>\n\n\n\n

Luckhurst, Roger. \u201cContemporary Photography and the Technological Sublime, or, Can There Be a Science Fiction Photography. JFA<\/em> 19.2 (2008): 181-95.<\/p>\n\n\n\n

Ludwig, Jonathan. \u201cThe Master and Margarita<\/em>: A Fantasy of Redemption.\u201d 13.2 (2002): 153-68.<\/p>\n\n\n\n

Lutchmansingh, Larry D. \u201cThe Grotesque in the Early Work of Gregory Gillispie.\u201d 3.1, 41-56.<\/p>\n\n\n\n

Lynch, Dennis. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 21-22.<\/p>\n\n\n\n

M<\/strong><\/p>\n\n\n\n

Mabee, Barbara. \u201cThe Witch as Double: Feminist Doubles in German Literature and Irmtrand Morgner\u2019s Amanda<\/em>.\u201d 6.2\/3, 166-90.<\/p>\n\n\n\n

Macdonald, Kate. \u201cWitchcraft and Non-conformity in Sylvia Townsend Warner\u2019s Lolly Willowes<\/em> (1926) and John Buchan\u2019s Witch Wood<\/em> (1927).\u201d JFA<\/em> 23.2 (2012): 215-38.<\/p>\n\n\n\n

MacDonald, Shana. \u201cRefusing to Smile for the Patriarchy: Jessica Jones as Feminist Killjoy.\u201d JFA<\/em> 30.1 (2019): 68-84.<\/p>\n\n\n\n

Mack, Robert L. \u201cVoice Lessons: The Seductive Appeal of Vocal Control in Frank Herbert\u2019s Dune.\u201d JFA<\/em> 22.1 (2011): 39-59.<\/p>\n\n\n\n

Magistrale, Tony. \u201cNative Sons: Regionalism in the Work of Nathaniel Hawthorne and Stephen King.\u201d 2.1, 76-86.<\/p>\n\n\n\n

Mains, Christine. \u201cBridging World and Story: Patricia McKillip\u2019s Reluctant Heroes.\u201d JFA<\/em> 16.1 (2005): 37-48.<\/p>\n\n\n\n

Mains, Christine. \u201cFor Love or For Money: The Concept of Loyalty in the Works of Patricia McKillip.\u201d JFA<\/em> 16.3 (2005): 219-32.<\/p>\n\n\n\n

Mains, Christine. \u201cIntroduction to Patricia McKillip.\u201d JFA<\/em> 16.3 (2005): 175-77.<\/p>\n\n\n\n

Malcom-Clarke, Darja. \u201cSubversive Metropolis: The Grotesque Body in the Phantasmic Urban Landscape.\u201d JFA<\/em> 17.2 (2006): 140-54.<\/p>\n\n\n\n

Malekin, Peter. \u201cThe Decentered Absolute: Significance in the Postmodern Fantastic.\u201d 1.4, 9-18.<\/p>\n\n\n\n

Malekin, Peter. \u201cThe Fractured Whole: The Fictional World of Harlan Ellison.\u201d 1.3, 21-26.<\/p>\n\n\n\n

Malmgren, Carl D. \u201cOrr Else? The Protagonists of Le Guin\u2019s The Lathe of Heaven<\/em>.\u201d 9.4: 59-69.<\/p>\n\n\n\n

Malone, Irina Ruppo. \u201cWhat\u2019s Wrong With Medievalism? Tolkien, the Strugatsky Brothers, and the Question of the Ideology of Fantasy.\u201d JFA<\/em> 27.2 (2016): 204-24.<\/p>\n\n\n\n

Manlove, C.N. \u201cEverything Slipping Away: John Wyndham\u2019s The Day of the Triffids<\/em>.\u201d 4.1, 29-53.<\/p>\n\n\n\n

Manlove, C.N. \u201cThe Birth of a Fantastic World: C.S. Lewis\u2019s The Magician\u2019s Nephew<\/em>.\u201d 1.1, 71-84.<\/p>\n\n\n\n

Mantero, Jos\u00e9 Mar\u00eda. \u201cEvolutionary Architecture and the Construction of Cruelty: The Building as Symbiotic Monster in La torre y el jardin<\/em>.\u201d JFA<\/em> 27.3 (2016): 392-410.<\/p>\n\n\n\n

Marchino, Lois A. \u201cLessing and the Sacred City.\u201d 2.3, 34-40.<\/p>\n\n\n\n

Marino, Virginia M. \u201cThe Devil\u2019s Discourse: The Meeting of Allegory and the Fantastic.\u201d 8.3, 235-243.<\/p>\n\n\n\n

Martin, Sara. \u201cLittle Red Riding Hood Meets the Werewolf: Genre and Gender Tensions in Neal Jordan\u2019s The Company of Wolves<\/em>.\u201d 12.1, 18-33.<\/p>\n\n\n\n

Mart\u00edn Rodr\u00edguez, Mariano. \u201cThe Literary Spoof Paper: An Overview.\u201d JFA<\/em> 28.2 (2017): 253-70.<\/p>\n\n\n\n

Marvell, Leon. \u201cReview Essay: Dark Enlightenment: On John Clute\u2019s Darkening Garden<\/em>.\u201d JFA<\/em> 20.3 (2009): 406-12.<\/p>\n\n\n\n

Matolcsy, K\u00e1lm\u00e1n. \u201cMasks in the Forest: The Dynamics of Surface and Depth in Robert Holdstock\u2019s Mythago Cycle<\/em>.\u201d JFA<\/em> 17.4(2006): 350-70.<\/p>\n\n\n\n

McConnell, Frank. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 13-14.<\/p>\n\n\n\n

McDonald, Ian. \u201cQuestion and Answer for Ian McDonald.\u201d JFA 26.1 (2015): 27-36.<\/p>\n\n\n\n

McGillis, Roderick. \u201cLuxuriant and Prurient Chaos: Life\u2019s a Fantasy on Primrose Lane.\u201d [IAFA Guest Scholar Address 2002.] 14.2 (Sum. 2003): 255-64.<\/p>\n\n\n\n

McGuirk, Carol. \u201cFresh Approaches to Nineteenth Century SF.\u201d 6.4, 366-70.<\/p>\n\n\n\n

McGuirk, Carol, Rob Latham, Bill Senior, and Judith Collins McCormick. \u201cA Tribute to IAFA Founder Robert A. Collins.\u201d JFA<\/em> 20.2 (2009): 173-81.<\/p>\n\n\n\n

McManus, Elizabeth Berkebile. \u201cProtecting the Island: Narrative Continuance in Lost.\u201d JFA<\/em> 22.1 (2011): 4-23.<\/p>\n\n\n\n

McRoy, Jay. \u201cThere Goes the Neighborhood: Chaotic Apocalypse and Monstrous Genesis in H. P. Lovecraft\u2019s \u2018The Street,\u2019 \u2018The Horror at Red Hook,\u2019 and \u2018He.\u2019\u201d 13.4 (2003): 335-51.<\/p>\n\n\n\n

McWilliam, David. \u201cBeyond the Mountains of Madness: Lovecraftian Cosmic Horror and Posthuman Creationism in Ridley Scott\u2019s Prometheus (2012).\u201d JFA<\/em> 26.3 (2015): 531-45.<\/p>\n\n\n\n

Melville, Peter. \u201cWitnessing the \u2018Unwitnessed\u2019 in Steven Erikson\u2019s The Malazan Book of the Fallen.\u201d JFA<\/em> 26.2 (2015): 276-91.<\/p>\n\n\n\n

Mendlesohn, Farah. \u201cConjuctions 39 and Liminal Fantasy.\u201d JFA<\/em> 15.3 (2004): 228-39.<\/p>\n\n\n\n

Mendlesohn, Farah. \u201cCrowning the King: Harry Potter and the Construction of Authority.\u201d 12.3, 287-308.<\/p>\n\n\n\n

Mendlesohn, Farah. \u201cToward A Taxonomy of Fantasy.\u201d 13.2 (2002): 169-83.<\/p>\n\n\n\n

Metzger, David. \u201cRhetoric and Death in Thelma and Louise: Notes Toward a Logic of the Fantastic.\u201d 4.4, 9-18.<\/p>\n\n\n\n

Meyer, Charles A. \u201cThe Efrafran Hunt for Immortality in Watership Down<\/em>.\u201d 6.1, 71-87.<\/p>\n\n\n\n

Meyer, Charles A. \u201cIntroduction.\u201d [Watership Down<\/em> issue]. 6.1, 3-6.<\/p>\n\n\n\n

Meyer, Charles A. \u201cThe Power of Myth and Rabbit Survival in Richard Adam\u2019s Watership Down<\/em>.\u201d 3.4, 139-50.<\/p>\n\n\n\n

Meyer, Therese-M. \u201cIlluminating the Occult: W. B. Yeats in Nick Bantock\u2019s Griffin and Sabine Series.\u201d JFA<\/em> 21.1 (2010): 5-25.<\/p>\n\n\n\n

Michalson, Karen. \u201cPhantasy as Deconstruction.\u201d 2.4, 95-108.<\/p>\n\n\n\n

Mieville, China. \u201cOn Monsters: Or, Nine or More (Monstrous) Not Cannies.\u201d JFA<\/em> 23.3 (2012): 377-92.<\/p>\n\n\n\n

Milburn, Colin. \u201cHacking the Scientific Imagination.\u201d JFA<\/em> 27.1 (2016): 28-46.<\/p>\n\n\n\n

Miller, Elizabeth. \u201dBack to the Basics: Re-Examining Stoker\u2019s Sources for Dracula<\/em>.\u201d 10:2 (1999): 187-96.<\/p>\n\n\n\n

Miller, P. Andrew. \u201dMutants, Metaphor, and Marginalism: What X-actly Do the X-Men Stand For?\u201d 13.3 (2003): 282-90.<\/p>\n\n\n\n

Miller, T. S. \u201cFrankenstein<\/em> without Frankenstein: The Iron Giant<\/em> and the Absent Creator.\u201d JFA<\/em> 20.3 (2009): 385-405.<\/p>\n\n\n\n

