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Please join us in Orlando, Florida, March 18-22, 2020 for the 41st International Conference for the Fantastic in the Arts (ICFA) when our theme will be “Climate Change and the Anthropocene.”

Since the turn of the millennium, the term Anthropocene has been widely popularized to describe the massive changes humanity has inflicted upon the planet through our technologies and ways of living—influences so substantial that some believe we have entered into a new geological epoch. Climate change, and its related crises of ecological damage, forced migrations as weather and arable land shift, and mass extinctions of nonhuman species, are imaginative and materially entwined. Climate change asks us to think in spatial and temporal scales that exceed human lifetimes and perceptions, while the concept of the Anthropocene encourages us to think in global, perhaps cosmic registers about humanity’s pasts and possible futures.

Amitov Ghosh suggests in The Great Derangement (2017) that among the difficulties of confronting climate change is the fact that it is “unthinkable” via the conventions of realist fiction. Taking our cue from Ursula K. Le Guin’s phrase “realists of a larger reality” in her acceptance speech for the Medal for Distinguished Contributions to American Letters, ICFA 41 will explore the power of fantastic genres to make climate change and other crises of the Anthropocene visible and intelligible. How have fantastic genres helped us represent and respond to this reality? How might these genres offer us new ways for thinking about humanity, our planet, and the complex entanglements between them? How might we reimagine ourselves and the future in the face of climate change? We welcome papers, creative works, and panel discussions addressing these and related questions across any genre, every language, and across all media of the fantastic.

Possible topics might include, but are not limited to:
• Texts engaging questions of eco-horror aesthetics and themes
• Fantastic texts by that explore Indigenous worldviews on ecology
• Analyses of how specific motifs or themes emerge and change with time, such as climate-driven apocalypse or images of urban worlds
• Texts that imagine innovative technologies and/or new lifeways that offer new patterns for human habitation
• Texts or other media that interrogate questions of ontology, especially humanity’s relationship with other life
• Engagements with alternative terms used to frame our present era—Donna Haraway’s Cthulhucene, Jason Moore’s Capitalocene, and the like
• Work emerging from ecocritical frameworks and methodologies
• Work emerging from posthumanist frameworks and methodologies, especially human-animal studies
• Work emerging from environmental humanities and petrocultures frameworks and methodologies
• Dystopian and/or utopian responses to climate change
• YA and children’s literature and its distinct strategies for representing climate change
• Work on significant authors of ecologically themed works, such as Kim Stanley Robinson or N.K. Jemisin or the subgenre solarpunk
• Analyses of texts or other media that question the human/animal boundary
• The role of fantastic texts in offering new theoretical rubrics for thinking about climate change and the Anthropocene

The conference will feature Guest Scholar Stacy Alaimo (University of Texas at Arlington) and Guest of Honor Jeff VanderMeer. We encourage proposals that engage the work of these two distinguished guests.

Please submit proposals via the International Association for the Fantastic in the Arts Portal (https://www.fantastic-arts.org/icfa-submissions/) by October 31, 2019. Further instructions regarding submissions are available at this link, including instructions regarding IAFA’s Division Structure and Division Head contact information where questions may be sent.

Dear IAFA members:

I write with the good news that the Orlando Airport Lakeside Marriott will continue to be our ICFA home through 2024–the contracts have been signed, sealed, and delivered! We have very favorable rates for guest rooms and food and the per-meal cost is frozen for all three years of the contract. The Board thanks our indefatigable Conference Chair Jeri Zulli for doing the negotiating work previously done by two people.

Please note the dates:

2022 16-19 March

2023 15-18 March

2024 13-16 March

The room rates will be:

2022: $149 per night

2023 $151

2024 $153

In other good news, I’ve spoken with a group at the University of Glasgow about a collaborative, co-sponsored conference there, as they are forming a Centre for the Study of the Fantastic, and their response was very enthusiastic (as was their Dean’s, who expressed willingness to support it economically). I also approached the President of our sister organization, Gesellschaft für Fantastikforschung about this possibility, and he will be discussing it with their Board.