Miller, T. S. \u201cLives of the Monster Plants: The Revenge of the Vegetable in the Age of Animal Studies.\u201d JFA<\/em> 23.3 (2012): 460-79.<\/p>\n\n\n\n

Miller, Timothy C. \u201cArthur C. Clarke\u2019s Rendezvous with Rama<\/em>: Agent of Evolution.\u201d 9.4: 82-92.<\/p>\n\n\n\n

Miltner, Robert. \u201cWatership Down<\/em>: A Genre Study.\u201d 6.1, 63-70.<\/p>\n\n\n\n

Miscall, Peter D. \u201cIsaiah: Dreams and Nightmares, Fantasy and Horror.\u201d 8.2, 151-69.<\/p>\n\n\n\n

Mitchell, Jennifer. \u201c\u2018A Sort of Mouse-Person\u2019: Radicalizing Gender in The Witches<\/em>.\u201d JFA<\/em> 23.1 (2012): 25-39.<\/p>\n\n\n\n

Moka-Dias, Brunda. \u201c\u2018The Stuff That Dreams Are Made Of\u2019: Interpreting Dreams in Salman Rushdie\u2019s The Satanic Verses<\/em>.\u201d 7.4, 60-73.<\/p>\n\n\n\n

Monk, Patricia. \u201cDragonsaver: The Female Hero in Barbara Hambly\u2019s Drangonsbane<\/em>.\u201d 4.4, 60-81.<\/p>\n\n\n\n

Monk, Patricia. \u201cGoddess on the Hearth: The Archetypal Significance of the Cat in Modern Fantasy.\u201d 12.3, 309-21. <\/p>\n\n\n\n

Monk, Patricia. \u201cThe shared universe: an experiment in speculative fiction.\u201d 2.4, 7-46.<\/p>\n\n\n\n

Morgan, Gwendolyn A. \u201cDualism and Mirror Imagery in Anglo-Saxon Riddles.\u201d 5.1, 74-85.<\/p>\n\n\n\n

Morgan, Gwendolyn A. \u201cIn Search of the Not-One.\u201d 4.4, 3-8.<\/p>\n\n\n\n

Morgan, Gwendolyn. A. \u201cMother Monsters, Maturation: Female Evil in Beowulf<\/em>.\u201d 4.1, 54-68.<\/p>\n\n\n\n

Morrissey, Thomas J. \u201cReady or Not, Here We Come: Metaphors of the Martian Megatext from Wells to Robinson.\u201d 10.4 (2000): 372-94.<\/p>\n\n\n\n

Morrow, James. \u201cPlaying the Gedanken Game: Some Observations on Literary Thought-Experiments.\u201d JFA<\/em> 27.1 (2016): 6-17.<\/p>\n\n\n\n

Morse, Donald E. \u201cBringing Chaos to Order. Vonnegut Criticism at Century\u2019s End.\u201d 10.4 (2000): 395-408.<\/p>\n\n\n\n

Morse, Donald E. \u201cIntroduction [to Special HJEAS Issue]: When the Hungarian Literary Theorist, Gyorgyi Lukacs Met The American Science Fiction Writer, Wayne Mark Chapman.\u201d 11.4 (2001): 342-45.<\/p>\n\n\n\n

Morse, Donald E. \u201c\u2018Revolutionizing Reality\u2019: The Irish Fantastic.\u201d 8.1, 2-14.<\/p>\n\n\n\n

Morse, Donald E. \u201cThe \u2018Black Frost\u2019 Reception of Kurt Vonnegut\u2019s Fantastic Novel Breakfast of Champions<\/em> (1973).\u201d 11.2 (2000): 143-53.<\/p>\n\n\n\n

Morse, Donald E. \u201cThe End of the World in American History and Fantasy: The Trumpet of the Last Judgment.\u201d 13.1 (2002): 33-46.<\/p>\n\n\n\n

Morse, Donald E. \u201cW. R. Kinsella\u2019s Postmodern, Metafictional Fantasy Shoeless Joe.\u201d JFA<\/em> 15.4 (2004): 309-19.<\/p>\n\n\n\n

Mortensen, Peter. \u201c\u2018Half Fish, Half Woman\u2019: Annette Kellerman, Mermaids, and Eco-Aquatic Revisioning.\u201d JFA<\/em> 29.2 (2018): 201-21.<\/p>\n\n\n\n

Moss, Stephanie. \u201cBram Stoker and the London Stage.\u201d 10:2 (1999): 124-32.<\/p>\n\n\n\n

Muller, Markus. \u201cFrom Parody to Paradox: Jacques Cazotte and the Emergence of the Fantastic.\u201d JFA<\/em> 15.4 (2004): 320-45.<\/p>\n\n\n\n

Mullis, Justin. \u201cPlaying Games With the Great Old Ones: Ritual, Play, and Joking within the Cthulhu Mythos Fandom.\u201d JFA<\/em> 26.3 (2015): 512-30.<\/p>\n\n\n\n

Murphy, Graham J. \u201cHigher Verisimilitude and the Weirdness of the Universe: An Interview with Robert Charles Wilson.\u201d JFA<\/em> 20.2 (2009): 210-20.<\/p>\n\n\n\n

Murphy, Graham J. \u201c\u2018On a More Meaningful Scale\u2019: Marketing Utopia in Watchmen<\/em>.\u201d JFA<\/em> 28.1 (2017): 70-85.<\/p>\n\n\n\n

Murphy, Patrick D. \u201cDe\/Reconstructing the \u2018I\u2019: Postfantasticmodernist Poetry.\u201d 1.4, 39-48.<\/p>\n\n\n\n

Mustazza, Leonard. \u201cA Darwinian Eden: Science and Myth in Kurt Vonnegut\u2019s Galapagos<\/em>.\u201d 3.2, 55-65.<\/p>\n\n\n\n

Mustazza, Leonard. \u201cThe Power of Symbols and the Failure of Virtue: Catholicism in Stephen King\u2019s Salem\u2019s Lot<\/em>.\u201d 3.4, 107-19.<\/p>\n\n\n\n

N<\/strong><\/p>\n\n\n\n

Nazare, Joe. \u201cThe Horror! The Horror? The Appropriation, and Reclamation, of Native American Mythology.\u201d 11.1 (2000): 24-51.<\/p>\n\n\n\n

Nelson, Charles W. \u201cBut Who is Rose Cotton?\u2014Love and Romance in the Lord of the Rings<\/em>.\u201d 4.3, 6-20.<\/p>\n\n\n\n

Nelson, Charles W. \u201cCourteous, Humble, and Helpful: Sam as Squire Figure in the Lord of the Rings<\/em>.\u201d 2.1, 53-63.<\/p>\n\n\n\n

Nelson, Charles W. \u201cFrom Gollum to Gandalf: The Guide Figures in J. R. R. Tolkien\u2019s Lord of the Rings.<\/em>\u201d 13.1 (2002): 47-61.<\/p>\n\n\n\n

Nelson, Charles W. \u201c\u2018The Halls of Waiting\u2019: Death and Afterlife in Middle Earth.\u201d 9.3: 200-11.<\/p>\n\n\n\n

Nelson, Marie. \u201cJohn Gardner\u2019s Grendel<\/em>: A Story Retold and Transformed in the Process.\u201d JFA<\/em> 18.3 (2007): 340-63.<\/p>\n\n\n\n

Nelson, Marie. \u201cKing Arthur and the Massacre of the May Day Babies: A Story Told by Sir Thomas Malory, Later Retold by John Steinbeck, Mary Stewart, and T. H. White.\u201d 11.3 (2001): 266-81.<\/p>\n\n\n\n

Nev\u00e1rez, Lisa. \u201cWhat to Expect When You Are Expecting (a Vampire): Reading the Vampire Child.\u201d JFA<\/em> 26.1 (2015): 92-112.<\/p>\n\n\n\n

Ng, Andrew Hock Soon. \u201cHeidegger, Psychoanalysis, and Haunted Wells in M. R. James\u2019s Stories.\u201d JFA <\/em>22.2 (2011): 192\u2013211.<\/p>\n\n\n\n

Nicholson, Mervyn. \u201cDisaster Fantasies: Byron as a Poet of the Fantastic.\u201d 2.4, 110-32.<\/p>\n\n\n\n

Niiler, Lucas P. \u201cGreen Reading: Tolkien, Leopold, and the Land Ethic.\u201d 10.3 (1999): 276-85.<\/p>\n\n\n\n

Nikolaidu, Dimitra. \u201c\u03a6antasticon: The First Hellenic Conference on the Fantastic.\u201d JFA<\/em> 26.2 (2015): 436-38.<\/p>\n\n\n\n

Nikolajeva, Maria. \u201cTime and Totalitarianism.\u201d JFA <\/em>20.2 (2009): 184-92.<\/p>\n\n\n\n

Noone, Kristin. \u201cShakespeare in Discworld: Witches, Fantasy, and Desire.\u201d JFA <\/em>21.1 (2010): 26-40.<\/p>\n\n\n\n

Novak, Amy. \u201cVirtual Poltergeists and Memory: The Question of Ahistoricism in William Gibson\u2019s Neuromancer<\/em> (1984).\u201d 11.4 (2001): 395-414.<\/p>\n\n\n\n

Nyberg, Suzanna. \u201cMen in Love: The Fantasizing of Bram Stoker and Edvard Munch.\u201d 8.4, 488-502.<\/p>\n\n\n\n

O<\/strong><\/p>\n\n\n\n

O\u2019Connor, Patrick. \u201cFabulous Historians: Ursula Le Guin and Angelica Gorodischer.\u201d JFA<\/em> 16.2 (2005): 128-41.<\/p>\n\n\n\n

O\u2019Connor, Tom. \u201cTrauma and Becoming-Art in Gregg Araki\u2019s Mysterious Skin<\/em> and Asia Argento\u2019s The Heart Is Deceitful above All Things<\/em>.\u201d JFA<\/em> 21.1 (2010): 54-76.<\/p>\n\n\n\n

O\u2019Leary, Crystal L. \u201cTranscending Monstrous Flesh: A Revision of the Hero\u2019s Mythic Quest.\u201d 13.3 (2003): 239-49.<\/p>\n\n\n\n

Ocasio, Rafael. \u201cMagical Realism: The (R)evolution of Santeria and Hispanic Hagiography in Cuba.\u201d 8.2, 235-43.<\/p>\n\n\n\n

Okorafor, Nnedi. \u201cWriting Rage, Truth and Consequences.\u201d JFA<\/em> 26.1 (2015): 21-26.<\/p>\n\n\n\n

Oliver, Matthew. \u201c\u2018The Riotous Conflagration of Beauteous Language\u2019: Flowery Style, Defamiliarization, and Empathic Imagination in Epic Fantasy.\u201d JFA<\/em> 29.3 (2018): 355-79.<\/p>\n\n\n\n

Olsen, Lance. \u201cOverture: What Was Postmodernism?\u201d 1.4, 3-8.<\/p>\n\n\n\n

Olsen, Lance. \u201cPostmodern Narrative and the Limits of Fantasy.\u201d 1.1, 99-110.<\/p>\n\n\n\n

Opperman, Eva. \u201cThe Heterotopian Qualities of the Fantasy Worlds in J. K. Rowling\u2019s Harry Potter Books and Cassandra Clare\u2019s The Mortal Instruments.\u201d JFA<\/em> 29.3 (2018): 402-21.<\/p>\n\n\n\n

Oram, William A. \u201cPullman\u2019s Matter: Lucretius and Milton in His Dark Materials.\u201d JFA<\/em> 23.3 (2012): 418-36.<\/p>\n\n\n\n

Oziewicz, Marek C. \u201cDwarf Resistance in Communist Poland: Fantastic-Ridiculous Dwarf Aesthetic as Political Subversion in the Orange Alternative Movement and the Movie Kingsize<\/em>.\u201d JFA<\/em> 22.3 (2011): 363-76.<\/p>\n\n\n\n

Oziewicz, Marek C. \u201cPeter Jackson\u2019s The Hobbit<\/em>: A Beautiful Disaster.\u201d JFA<\/em> 27.2 (2016): 248-69.<\/p>\n\n\n\n

Oziewicz, Marek C. \u201cProfusion Sublime and Fantastic: Robert Holdstock\u2019s Mythago Wood<\/em>.\u201d JFA<\/em> 19.1 (2008): 94-111.<\/p>\n\n\n\n

Oziewicz, Marek C. \u201cThe Time Quartet as Madeleine L\u2019Engle\u2019s Theology.\u201d JFA<\/em> 17.3 (2006): 211-36.<\/p>\n\n\n\n

P<\/strong><\/p>\n\n\n\n

Palumbo, Donald. \u201cAsimov\u2019s Crusade Against Bigotry: The Persistence of Prejudice as a Fractal Motif in the Robot\/Empire\/Foundation Metaseries.\u201d 10.1 (Win. 1998): 43-63.<\/p>\n\n\n\n

Palumbo, Donald. \u201cAlex Proyas\u2019s I, Robot<\/em>: Much More Faithful to Asimov Than You Think.\u201d JFA <\/em>22.1 (2011): 60-74.<\/p>\n\n\n\n

Palumbo, Donald. \u201cThe Back-up Plan, Guardianship, and Disguise: Interrelated Fractal Motifs in Asimov\u2019s Robot\/Empire\/Foundation Metaseries.\u201d 10.3 (1999): 286-307.<\/p>\n\n\n\n

Palumbo, Donald E. \u201c\u2018Inspired. . . by Philip K. Dick\u2019: Ambiguity, Deception, and Illusion in Total Recall<\/em>.\u201d 4.1, 69-80.<\/p>\n\n\n\n

Palumbo, Donald. \u201cInternal Allusions and Recurring Mysteries in Asimov\u2019s Robot\/Empire\/Foundation Metaseries.\u201d 13.2 (2002): 134-42.<\/p>\n\n\n\n

Palumbo, Donald. \u201cMetafiction in the Comics: The Sensational She-Hulk.\u201d <\/em>8.3, 310-30.<\/p>\n\n\n\n

Palumbo, Donald. \u201cThe Monomyth and Chaos Theory: Perhaps We Should Believe in Magic<\/em>.\u201d 12.1, 34-76.<\/p>\n\n\n\n

Palumbo, Donald. \u201cThe Monomyth in Back to the Future<\/em>: Science Fiction Film Comedy as Adolescent Wish-Fulfillment Fantasy.\u201d JFA<\/em> 17.1 (2006): 60-76.<\/p>\n\n\n\n

Palumbo, Donald. \u201cThe Monomyth in Daniel Keyes\u2019s Flowers for Algernon<\/em>: Keyes, Campbell, and Plato.\u201d JFA<\/em> 14.4 (2004): 427-46.<\/p>\n\n\n\n

Palumbo, Donald. \u201c\u2018Plots Within Plots … Patterns Within Patterns\u2019: Chaos-Theory Concepts and Structures in Frank Herbert\u2019s Dune Novels.\u201d 8.1, 55-77.<\/p>\n\n\n\n

Palumbo, Donald. \u201cPsychohistory and Chaos Theory: `The Foundation Trilogy\u2019 and the Fractal Structure of Asimov\u2019s Robot\/Empire\/Foundation Metaseries.\u201d 7.1, 23-50.<\/p>\n\n\n\n

Palumbo, Donald. \u201cSnatching Victory from the Jaws of Defeat: Twenty Fractal Variations on a Theme in the Conclusions of Asimov\u2019s Robot\/Empire\/Foundation Metaseries. 12.4, 406-16.<\/p>\n\n\n\n

Patrouch, Joe. \u201cSymbolic Settings in Science Fiction: H. G. Wells, Ray Bradbury, and Harlan Ellison.\u201d 1.3, 37-46.<\/p>\n\n\n\n

Pearce, Howard. \u201cThe Play of the Critic.\u201d 6.4, 371-75.<\/p>\n\n\n\n

Penley, Constance. \u201cThe JFA<\/em> Forum of SF Film.\u201d 2.2, 38-39.<\/p>\n\n\n\n

Penley, Constance, and Karen Hellekson. \u201cA Conversation with Constance Penley.\u201d JFA<\/em> 24.3 (2013): 410-17.<\/p>\n\n\n\n

Pennington, John. \u201c\u2018Eliminate All Other Factors\u2019: Fantastic Hesitation in Arthur Conan Doyle\u2019s The Hound of the Baskervilles<\/em>.\u201d JFA<\/em> 15.2 (2005): 132-43.<\/p>\n\n\n\n

Pennington, John. \u201cFrom Peter Rabbit to Watership Down<\/em>: There and Back Again to the Arcadian Ideal.\u201d 3.2, 66-80.<\/p>\n\n\n\n

Pennington, John. \u201cShamanistic Mythmaking: From Civilization to Wilderness in Watership Down<\/em>.\u201d 6.1, 34-50.<\/p>\n\n\n\n

Pennington, John. \u201cSolar Mythology in George MacDonald\u2019s \u2018Little Daylight\u2019 and \u2018The Day Boy and the Night Girl.\u2019\u201d 10:3 (1999): 308-20.<\/p>\n\n\n\n

Pennington, John. \u201cTextual Doubling and Divided Selves: The Strange Case of Dr. Jekyll and Mary Reilly.\u201d 6.2\/3, 203-16.<\/p>\n\n\n\n

Peppard, Anna F. \u201cCanada\u2019s Mutant Body: Nationalism and (Super) Multiculturalism in Alpha Flight vs. the X-Men.\u201d JFA<\/em> 26.2 (2015): 311-32.<\/p>\n\n\n\n

Pesta, Duke. \u201c\u201cThis Rough Magic I Here Abjure\u201d: Shakespeare\u2019s The Tempest<\/em> and the Fairy-Tale Body.\u201d JFA<\/em> 15.1 (2004): 49-60.<\/p>\n\n\n\n

Peters, John G. \u201cSaturnalia and Sanctuary: The Role of the Tale in Watership Down<\/em>.\u201d 6.1, 51-62.<\/p>\n\n\n\n

Petretto, Cecilia. \u201cAttack of the Living Dead Virus: The Metaphor of Contagious Disease in Zombie Movies.\u201d JFA<\/em> 17.1 (2006): 21-32.<\/p>\n\n\n\n

Pharr, Mary Ferguson. \u201cFrom Pathos to Tragedy: Two Versions of The Fly<\/em>.\u201d 2.1, 37-46.<\/p>\n\n\n\n

Phillips, Kenneth and Scott D. Vanderploeg. \u201cPlaying with Power: The Science of Magic in Interactive Fantasy.\u201d 9.2: 142-56.<\/p>\n\n\n\n

Pilinovsky, Helen. \u201cThe Hybridization of Genres: Reaping the Whirlwind\u201d JFA<\/em> 15.3 (2004): 189-91.<\/p>\n\n\n\n

Pinsky, Mike. \u201cThe Mistaken Mistake: Permutations of the Golem Legend.\u201d 7.2\/3, 215-27.<\/p>\n\n\n\n

Pippin, Tina. \u201cApocalyptic Horror.\u201d 8.2, 198-217.<\/p>\n\n\n\n

Pippin, Tina, and George Aichele. \u201cIntroduction: Fantasy and the Bible.\u201d 8.2, 198-217.<\/p>\n\n\n\n

Pohl, Frederick. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 19-20.<\/p>\n\n\n\n

Pollin, Burton R. \u201cStephen King\u2019s Fiction and the Legacy of Poe.\u201d 5.4, 2-25.<\/p>\n\n\n\n

Porcheddu, Fred. \u201cMrs. Todd\u2019s (Pastoral) Shortcut.\u201d JFA<\/em> 19.1 (2008) :5-24.<\/p>\n\n\n\n

Pulliam, June. \u201cOur Zombies, Ourselves: Exiting the Foucauldian Universe in George A. Romero\u2019s Land of the Dead<\/em>.\u201d JFA <\/em>20.1 (2009): 42-56.<\/p>\n\n\n\n