My best wishes to all

Dale Knickerbocker
President, International Association for the Fantastic in the Arts

Call for Submissions: 2020 Jamie Bishop Memorial Award

The International Association for the Fantastic in the Arts announces its 14th annual Jamie Bishop Memorial Award for a critical essay on the fantastic originally written in a language other than English.

The IAFA defines the fantastic to include science fiction, folklore, and related genres in literature, drama, film, art and graphic design, and related disciplines. For more information regarding the Bishop Award and a list of past winners, see https://www.fantastic-arts.org/awards/jamie-bishop-memorial-award/ .

Submission criteria:

Essays should be of high scholarly quality, as if for publication in an academic journal.

We consider essays from 3,000–10,000 words in length (including notes and bibliography).

Essays may be unpublished scholarship submitted by the author, or already published work nominated either by the author or another scholar (in which case the author’s permission should be obtained before submission).

Essays must have been written and (when applicable) published in the original language within the last three years prior to submission.

An abstract in English and an English translation of the essay’s title must accompany all submissions.

Only one essay per designated author(s) may be submitted each year.

Submissions must be made electronically in .pdf or Microsoft Word format (.doc, .docx), to the email address noted below.

Deadline for receipt of submissions: October 15, 2019. Essays may be submitted prior to the deadline.

The winner of this year’s Bishop Award will be announced at the 41st International Conference on the Fantastic in the Arts, to be held in Orlando, Florida (USA) March 18–21, 2020.

Prize: $250 US and one year’s free membership in the IAFA. Winning essays may be posted on the IAFA website in the original language and/or considered for publication in the Journal of the Fantastic in the Arts (http://www.fantastic-arts.org/jfa/) should they be translated into English.

Please direct all inquiries and submissions to:

Terry Harpold

iafa.bishopaward@fantastic-arts.org

The International Association for the Fantastic in the Arts is excited to announce the Imagining Indigenous Futurisms Award now has a new home at the International Conference for the Fantastic in the Arts! Starting in 2020, The Imagining Indigenous Futurisms Award will be presented at the ICFA Awards Banquet!

The IAFA Imagining Indigenous Futurisms Award recognizes emerging authors who use science fiction to address issues of Indigenous sovereignty and self-determination. Writers should submit a 200-word statement with background and goals in sf and an unpublished writing sample of up to 4,000 words addressing Indigenous perspectives to Professor Grace L. Dillon (Anishinaabe) at dillong@pdx.edu. In its 10th year, the IIF Award offers a $1,000 award and is judged by a prominent sf author.

Deadline: November 1, 2019

ICFA 40 STATS

ICFA 40 “Politics and Conflict” saw about 480 attendees. About 210 people attended the banquet. About 285 people delivered papers or presented on a panel. A total of 95 attendees were invited creatives (authors, editors, artists). Thanks to all for their contributions!

MARK YOUR CALENDAR

ICFA 41 “Climate Change and the Anthropocene” will be March 18–21, 2020. The guest author is Jeff VanderMeer, and the guest scholar is ecocritic Stacey Alaimo (University of Texas at Arlington). Abstract submission and conference registration will open on September 1, 2019. Abstract close date is, as always, on Halloween—October 31, 2019.

BOARD MEETING MINUTES

Interested in what goes down at the board meetings? The minutes may be viewed here: https://www.fantastic-arts.org/about/governance/minutes/

SCHED

The Sched app was a hit—so much so, in fact, that we have decided in future to stop printing the pocket program. Special thanks to Mike Smith for inputting all the data and keeping it up to date during the convention, and to those who tested the app before wide release.

LET’S TALK ABOUT MOVING

The ICFA 41 meeting regarding site options was well attended. Thanks to all who came, and thanks to those who raised important questions about representation. Your voices are important, and we want to hear them. Previously we sent the IAFA membership a survey to open a discussion about venue. In short, costs are going to go up. We wanted to know how this would affect attendance. The initial survey revealed that cost was the primary concern. With that in mind, we have explored various options, including moving the venue to another city altogether, including consideration of sites outside the United States.

We are contracted to the current Marriott property through 2021. Therefore, discussions about the future are for 2022 forward.