Q<\/strong><\/p>\n\n\n\n

R<\/strong><\/p>\n\n\n\n

Rabkin, Eric S. \u201cThe JFA Forum on SF Film.\u201d 2.2, 24-28.<\/p>\n\n\n\n

Ralickas, Vivian. \u201cArt, Cosmic Horror, and the Fetishizing Gaze in the Fiction of H. P. Lovecraft.\u201d JFA <\/em>19.3 (2008): 297-316.<\/p>\n\n\n\n

Ralickas, Vivian. \u201c\u2018Cosmic Horror\u2019 and the Question of the Sublime in Lovecraft.\u201d JFA <\/em>18.3 (2007): 364-98.<\/p>\n\n\n\n

Ransom, Amy J. \u201cThe Changing Shape of a Shape-Shifter: The French-Canadian Loup-garou.\u201d JFA 26.2 (2015): 251-75.<\/p>\n\n\n\n

Ransom, Amy J. \u201cLovecraft in Quebec: Transcultural Fertilization and Esther Rochon\u2019s Reevaluation of the Powers of Horror.\u201d JFA <\/em>26.3 (2015): 450-68.<\/p>\n\n\n\n

Ransom, Amy J. Review Essay. \u201cHandling the Handbook.\u201d Rev. of The Science Fiction Handbook<\/em>, by Nick Hubble and Aris Mousoutzanis, eds., and The Oxford Handbook of Science Fiction<\/em>, by Rob Latham. JFA <\/em>27.1 (2016): 89-95.<\/p>\n\n\n\n

Reed, Peter. \u201cKurt Vonnegut\u2019s Fantastic Faces.\u201d 10.1 (Win. 1998): 77-87.<\/p>\n\n\n\n

Reid, Conor. \u201cThe Lost Worlds of Arthur Conan Doyle\u2019s Professor Challenger Series.\u201d JFA <\/em>28.2 (2017): 271-89.<\/p>\n\n\n\n

Rieder, John. \u201cColonial Ignorance and World Construction: On Albert Wendt\u2019s Black Rainbow<\/em> and The Adventures of Vela<\/em>.\u201d JFA<\/em> 29.3 (2018): 336-54.<\/p>\n\n\n\n

Rieger, Gabriel A. \u201c\u2018Some Longing and at the Same Time Some Deadly Fear\u2019: Victorian Masochism and Dracula<\/em>.\u201d JFA <\/em>17.1 (2006): 49-59.<\/p>\n\n\n\n

Reinders, Eric. \u201cReading Tolkien in Chinese.\u201d JFA <\/em>25.1 (2014): 3-27.<\/p>\n\n\n\n

Riggs, Don. \u201cFantastic Tropes in The Folk of the Air<\/em>.\u201d 1.3, 79-86.<\/p>\n\n\n\n

Riggs, Don. \u201cThe Survival of the Goddess in Marie de France and Marion Zimmer Bradley.\u201d 9.1: 15-23.<\/p>\n\n\n\n

Riggs, Don. \u201cUtopia\u2019s Timing: Saturn, Jupiter and Michelangelo\u2019s David.\u201d JFA <\/em>14.3: 342-49.<\/p>\n\n\n\n

Riggs, Don. Fiery Shapes: Celestial Portents and Astrology in Ireland and Wales 700\u20131700, by Mark Williams. JFA <\/em>23.1 (2012): 158-60.<\/p>\n\n\n\n

Ringel, Faye. \u201cGenetic Experimentation: Mad Scientists and the Beast. 2.1, 64-75.<\/p>\n\n\n\n

Ringel, Faye. \u201cGreer Gilman: An Introduction.\u201d JFA <\/em>19.2 (2008): 196-98.<\/p>\n\n\n\n

Ringel, Faye. \u201cThe Art of Patricia McKillip: Music and Magic.\u201d JFA <\/em>16.3 (2005): 178-90.<\/p>\n\n\n\n

Risden, E. L. \u201cBeowulf<\/em>, Tolkien, and Epic Epiphanies.\u201d 9.3: 192-99.<\/p>\n\n\n\n

Risden, E. L. \u201cWilliam Blake and the Personal Epic Fantastic.\u201d 14.2, 417-24.<\/p>\n\n\n\n

Robertson, Benjamin J. \u201c\u2018A place I have never seen\u2019: Possibility, Genre, Politics, and China Mi\u00e9ville\u2019s The Scar<\/em>.\u201d JFA <\/em>27.1 (2016): 68-88.<\/p>\n\n\n\n

Rogers, Scott. \u201cJoss Whedon\u2019s Dollhouse<\/em> and Joss Whedon\u2019s Dollhouse.\u201d JFA <\/em>22.2 (2011): 153-70.<\/p>\n\n\n\n

Rose, Margaret. \u201cExtraordinary Pasts: Steampunk as a Mode of Historical Representation.\u201d JFA <\/em>20.3 (2009): 319-33.<\/p>\n\n\n\n

Rossi, Umberto. \u201cShakespearean Reincarnations: An Intertextual Reading of J. G. Ballard\u2019s \u2018The Ultimate City\u2019.\u201d JFA <\/em>20.3 (2009): 363-84.<\/p>\n\n\n\n

Rosu, Anca. \u201cCoin: Money and the Gift Mentality in The Song of Ice and Fire.\u201d JFA<\/em> 29.2 (2018): 242-65.<\/p>\n\n\n\n

Rosu, Anca. \u201cFood Fantasies in George R. R. Martin.\u201d JFA <\/em>24.3 (2013): 446-66.<\/p>\n\n\n\n

Rovano, Marcelaine Wininger. \u201cThe Angel as Fantasy Figure in Classic and Contemporary Film.\u201d 5.3, 58-74.<\/p>\n\n\n\n

Rowen, Norma. \u201cFrankenstein Revisited: Doris Lessing\u2019s The Fifth Child<\/em>.\u201d 2.3, 41-49.<\/p>\n\n\n\n

Rucker, Rudy. \u201cSeek the Gnarl.\u201d JFA <\/em>16.1 (2005): 6-20.<\/p>\n\n\n\n

Rudd, David. \u201cBuilding Castles in the Air: (De)Construction in Howl\u2019s Moving Castle<\/em>.\u201d JFA <\/em>21.2 (2010): 257-70.<\/p>\n\n\n\n

Ruddick, Nicholas. \u201c\u2018Not So Very Blue, after All\u2019: Resisting the Temptations to Correct Charles Perrault\u2019s \u2018Bluebeard\u2019.\u201d JFA <\/em>15.4 (2004): 346-57.<\/p>\n\n\n\n

Ruddick, Nicholas. \u201cPutting the Pieces Together: Information Theory, Neuromancer<\/em>, and Science Fiction.\u201d 3.4, 84-92.<\/p>\n\n\n\n

Ruddick, Nick [Nicholas]. \u201cThe Search for a Quantum Ethics: Michael Frayn\u2019s Copenhagen<\/em> and Other Recent British Science Plays.\u201d 11.4 (2001): 415-31.<\/p>\n\n\n\n

Rycenga, Jennifer. \u201cAnguished Shouts and their Religious Echoes: Octavia Butler\u2019s Kindred<\/em> in the Religious Studies Classroom: Octavia Butler as Public Intellectual (ICFA-21 Panel).\u201d 11.2 (2000): 185-89.<\/p>\n\n\n\n

Ryman, Geoff. \u201cThe Science Fiction Dream.\u201d JFA <\/em>18.2 (2007): 232-46.<\/p>\n\n\n\n

S<\/strong><\/p>\n\n\n\n

Sanchez-Taylor, Joy. \u201c\u2018I was a Ghetto Nerd Supreme\u2019: Science Fiction, Fantasy, and Latina\/o Futurity in Junot D\u00edaz\u2019s The Brief Wondrous Life of Oscar Wao<\/em>.\u201d JFA <\/em>25.1 (2014): 93-106.<\/p>\n\n\n\n

Sanders, Joe. \u201cEdge of Darkness as Transhuman Thriller.\u201d 5.4, 83-91.<\/p>\n\n\n\n

Sanders, Joe. \u201cRaising Arizona<\/em>: Not Quite Ozzie and Harriet Meet the Biker from Hell.\u201d 6.2\/3, 217-33.<\/p>\n\n\n\n

Sanders, Joe Sutliff. \u201cClosure and Power in Salem\u2019s Lot<\/em>.\u201d 10:2 (1999): 142-54.<\/p>\n\n\n\n

Sandner, David. \u201cJoseph Addison: The First Critic of the Fantastic.\u201d 11.1 (2000): 52-61.<\/p>\n\n\n\n

Sandner, David. \u201cTheorizing the Fantastic: Editing Fantastic Literature: A Critical Reader and the Six Stages of Fantasy Criticism.\u201d JFA <\/em>16.4(2005): 277-301.<\/p>\n\n\n\n

Sandner, David. \u201cUp-to-date with a Vengeance: Modern Monsters in Bram Stoker\u2019s Dracula<\/em> and Margaret Oliphant\u2019s \u2018The Secret Chamber\u2019.\u201d 8.3, 294-309.<\/p>\n\n\n\n

Sands-O\u2019Connor, Karen. \u201cImpertinent Miracles at the British Museum: Egyptology and Edwardian Fantasies for Young People.\u201d JFA <\/em>19.2 (2008): 224-237.<\/p>\n\n\n\n

Sautter, Diane. \u201cErotic and Existential Paradoxes of the Golem: Marge Piercy\u2019s He, She, and It<\/em>.\u201d 7.2\/3, 255-68.<\/p>\n\n\n\n

Sawyer, Andy. \u201c\u2018Dreaming Real\u2019: The Conquest of Psiberspace?\u201d 9.4: 16-30.<\/p>\n\n\n\n

Sawyer, Andy. \u201cNarrativium and Lies-to-Children: \u2018Palatable Instruction\u2019 in The Science of Discworld<\/em>.\u201d 13.1 (2002): 62-81.<\/p>\n\n\n\n

Schanfield, Lillian. \u201cMystical Vs. Realistic Influences in Isaac Bashevis Singer\u2019s In My Father\u2019s House<\/em>.\u201d 11.2 (2000): 133-42.<\/p>\n\n\n\n

Schanoes, Veronica L. \u201cBook as Mirror, Mirror as Book: The Significance of the Looking-glass in Contemporary Revisions of Fairy Tales.\u201d JFA<\/em> 20.1 (2009): 5-23.<\/p>\n\n\n\n

Schanoes, Veronica. \u201cCristina Bacchilega: An Introduction.\u201d JFA<\/em> 28.1 (2017): 4-5.<\/p>\n\n\n\n

Schlobin, Roger C. \u201cThe Artisan in Modern Fantasy.\u201d 6.4, 285-94.<\/p>\n\n\n\n

Schlobin, Roger C. \u201cCharacter, the Fantastic, and the Failure of Contemporary Literary Theory.\u201d 13.3 (2003): 258-70.<\/p>\n\n\n\n

Schlobin, Roger. \u201cChildren of a Darker God: A Taxonomy of Deep Horror Fiction and Film and Their Mass Popularity.\u201d 1.1, 25-50.<\/p>\n\n\n\n

Schlobin, Roger C. \u201cThe Craving for Meaning: Explicit Allegory in the Non-Implicit Age.\u201d 5.1, 3-12.<\/p>\n\n\n\n

Schlobin, Roger C. \u201cDanger and Compulsion in The Wind in the Willows<\/em>, or Toad and Hyde Together at Last.\u201d 8.1, 34-41.<\/p>\n\n\n\n

Schlobin. Roger C. \u201cThe Femivore.\u201d 2.1, 89-97.<\/p>\n\n\n\n

Schmeink, Lars. \u201c\u2018I am humanity\u2019: Posthumanism and Embodiment in Rick Yancey\u2019s The 5th Wave Series.\u201d JFA <\/em>28.3 (2017): 344-67.<\/p>\n\n\n\n

Schlobin, Roger C. \u201cIn Search of Creative Solitude in Modern Fantasy: An Essay on the Fascination with Evil.\u201d 3.2, 5-13.<\/p>\n\n\n\n

Schlobin, Roger C. \u201cResources for the Study of American Fantasy Literature Through 1998.\u201d 10.4 (2000): 409-39.<\/p>\n\n\n\n

Schlobin, Roger C. \u201c\u2018\u201crituals\u201d footprints ankle-deep in stone\u2019: The Irrelevancy of Setting in the Fantastic.\u201d 11.2 (2000): 154-63.<\/p>\n\n\n\n

Schober, Adrian. \u201cWriting the Possessed Child in British Culture: James Herbert\u2019s Shrine.\u201d JFA <\/em>14.4 (2004): 447-58.<\/p>\n\n\n\n

Schreiber, Evelyn Jaffe. \u201cDream Visions and Stream-of-Consciousness: The Conscious and Unconscious Search for Meaning.\u201d 7.4, 4-15.<\/p>\n\n\n\n

Schuyler, William M., Jr. \u201cDeconstructing Deconstruction: Chimeras of Form and Content in Samuel R. Delany.\u201d 1.4, 67-76.<\/p>\n\n\n\n

Schuyler, William M., Jr. \u201cMagic as an Alternative to Science.\u201d 9.2: 104-16.<\/p>\n\n\n\n

Searsmith, Kelly. \u201cContemporary Fantasy\u2019s Foliate Face: An Interview with Charles Vess.\u201d JFA <\/em>17.2 (2006): 105-22.<\/p>\n\n\n\n

Searsmith, Kelly. \u201cNews from Somewhere: A Case for Romance-Tradition Fantasy\u2019s Reformist Poetic.\u201d 11.1 (2000): 62-76.<\/p>\n\n\n\n

Sederholm, Carl. \u201cIntroduction: Lovecraft Now.\u201d JFA <\/em>26.3 (2015): 444-49.<\/p>\n\n\n\n

Sederholm, Carl. \u201cWhat Screams are Made Of: Representing Cosmic Fear in H. P. Lovecraft\u2019s \u2018Pickman\u2019s Model\u2019.\u201d JFA <\/em>16.4 (2005): 335-49.<\/p>\n\n\n\n

Seegert, Alf. \u201cThe Mistress of Sp[l]ices: Technovirtual Liaisons in Adolfo Bioy Casares\u2019s The Invention of Morel<\/em>.\u201d JFA <\/em>23.2 (2012): 197-214.<\/p>\n\n\n\n

Segnini, Elisa. \u201cReading Hoffmann: Mythmaking and Uncanniness in Jean Lorrain\u2019s Monsieur de Phocas<\/em>.\u201d JFA <\/em>24.1 (2013): 61-82.<\/p>\n\n\n\n

Senior, W.A. \u201cA Brief Editor\u2019s Note.\u201d 13.3 (2003): 214.<\/p>\n\n\n\n

Senior, W. A. \u201cCollections, Depositories, and Archives.\u201d [Editorial \/ Introduction.] 13.1 (2002): 1-2.<\/p>\n\n\n\n

Senior, W. A. \u201cEditor\u2019s Introduction.\u201d 10:1 (Win. 1998): 1-3.<\/p>\n\n\n\n

Senior, W. A. \u201cEditor\u2019s Note.\u201d 14.1 (Spr. 2003): 2-3.<\/p>\n\n\n\n

Senior, W. A. \u201cEtymological Whimsy.\u201d 8.3, 279-80.<\/p>\n\n\n\n

Senior, W. A. \u201cGoblins.\u201d [Editorial \/ Introduction.] 13.2 (2002): 110-13.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction.\u201d 10.3 (1999): 203-05.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: A Bibliographical Note on Harry Potter.\u201d JFA <\/em>17.1 (2006): 1-3.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: An SF Scenario: the Reality of 2005.\u201d JFA <\/em>16.2 (2005): 83-85.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: The Botnet\/Zombie Army: Cyber-Terrorism.\u201d JFA <\/em>17.3 (2006): 207-10.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: Defending the Fantastic \u2013 Redux.\u201d JFA <\/em>15.2 (2005): 97-100.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: Frank Herbert\u2019s Prescience: Dune<\/em> and the Modern World.\u201d JFA 17.4 (2006): 317-20.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: Gigaquestions.\u201d 11.3 (2000): 233-35.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: Le Guin\u2019s \u2018Omelas\u2019: Issues of Genre.\u201d JFA <\/em>15.3 (2004): 186-88.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: On Editing a Journal.\u201d JFA <\/em>14.4 (2004): 391-93.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: One Ring to Rule Them All.\u201d 11.1 (2000): 5-7.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: Orwellian Shadows.\u201d JFA <\/em>17.2 (2006): 101-04.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: The Politics of Fantasy.\u201d JFA <\/em>15.1 (2004): 1-3.<\/p>\n\n\n\n

Senior, W.A. \u201cIntroduction: Re-Examining Classics: Teaching Science Fiction.\u201d JFA <\/em>15.4 (2004): 285-87.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: S-F or Fantasy?\u201d 11.2 (2000): 130-32.<\/p>\n\n\n\n

Senior, W.A. \u201cIntroduction: Scholarship and Context.\u201d JFA <\/em>16.1 (2005): 1-2.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: Some Notes on \u201cthe abyss\u201d: The Rhetoric of the Fantastic.\u201d JFA <\/em>16.4 (2005): 273-76.<\/p>\n\n\n\n

Senior, W.A. \u201cIntroduction.\u201d [Special issue: A Century of Draculas.] 10.2 (1999): 107-08.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: The Starbucks Tree\u201d 14.3 (2003): 298-300.<\/p>\n\n\n\n

Senior, W. A. \u201cIntroduction: The Tolkien Issue.\u201d 9.3: 173-74.<\/p>\n\n\n\n

Senior, W. A. \u201cMedieval Literature and Modern Fantasy: Toward a Common Metaphysics.\u201d 3.3, 32-49.<\/p>\n\n\n\n

Senior, W. A. \u201cThe Fantastic in College and University Honors Programs.\u201d [Editorial \/ Introduction.] 13.4 (2003): 332-34.<\/p>\n\n\n\n

Senior, W. A. \u201cTo goon on pilgrimages: A Special Issue on Modern Fantasy and Medieval Literature.\u201d 3.3, 3-5.<\/p>\n\n\n\n

Senior, W. A. \u201cWhere Have All the Monsters Gone?\u201d 14.2 (Sum. 2003): 214-16.<\/p>\n\n\n\n

Serra, Ilaria. \u201cDisney World: A Plastic Monument to Death: From Rabelais to Disney\u201d JFA <\/em>14.4 (2004): 459-70.<\/p>\n\n\n\n

Sharpe, Victoria. \u201cThe Goddess Restored.\u201d 9.1: 36-45.<\/p>\n\n\n\n

Shaviro, Steven. \u201cThinking Blind.\u201d JFA <\/em>25.2-3 (2014): 343-60. [314-31]<\/p>\n\n\n\n

Shaw, Kristen. \u201c\u2018Sticky\u2019 Identities: Race, Gender, and Sexuality in Nalo Hopkinson\u2019s The Chaos<\/em>.\u201d JFA <\/em>28.3 (2017): 425-50.<\/p>\n\n\n\n

Shermeyer, Kelli. \u201cThe Future is Fey: Toward a Posthuman Dramaturgy with Caryl Churchill\u2019s The Skriker<\/em>.\u201d JFA<\/em> 30.1 (2019): 52-67.<\/p>\n\n\n\n

Shiffman, Smadar. \u201cSomeone Else\u2019s Dream? An Approach to Twentieth Century Fantastic Fiction.\u201d 13.4 (2003): 352-67.<\/p>\n\n\n\n

Shiner, Lewis. \u201cThe JFA <\/em>Forum on SF Film.\u201d 2.2, 15-16.<\/p>\n\n\n\n

Shippey, T. A. \u201cReview: Patrick Curry\u2019s Defending Middle Earth.\u201d 9.3: 251-3.<\/p>\n\n\n\n