We also remind the membership that we save money by negotiating multiyear contracts; by owning our own AV equipment; and by having the ability to maintain a book room, which would be prohibitively expensive to move to another country. Previous feedback has indicated that ICFA attendees strongly feel that the book room adds great value to the convention experience.

Below please find a note from the president. Please see a copy of this message with link to a brief new survey in the email address associated with your IAFA Registration. The survey asks you to select among various options to help us plan future conventions.

A NOTE FROM IAFA PRESIDENT DALE KNICKERBOCKER

I write to you on behalf of the IAFA board with an update concerning the site of future conferences. Researching venues for our conference is a complicated and time-consuming endeavor, and we have been fortunate to have had Donald Morse take care of this for so many years. In the past, the IAFA has been successful in keeping costs down by negotiating long-term relationships with hotels. Unless there were problems with the venue or management, boards past have simply continued to negotiate the best rate to stay at the property. A deteriorating relationship with the hotel is why we moved from Fort Lauderdale to Orlando; we did not contemplate another move until it became clear we might be facing a similar situation at the new property. When we found out last summer that the hotel’s new owners were considering drastically raising prices, we had a lot of work to do in very little time, and our first move was to consult the membership at a point when we still had very little information to share. Fortunately, by looking elsewhere, we have received an offer from the Marriott that is much more favorable than their initial one. We must accept or refuse by the end of the June board meeting. Nonetheless, we are still considering a variety of options, and we seek further input from you.

We are still researching other North American venues, including the Rosen Plaza in Orlando (https://www.rosenplaza.com/), and we are sending a representative to negotiate with two properties in Toronto later this month. They are the Delta Hotels Toronto Airport and Conference Centre (https://www.marriott.com/hotels/travel/yyzda-delta-hotels-toronto-airport-and-conference-centre/) and the Sheraton Centre Toronto Hotel (https://www.marriott.com/hotels/travel/yyztc-sheraton-centre-toronto-hotel/). Both are Marriott properties. Unfortunately, waiting for a solid offer from them would not give us time to consult the membership before the June 7–9, 2019, board meeting. Below please find a link to the survey asking for your opinion regarding under what situations you would favor a move, and where.

Please keep in mind that the board must consider the effect of a conference move on all our members. Travel costs have a particularly harsh effect on graduate students, authors (who generally do not enjoy institutional support), and adjunct faculty. One of the things that makes the ICFA different is the presence of both creators and scholars. Graduate students are our future, and we’ve always taken great pride in welcoming and mentoring them as many of us were welcomed and mentored. And all too many academics are underemployed and exploited, as you well know. There are many other factors we must consider as well—not only costs to members but also costs to the organization, as well as the effect on the conference culture if it were too expensive to move the books and maintain a bookstore, or if there were no comfortable outdoor space.

The board has also discussed non–North American venues for future conferences. One exciting option we are looking into is authorizing comity conferences, where we could partner with and support a local group or institution, such as our sister organization, Gesellschaft für Fantastikforschung (GFF; http://www.fantastikforschung.de/), in organizing a conference at a time of their choosing. The IAFA could contribute some seed money, advice, internet and database support, and the presence of an official from IAFA’s board. This would be in addition to our usual conference. The local group would do the organizing and would take all legal and financial responsibility.

Of course, all future options are on the table, including moving the conference outside of North America for a year, and even a possible rotation if that is successful, and the board will consider any proposal put forth by any party. However, it is necessary that everyone understand that board members are all volunteers who have full-time jobs or are full-time students. None of us has the time to research and negotiate with an unlimited number of venues. Moreover, negotiating successfully in other cultures is different, even if negotiations are conducted in English. Perhaps most important, we cannot be responsible for signing contracts within a legal system with which we are unacquainted. No one on the board has such experience. For such a venue to be considered, we would need a local group to come forward and do the research necessary so that the board can present the facts to the membership and make an informed decision. I would be happy to provide a list of the information we’d need to any group interested in proposing a site (email me at iafa.president AT fantastic-arts.org).

We would appreciate it if you take the time to answer the survey and make your opinion known. Many thanks for your attention and patience during this process.

SURVEY 

The survey (estimated time to complete: 2 minutes) is in the email account associated with your IAFA Registration. 