Shippey, T. A. and Verlyn Flieger. \u201cAllegory and Bounce: Tolkien\u2019s Smith of Wooten Major.\u201d 12.2, 186-200.<\/p>\n\n\n\n

Shippey, Tom. \u201cAlternate Historians: Newt, Kingers, Harry, and Me.\u201d 8.1, 15-33.<\/p>\n\n\n\n

Shirley, John. \u201cThe JFA <\/em>Forum on SF Film.\u201d 2.2, 20-21.<\/p>\n\n\n\n

Sieber, Sharon. \u201cA Syntax of Symbols in the Representation of Death and Dreams: Death as Simultaneity in Siesta and Jacob\u2019s Ladder.\u201d 14.1 (Spr. 2003): 86-99.<\/p>\n\n\n\n

Simmons, Dan. \u201cShapeshifters and Skinwalkers: The Writer\u2019s Curse of Negative Capability.\u201d 8.4: 398-418.<\/p>\n\n\n\n

Simmons, James R. \u201c\u2018If America goes on Breeding Men Like That\u2019: Dracula\u2019s<\/em> Quincey Morris Problematized.\u201d 12.4, 425-36.<\/p>\n\n\n\n

Simons, Kate. \u201cThresholds Crossed and Boundaries Broken? A Kristevan Insight into Ian Irvine\u2019s Quartet, The View from the Mirror.\u201d 13.4 (2003): 368-378.<\/p>\n\n\n\n

Sims, Christopher. \u201cThe Ontological Task of the Hero in Philip K. Dick\u2019s The Cosmic Puppets<\/em>.\u201d JFA<\/em> 29.1 (2018): 41-67.<\/p>\n\n\n\n

Slethaug, Gordon A. \u201cDoubles and Doubling in the Arts.\u201d 6.2\/3, 100-06.<\/p>\n\n\n\n

Slusser, George. \u201cThe JFA <\/em>Forum on SF Film.\u201d 2.2, 35-38.<\/p>\n\n\n\n

Smith, B. R. \u201cAmerican Gothic: Tales of the Supernatural in Prime Time TV.\u201d 14.1 (Spr. 2003): 77-85.<\/p>\n\n\n\n

Smith, Curtis C. \u201cThe Legacy of Mack Reynolds.\u201d 5.4, 73-82.<\/p>\n\n\n\n

Smith, Evans Lansing. \u201cThe Golem and the Garland of Letters in Borges and Broch.\u201d 7.2\/3, 177-90.<\/p>\n\n\n\n

Snell, Heather. \u201cThe Postcolonial Fantastic as New Ground of Invention: Reading Carole McDonnell\u2019s \u2018Lingua Franca.\u2019\u201d JFA <\/em>20.3 (2009): 350-62.<\/p>\n\n\n\n

Sobchack, Vivian. \u201cThe JFA <\/em>Forum on SF Film.\u201d 2.2, 10-12.<\/p>\n\n\n\n

Souto, Marciel. \u201cWords for Worlds: SF into Spanish.\u201d JFA <\/em>15.1 (2004): 61-66.<\/p>\n\n\n\n

Stableford, Brian. \u201cHow should a Science Fiction Story Begin?\u201d 12.3, 322-37.<\/p>\n\n\n\n

Standish, Tim. Illustrations. 3.2, 53-54.<\/p>\n\n\n\n

Stein, Atara. \u201cFictionalized Romantics: Byron, Shelley, and Keats as Characters in Contemporary Genre Fiction.\u201d 13.4 (2003): 379-88.<\/p>\n\n\n\n

Stein, Leon. \u201cA Holocaust Education in Reverse: Stephen King\u2019s \u2018The Summer of Corruption: Apt Pupil.\u2019\u201c 5.2, 60-79.<\/p>\n\n\n\n

Steinke, Gabriela. \u201cThe Games People Play.\u201d JFA <\/em>21.2 (2010): 187-96.<\/p>\n\n\n\n

Stobert, Samantha. \u201c\u2018Misery is Manifold\u2019: Bereavement in the Tales of Edgar Allan Poe.\u201d 11.3 (2001): 282-93.<\/p>\n\n\n\n

Stommel, Jesse. \u201cThe Loveliness of Decay: Rotting Flesh, Literary Matter, and Dead Media.\u201d JFA <\/em>25.2-3 (2014): 361-75. [332-46]<\/p>\n\n\n\n

Stratton, Susan. \u201cPSI and Technology in Science Fiction.\u201d 9.4: 70-81.<\/p>\n\n\n\n

Strauss, Walter A. \u201cThe Golem on the Operatic Stage: Nature\u2019s Warning.\u201d 7.2\/3, 190-200.<\/p>\n\n\n\n

Struebig, Patricia, \u201cTransvestites and Transformations, or Take it Off and Get real: Queneau\u2019s Zazie dans le metro<\/em>.\u201d 1.2, 49-64.<\/p>\n\n\n\n

Stypczynski, Brent. \u201cWolf in Professor\u2019s Clothing: J. K. Rowling\u2019s Werewolf as Educator.\u201d JFA <\/em>20.1 (2009): 57-69.<\/p>\n\n\n\n

Sullivan, C. W., III and Kathryn Fladenmuller. \u201cIntroduction: Of Goddesses.\u201d 9.1: 1-2.<\/p>\n\n\n\n

Sullivan, C. W., III. \u201cHeinlein Critisicm and the Scribner\u2019s Juveniles.\u201d JFA <\/em>17.2 (2006): 169-80.<\/p>\n\n\n\n

Sullivan, C. W., III. \u201cOne More Time: The Conclusion of Alan Garner\u2019s The Owl Service<\/em>.\u201d 9.1: 46-54.<\/p>\n\n\n\n

Sullivan, C.W., III. \u201cKenneth Morris: The Milestone in Welsh Celtic Fantasy Fiction.\u201d JFA <\/em>16.2 (2005): 142-51.<\/p>\n\n\n\n

Sullivan, C.W., III. \u201c\u2018Chops, . . . Cheese, New Bread, Great Swills of Beer\u2019: Food and Home in Kenneth Grahame\u2019s The Wind in the Willows<\/em>.\u201d JFA <\/em>15.2 (2005): 144-52.<\/p>\n\n\n\n

Sullivan, C.W., III. \u201cTolkien and the Telling of a Traditional Narrative.\u201d 7.1, 75-82.<\/p>\n\n\n\n

Sullivan, C.W., III. \u201cCeltic Myth and English-Language Fantasy Literature: Possible New Directions.\u201d 10:1 (Win. 1998): 88-96.<\/p>\n\n\n\n

Sulway, Nike. \u201cPursuit, Willfulness, and the Strangeness of Strangers.\u201d JFA<\/em> 30.1 (2019): 42-51.<\/p>\n\n\n\n

Swazo, Norman K. \u201cBereshith and Ainulindal\u00eb: Allegoresis and Exegesis in Tension.\u201d JFA <\/em>16.4 (2005): 302-19.<\/p>\n\n\n\n

Swift, Sondra F. \u201cIn and Out of the Labyrint: Myth and Minotaur in MacDonald Harris\u2019s Bull Fire<\/em> and Steven Sherrill\u2019s The Minotaur Takes a Cigarette Break<\/em>.\u201d JFA <\/em>17.3 (2006): 255-65.<\/p>\n\n\n\n

Swinford, Dean. \u201cDefining Irrrealism: Development and Allegorical Possibility.\u201d 12.1, 77-89.<\/p>\n\n\n\n

Szeps, Christiane. \u201cEdouard Glissant\u2019s La Lezarde<\/em>: Between the Magical Surreal and the Fantastic.\u201d JFA 15.4(2004): 358-68.<\/p>\n\n\n\n

T<\/strong><\/p>\n\n\n\n

Tal, Eve. \u201cDeconstructing the Peach: James and the Giant Peach<\/em> as Post-Modern Fairy Tale.\u201d 14.2 (Sum. 2003): 265-76.<\/p>\n\n\n\n

Tamas, Benyei. \u201cLeakings: Reappropriating Science Fiction \u2013 The Case of Kurt Vonnegut.\u201d 11.4 (2001): 432-53.<\/p>\n\n\n\n

Tatsumi, Takayuki. \u201cRace and Black Humor: From a Planetary Perspective.\u201d JFA <\/em>21.3 (2010): 439-54.<\/p>\n\n\n\n

Telotte, J.P. \u201cIn The Realm of Revealing: The Technological Double in the Modern Science Fiction Film.\u201d 6.2\/3, 234-52.<\/p>\n\n\n\n

Thiess, Derek J. \u201cDan Simmons\u2019s The Terror<\/em>, Inuit \u2018Legend,\u2019 and the Embodied Horrors of History.\u201d JFA<\/em> 29.2 (2018): 222-41.<\/p>\n\n\n\n

Thiess, Derek J. \u201cGuests in Conversation: An Interview with Joan Slonczewski.\u201d JFA<\/em> 27.1 (2016): 21-25.<\/p>\n\n\n\n

Thiess, Derek J. \u201cReligion, Monstrosity, and the Sovereign Decision in Blish\u2019s A Case of Conscience<\/em>.\u201d JFA<\/em> 19.3 (2008): 331-348.<\/p>\n\n\n\n

Tibbetts, John C. \u201cPictures in the Fire: An Interview with Peter Straub.\u201d JFA <\/em>22.3 (2011): 3779-4.<\/p>\n\n\n\n

Tibbetts, John. \u201cThe Watchers: Tales of Tomorrow<\/em> on Television.\u201d JFA<\/em> 19.3 (2008): 379-98.<\/p>\n\n\n\n

Timmons, Daniel. \u201cJ. R. R. Tolkien: The Monstrous in the Mirror.\u201d 9.3: 229-46.<\/p>\n\n\n\n

Tinkleman, Murray. Art Portfolio. Bob Gray. 2.2, 65-68.<\/p>\n\n\n\n

Tobin-McClain, Lee. \u201cParanormal Romance: Secrets of the Female Fantastic.\u201d 11.3 (2001): 294-306.<\/p>\n\n\n\n

Trapp, Joona Smitherman. \u201cThe Image of the Vampire in the Struggle for Societal Power: Dan Simmons\u2019 Children of the Night.<\/em>\u201d 10:2 (1999): 155-62.<\/p>\n\n\n\n

Trussler, Michael. \u201cSpectral Witnesses: The Doubled Voice in Martin Amis\u2019s Time\u2019s Arrow,<\/em> Toni Morrison\u2019s Beloved<\/em> and Wim Wenders\u2019 Wings of Desire.<\/em>\u201d 14.1 (Spr. 2003): 28-50.<\/p>\n\n\n\n

Tucker, Nicholas. \u201cKeynote Address: Diana Wynne Jones.\u201d JFA <\/em>21.2 (2010): 162-68.<\/p>\n\n\n\n

Turner, Craig. \u201cDreaming the Role: Acting and the Structure of Imagination.\u201d 7.4, 16-29.<\/p>\n\n\n\n

Tymn, Marshall B, ed. \u201cThe Year\u2019s Best Scholarship in Fantastic Literature in the Arts.\u201d 2.3, 63-128.<\/p>\n\n\n\n

Tymn, Marshall B. \u201cJournal of the Fantastic in the Arts.\u201d 1.1, 3-4.<\/p>\n\n\n\n

Tymn, Marshall B. \u201cRevisiting Doris Lessing: A Checklist of Critical Studies.\u201d 2.3, 50-62.<\/p>\n\n\n\n

U<\/strong><\/p>\n\n\n\n

V<\/strong><\/p>\n\n\n\n

Vanderploeg, Scott D. and Kenneth Phillips. \u201cPlaying with Power: The Science of Magic in Interactive Fantasy.\u201d 9.2: 142-56.<\/p>\n\n\n\n

van Elferen, Isabella. \u201cFantasy Music: Epic Soundtracks, Magical Instruments, Musical Metaphysics\u201d JFA <\/em>24.1 (2013): 4-24.<\/p>\n\n\n\n

Vaughn, Sue Fisher. \u201cThe Female Hero in Science Fiction and Fantasy: \u2018Carrier Bag\u2019 to \u2018No-Road.\u2019\u201c 4.4, 82-96.<\/p>\n\n\n\n

Vest, Jason P. Review Essay. \u201cWorldly Wise Vision Quests: Philip K. Dick\u2019s Final Journey.\u201d The Exegesis of Philip K. Dick<\/em>, by Pamela Jackson and Jonathan Lethem, eds. JFA <\/em>26.2 (2015): 353-60.<\/p>\n\n\n\n

Vinci, Tony M. \u201cMourning the Human: Working Through Trauma and the Posthuman Body in Lev Grossman\u2019s The Magicians Trilogy.\u201d JFA <\/em>28.3 (2017): 368-87.<\/p>\n\n\n\n

Vinge, Venor. \u201cWhat Future for Fantasy?\u201d JFA <\/em>19.2 (2008): 175-77.<\/p>\n\n\n\n

Vint, Sherryl. \u201cCultural Imperialism and the End of Empire in Iain M. Banks\u2019s Look to Windward<\/em>.\u201d JFA <\/em>18.1 (2007): 83-99.<\/p>\n\n\n\n

Vint, Sherryl. \u201cJoan Slonczewski: An Introduction.\u201d JFA <\/em>27.1 (2016): 18-20.<\/p>\n\n\n\n

Vint, Sherryl. \u201c\u2018Peter Straub and John Crowley in Conversation.\u2019 ICFA 26, March 18, 2005. Moderated by Gary Wolfe.\u201d JFA <\/em>16.1 (2005): 49-61.<\/p>\n\n\n\n

Vint, Sherryl. \u201cRoger Luckhurst: An Introduction.\u201d JFA <\/em>19.2 (2008): 178-80.<\/p>\n\n\n\n

W<\/strong><\/p>\n\n\n\n

Waldrop, Howard. \u201cThe JFA <\/em>Forum on SF Film.\u201d 2.2, 12-13.<\/p>\n\n\n\n

Walls, Kathryn. \u201cAn Analogous Adversary: The Old Dispensation in The Lion, The Witch and The Wardrobe<\/em>.\u201d JFA <\/em>28.2 (2017): 202-18.<\/p>\n\n\n\n

Walls, Kathryn. \u201cWhen Curiosity Gets the Better of Us: The Atomic Bomb in The Magician\u2019s Nephew<\/em>.\u201d JFA <\/em>20.3 (2009): 334-49.<\/p>\n\n\n\n

Watson, Greer. \u201cAssumptions of Reality: Low Fantasy, Magical Realism, and the Fantastic.\u201d 11.2 (2000): 164-72.<\/p>\n\n\n\n

Watson, Greer. \u201cMagic or Make-Believe? Acquiring the Conventions of Witches and Witchcraft.\u201d 6.4, 341-59.<\/p>\n\n\n\n

Watson, Greer. \u201cTertiary Reality in Children\u2019s Fantasy.\u201d JFA <\/em>14.3 (2003): 350-66.<\/p>\n\n\n\n

Weaver, Roslyn. \u201cAt the End of the World: Australian Adolescent Literature and Apocalypse.\u201d JFA <\/em>17.2 (2006): 155-68.<\/p>\n\n\n\n

Webb, Caroline. \u201c\u2018False Pretences\u2019 and the \u2018Real Show\u2019: Identity, Performance, and the Nature of Fiction in Conrad\u2019s Fate<\/em>.\u201d JFA <\/em>21.2 (2010): 221-32.<\/p>\n\n\n\n

Weese, Kathy. \u201c\u2018The Eyes in the Trees\u2019: Transculturation and Magical Realism in Barbara Kingsolver\u2019s The Poisonwood Bible<\/em>.\u201d JFA <\/em>17.1 (2006): 4-20.<\/p>\n\n\n\n

Weese, Katherine. \u201cInventing, Revising, and Reinventing Women: Feminism and the Fantastic in the Novellas of Steven Millhauser.\u201d JFA <\/em>26.2 (2015): 333-52.<\/p>\n\n\n\n

Weil, Ellen R. \u201cThe Door to Lilith\u2019s Cave: Memory and Imagination in Jane Yolen\u2019s Holocaust Novels.\u201d 5.2, 90-104.<\/p>\n\n\n\n

Weil, Ellen R. \u201cThe Ellison Personae: Author, Storyteller, Narrator.\u201d 1.3, 27-36.<\/p>\n\n\n\n

Weinstock, Jeffrey Andrew. \u201cCircumcising Dracula.\u201d 12.1, 90-112.<\/p>\n\n\n\n

Weinstock, Jeffrey Andrew.\u00a0\u201dThe Disappointed Bridge:\u00a0Textual Hauntings in Joyce\u2019s Ulysses<\/em>.\u201d\u00a08.3,\u00a0347-69.<\/p>\n\n\n\n

Weinstock, Jeffrey Andrew. \u201cIntroduction: Lovecraft Now.\u201d JFA <\/em>26.3 (2015): 444-49.<\/p>\n\n\n\n

Weinstock, Jeffrey Andrew. Review Essay, \u201cFrom the Marketplace to the Classroom: A Teratological Trio.\u201d Monsters of the Market: Zombies, Vampires, and Global Capitalism<\/em>, by David McNally; Monster Culture in the 21st Century: A Reader<\/em>, by Marina Levina and Diem-My T. Bui, eds.; Monsters<\/em>, by Brandy Ball Blake and L. Andrew Cooper, eds. JFA <\/em>27.3 (2016): 494-504.<\/p>\n\n\n\n

Weinstock, Jeffrey Andrew. Review Essay: \u201cSt. Lovecraft.\u201d Rev. of The Classic Horror Stories<\/em>, edited by Roger Luckhurst; Weird Realism: Lovecraft and Philosophy<\/em>, by Graham Harman; Slime Dynamics: Generation, Mutation, and the Creep of Life<\/em>, by Ben Woodard; New Critical Essays on H. P. Lovecraft<\/em>, edited by David Simmons; and H. P. Lovecraft\u2019s Dark Arcadia: The Satire, Symbology, and Contradiction<\/em>, by Gavin Callaghan. JFA <\/em>25.1 (2014): 107-22.<\/p>\n\n\n\n

Weiss, Allan. \u201c\u2018The True North Strong and Free\u2019: National Evolution and Race in Early English-Canadian Utopian Fiction.\u201d JFA <\/em>26.2 (2015): 292-310.<\/p>\n\n\n\n

Wenaus, Andrew. \u201c\u2018Spells Out The Word of Itself, and Then Dispelling Itself\u2019: The Chaotics of Memory and the Ghost of the Novel in Jeff Noon\u2019s Falling out of Cars<\/em>.\u201d JFA <\/em>23.2 (2012): 260\u201384.<\/p>\n\n\n\n

Wendland, Albert. \u201cTouching the Night Sky: \u2018Progressing\u2019 the Fifties in Strange Adventures and Mystery in Space.\u201d 13.4 (2003): 389-402.<\/p>\n\n\n\n

Werbeck, Kai-Uwe. \u201cThe State vs. Buttgereit and Ittenbach: Censorship and Subversion in German No-Budget Horror Film.\u201d JFA <\/em>27.3 (2016): 435-51.<\/p>\n\n\n\n

West, Richard C. \u201cHumankind and Reality: Illusion and Self-Deception in Peter S. Beagle\u2019s Fiction.\u201d 1.3, 47-54.<\/p>\n\n\n\n

West, Richard C. \u201cReview: Verlyn Flieger\u2019s A Question of Time<\/em>.\u201d 9.3: 247-53.<\/p>\n\n\n\n

Westcott, Catherine Morris. \u201cThe Parsifal Influence in the Work of Jean Deville.\u201d 3.1, 5-14.<\/p>\n\n\n\n

Wheat, David. \u201cDubya\u2019s Game: Motive Utilitarianism and the Doctrine of Preemption.\u201d JFA <\/em>17.3 (2006): 266-83.<\/p>\n\n\n\n