The survey closes on May 24, 2019. For context, be sure you read Dale’s remarks before you take the survey!

The survey has places for comments, but if you want to reach out to Dale directly, the email is iafa.president AT fantastic-arts.org. You can also reply to this email (iafareg AT gmail.com), and I will forward remarks to Dale.

THANK YOU for your support of the organization!

Karen Hellekson

IAFA Membership and Registration Coordinator

iafareg AT gmail.com

The International Association for the Fantastic in the Arts is accepting applications for the position of Division Head of the Gothic and Horror (GAH) Division. (Please see division description below.)

Division Heads are appointed by the President, on the recommendation of the First Vice-President, who chairs the Council of Division Heads, after formal discussion and majority vote of the Board. The term is for three years. The GAH Division Head will begin immediately without a shadow year.

Each Division Head organizes and supervises all conference activity within a subdivision of fantastic scholarship. Division Heads work under the guidance of the First Vice-President. Division Heads are responsible for recruiting session proposals and papers and are responsible for formatting these to the requirements of the First Vice-President. Division Heads are responsible for forwarding all information to the First Vice-President in a timely fashion. Division Heads have the responsibility to check the draft program for accuracy and AV needs. Division Heads are expected to liaise with other Division Heads and the First Vice-President. The First Vice-President is the final arbiter of the program under the aegis of the Executive Board. At the conference the Division Heads oversee sessions in their respective Divisions and collect suggestions for future topics, special guests, etc.

Those interested in applying must send a cover letter explaining their interest in and qualifications for the position, and a current CV, to the First Vice-President, Valorie Ebert at iafa.1vp@fantastic-arts.org, no later than 20 May 2019.

Division description:
The Gothic and Horror Literature division focuses not only on Gothic and Horror as often-overlapping literary modes, but also on closely related modes including the Grotesque and the Weird. Papers may explore any aspect of literary horror (including but not limited to body horror, psychological horror, philosophical horror, or folk horror) including the evolution, cultural significance, and theory of horror. Papers exploring related topics, such as the role of the supernatural, the sublime, monstrosity, or affects including horror, terror, dread or anxiety, as well as interconnections between horror literature and other media, including film, comics and games, are also welcome.

Ana Maria Curtis Named 2019 Dell Magazines Award Winner

The International Association for the Fantastic in the Arts and Asimov’s Science Fiction magazine have named Ana Maria Curtis of Swarthmore College the winner of the 2019 Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing, for the story, “Military Sunset.”

First Runner-up for the 2019 award is Cody D. Campbell of Oregon State University for the story, “Crossing Over.”

Second Runner-up for the 2019 award is Wenmimareba Klobah Collins of the University of Puerto Rico – Rio Piedras Campus for the story, “Unexplained Phenomena.”

Third Runner-up for the 2019 award is Joseph O’Connor of Florida Gulf Coast University for the story, “Music in the Other Room.”

Honorable Mentions for the 2019 award go to Emmalee Gagnon from Arcadia University for the story “Say Her Name,” Josephine Su from the University of Alberta for the story “The Gilding of the Stray,” Claire Spaulding of Columbia University for the story “Baucis,” and Arthur Davis of Swarthmore College for the story “Gawain.”

Curtis attended the annual International Conference on the Fantastic in the Arts, March 13-16, 2019, to receive the award plaque and a check for $500 from Sheila Williams, Editor of Asimov’s Science Fiction magazine during the conference awards banquet. Collins, Spaulding and Davis also attended the conference and received their certificate awards from Williams during the awards banquet.

Also in attendance as part of the celebration of the Dell Award’s twenty-fifth year of recognizing and celebrating the best in undergraduate writing in science fiction and fantasy was the first winner of the award, Eric Choi, Canadian aerospace engineer and science-fiction and fantasy writer and editor, who won the 1994 award for the story, “Dedication,” which he wrote as an undergraduate at the University of Toronto.

The deadline for submissions for the 2020 Dell Magazines Award is 11:59 p.m. on January 7, 2020. Submissions should be made through the award’s website at www.dellaward.com. The award also has a site on Facebook. For more information or submission guidelines contact Award Director Dr. Rick Wilber (Rickwilber@tampabay.rr.com) or see the magazine’s website.