White, Eric. \u201cInsects and Automata in Hoffman, Balzac, Carter, and del Toro.\u201d JFA <\/em>19.3 (2008): 363-78.<\/p>\n\n\n\n

Whitlark, James. \u201cHorrifying \u2018Boredom\u2019 in Michael Crichton\u2019s Fictions.\u201d 13.3 (2003): 226-238.<\/p>\n\n\n\n

Whittingham, Elizabeth A. \u201cThe Mythology of \u2018Ainulindale\u2019: Tolkien\u2019s Creation of Hope.\u201d 9.3: 212-28.<\/p>\n\n\n\n

Wierzbicki, James. \u201cHow Frankenstein\u2019s Monster Became a Music Lover.\u201d JFA <\/em>24.2 (2013): 246-63.<\/p>\n\n\n\n

Williams, Christy. \u201cAmbiguous Villains and Fairy-Tale Monsters in Kelly Link\u2019s \u2018The Cinderella Game\u2019.\u201d JFA<\/em> 29.1 (2018): 68-85.<\/p>\n\n\n\n

Willis, Connie. \u201cDorothy Parker, Primeval, Little Nell, Robert Heinlein, Emma Thompson, Reports of My Death, Shakespeare, and Other Thoughts on Comedy.\u201d JFA <\/em>22.3 (2011): 315-21.<\/p>\n\n\n\n

Wilson, David H. \u201cThe Pathological Machine: Dark City\u2019s<\/em> translation of Schreber\u2019s Memoirs<\/em>.\u201d JFA <\/em>15.2 (2005): 153-64.<\/p>\n\n\n\n

Windling, Terri. \u201cInto the Woods: A Writer\u2019s Journey through Fairy Tale and Fantasy.\u201d JFA <\/em>28.1 (2017): 33-45.<\/p>\n\n\n\n

Winter, Jerome. \u201cQuestion and Answer for Ian McDonald.\u201d JFA <\/em>26.1 (2015): 27-36.<\/p>\n\n\n\n

Wisker, Gina. \u201cStarting Your Journey in the Past, Speculating in Time and Place: Daphne du Maurier\u2019s The House on the Strand<\/em>, \u2018Split Second,\u2019 and the Engaged Fiction of Time Travel.\u201d JFA <\/em>24.3 (2013): 467-82.<\/p>\n\n\n\n

Wolf, Tim. \u201cAdulthood\u2019s Beginning: From Centered Oneness to Centerless Manyness in Greg Bear\u2019s Forge of God<\/em> and Anvil of Stars<\/em>.\u201d 8.1, 78-98.<\/p>\n\n\n\n

Wolfe, Gary K. \u201cStasis and Chaos: Some Popular Dynamics of Popular Culture.\u201d 10.1 (Win. 1998): 4-16.<\/p>\n\n\n\n

Wolfe, Gary K. \u201cBeagle and Ellison: A Special Issue.\u201d 1.3, 3-6.<\/p>\n\n\n\n

Wolfe, Gary K. \u201cIntroduction: Fantasy as Testimony\u201d [Holocaust Issue]. 5.2, 3-10.<\/p>\n\n\n\n

Wolfe, Gary K. \u201cThe Artifact as Icon in Science Fiction.\u201d 1.1, 51-70.<\/p>\n\n\n\n

Wolfe, Gary K. \u201cConnie Willis: An Introduction.\u201d JFA <\/em>22.3 (2011): 313-14.<\/p>\n\n\n\n

Wolfe, Gary K. \u201cGuy Gavriel Kay: An Introduction.\u201d JFA <\/em>20.2 (2009): 238\u201339.<\/p>\n\n\n\n

Wolfe, Gary K. and Beamer, Amelia. \u201cPeter Straub and Transcendental Horror.\u201d JFA <\/em>18.2 (2007): 217-31.<\/p>\n\n\n\n

Wolfe, Graham. \u201cShapeshifting in Caryl Churchill\u2019s The Skriker<\/em>.\u201d JFA <\/em>22.2 (2011): 234-56.<\/p>\n\n\n\n

Wolfe, Graham. \u201cStaging Everyday Ghosts: Conor McPherson\u2019s Shining City<\/em>.\u201d JFA <\/em>24.2 (2013): 188-210.<\/p>\n\n\n\n

Worley, Lloyd. \u201cLoving Death: The Meaning of Male Impotence in Vampire Literature.\u201d 2.1, 25-36.<\/p>\n\n\n\n

Wright, Laura. \u201cPost-Vampire: The Politics of Drinking Humans and Animals in Buffy the Vampire Slayer<\/em>, Twilight<\/em>, and True Blood<\/em>.\u201d JFA <\/em>25.2-3 (2014): 376-94. [347-65]<\/p>\n\n\n\n

Wymer, Rowland. \u201cScience, Religion and Magic in James Blish\u2019s \u2018After Such Knowledge\u2019 Sequence.\u201d JFA <\/em>24.1 (2013): 25-40.<\/p>\n\n\n\n

X<\/strong><\/p>\n\n\n\n

Y<\/strong><\/p>\n\n\n\n

Yarrow, Ralph. \u201cPutting a Red Nose on the Text: Play and Performance in the Postmodern Fantastic.\u201d 1.4, 19-28.<\/p>\n\n\n\n

Yeates, Robert. \u201cGender and Ethnicity in Post-Apocalyptic Suburbia.\u201d JFA<\/em> 27.3 (2016): 411-34.<\/p>\n\n\n\n

Yep, Laurence. \u201cDragons I Have Known and Loved.\u201d JFA <\/em>21.3 (2010): 386-93.<\/p>\n\n\n\n

Yin, Philippa B., \u201cStructural and Psychological Aspects of the Spider Woman Symbol in Kiss of the Spider Woman<\/em>,\u201d 1.2, 65-82.<\/p>\n\n\n\n

Yogev, Michael P. \u201cThe Fantastic in Holocaust Literature: Writing and Unwriting the Unbearable.\u201d 5.2, 32-48.<\/p>\n\n\n\n

Yoke, Carl B. \u201cCritics in the Gulag.\u201d 1.2, 3-4.<\/p>\n\n\n\n

Yoke, Carl B. \u201cCub Scouts Don\u2019t Have Heavy Artillery.\u201d 2.4, 2-5.<\/p>\n\n\n\n

Yoke, Carl B. \u201cDid You Know that Paul McCartney Had a Band Before Wings<\/em>?\u201d 3.2, 2-4.<\/p>\n\n\n\n

Yoke, Carl B. \u201cHow Do You Get Into this Line of Work, Mister Buonarroti?\u201d 3.4, 80-83.<\/p>\n\n\n\n

Yoke, Carl B. \u201cIntroduction: Mirror, Mirror on the Wall.\u201d 9.2: 87-92.<\/p>\n\n\n\n

Yoke, Carl B. \u201cPhoenix Rising: Like Dracula from the Grave.\u201d 2.1, 2-3.<\/p>\n\n\n\n

Yoke, Carl B. \u201cPoof! Now You See Me, Now You Don\u2019t.\u201d 4.2, 2-7.<\/p>\n\n\n\n

Yoke, Carl B. \u201cSlaying the Dragon Within: Andre Norton\u2019s Female Heros.\u201d 4.3, 79-92.<\/p>\n\n\n\n

Yoke, Carl B. \u201cWithin a Circle of Silver.\u201d 4.1, 3-6.<\/p>\n\n\n\n

Yolen, Jane. \u201cForeword: The Rumpelstiltskin Factor.\u201d 5.2, 11-13.<\/p>\n\n\n\n

Young, Helen. \u201cDiversity and Difference: Cosmopolitanism and The Lord of the Rings<\/em>.\u201d JFA <\/em>21.3 (2010): 351\u201365.<\/p>\n\n\n\n

Young, Joseph. \u201cThe American Pratchett? Muck and Modality in George R.R. Martin\u2019s Song of Ice and Fire.\u201d JFA<\/em> 27.2 (2016): 290-308.<\/p>\n\n\n\n

Yuan, Yuan. \u201cIntroduction: Dream and Narrative Space.\u201d 7.4, 1-3.<\/p>\n\n\n\n

Yunis, Susan and Tammy Ostrander. \u201cTales your Mother Never Told You: Aliens<\/em> and the Horrors of Motherhood.\u201d 14.1 (Spr. 2003): 68-76.<\/p>\n\n\n\n

Z<\/strong><\/p>\n\n\n\n

Zanger, Jules. \u201cThe City from the Inside: Poe\u2019s Urban Fiction.\u201d 3.2, 29-36.<\/p>\n\n\n\n

Zanger, Jules. \u201cThe Last of the Just<\/em>: Lifting Moloch to Heaven.\u201d 5.2, 49-59.<\/p>\n\n\n\n

Zebrowski, George. \u201cThe JFA<\/em> Forum on SF Film.\u201d 2.2, 23-24.<\/p>\n\n\n\n

Zhu, Jianjiong. \u201cReality, Fiction, and Wu<\/em> in The Man in the High Castle<\/em>.\u201d 5.3, 36-45.<\/p>\n\n\n\n

Zipes, Jack. \u201cThe Contamination of the Fairy Tale, or the Changing Nature of the Grimms\u2019 Fairy Tales.\u201d 11.1 (2000): 77-93.<\/p>\n\n\n\n

Zipes, Jack. \u201cRecent Trends in the Contemporary American Fairy Tale.\u201d 5.1, 13-41.<\/p>\n","protected":false},"excerpt":{"rendered":"

Journal of the Fantastic in the Arts Author Index The following is a comprehensive index, sorted by author, of volumes 1.1 through 29.3 # A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # A \u201cA Conversation about […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":89,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-106","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages\/106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":10,"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages\/106\/revisions"}],"predecessor-version":[{"id":1788,"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages\/106\/revisions\/1788"}],"up":[{"embeddable":true,"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/pages\/89"}],"wp:attachment":[{"href":"http:\/\/www.fantastic-arts.org\/jfa\/wp-json\/wp\/v2\/media?parent=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}