The International Association for the Fantastic in the Arts is a worldwide network of scholars, educators, writers, artists, filmmakers, critics, editors, publishers, and performers who
share an interest in studying and celebrating the fantastic in all artforms, disciplines and media: literature, art, film, drama, music, philosophy, religion, the sciences, popular culture, and interdisciplinary areas. IAFA publishes an interdisciplinary quarterly, Journal of the Fantastic in the Arts, the IAFA Newsletter, and an annual IAFA Membership Directory. IAFA also sponsors and organizes the annual International Conference on the Fantastic in the Arts (ICFA), which hosts the world’s broadest and largest selection of scholarly papers on the fantastic and has become the major forum for the exchange of ideas and dissemination of scholarship on the
fantastic.

The Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing is co-sponsored by Asimov’s Science Fiction magazine and the International Association for the Fantastic in the Arts and supported by Western Colorado University’s Graduate Program in Creative Writing, Low-Residency MA and MFA, Genre Fiction Concentration.

ICFA 40 “Politics and Conflict”

When: March 13–16, 2019

Where: Marriott Orlando Airport Hotel, Orlando, Florida, USA

Guest Scholar: Mark Bould (University of the West of England)

Guest Author: G. Willow Wilson (Ms. Marvel, Alif the Unseen)

SEE YOU SOON

Thanks for registering for ICFA 40! Are you somehow unable to make it? Please let me know so I can inform any relevant people and ensure your attendance is canceled in the computer system. We don’t give refunds this late but rather will credit you; you must use the credit within 2 years.

WE HAVE AN APP FOR THAT

ICFA 40 is available to registered attendees via the Sched app! Although we have hard-copy schedules in both long and short forms for your use, the app will be continuously updated and therefore will be the most correct.

You can access Sched in both a web browser and through the app. You will need a password for either one. Please see the email account linked to your IAFA membership for the password.

In a web browser…

Website: https://icfa40politicsandconflict20.sched.com/
You will now be able to see a schedule of sessions, which you can filter.
From Schedule, you have several other options. Click around and have fun!

In the Sched app…

Download the app to your phone.
At the search prompt, type “icfa” and you should see the ICFA40 conference, which you must select.
The app view of sessions is like the pocket program. It is not as detailed as the web browser view.
If you have created an account, you can add and remove sessions from your personal schedule through the app. We encourage you to add a headshot to your profile.

IMPORTANT NOTES

View ICFA’s Accessibility Policy: http://www.fantastic-arts.org/2016/icfa-accessibility-policy/

Please note that the hotel’s airport shuttle is not handicapped accessible.

We sent out a survey regarding the future of the conference, particularly in regard to cost and travel-related challenges. We want to hear your voice. Please plan to attend an important business meeting to discuss this topic on Thursday, March 14, 2019, at 6p in Captiva.

Highly collectible merch featuring this year’s artwork will be available for purchase at the Registration desk. Meal tickets will be available for purchase until sold out ($48 for the luncheons and $65 for the banquet). Outstanding membership and registration fees must be paid before you can get your packet. The Reg desk accepts cash, checks, and credit cards (but cannot take AmEx on site).

This year’s hashtag is #ICFA40.

REMEMBER TO BRING…

Your stylish IAFA badge holder. (If you don’t yet have one, they are available for purchase on site for $5.) Pro tip: put it in your luggage and leave it there at all times.
Your computer dongle if you are using AV.
Your call for papers, graduate program description, or other handout you wish to target to this specialized audience. A table is set aside for these handouts. Pro tip: People have stopped taking handouts in favor of photographing them on their phones. Design accordingly!

SOCIAL MEDIA
IAFA Listserv: http://lists.iafa.org/listinfo.cgi/iafa-l-iafa.org
IAFA on Facebook: https://www.facebook.com/FantasticArts/?fref=ts
IAFA on Twitter: https://twitter.com/iafa_tw?lang=en
Student Caucus (SCIAFA) on Facebook: https://www.facebook.com/groups/833849033305627/

I’m on site already, so if you get here early, ping me if you like, although warning! you may be pressed into service. See you soon!

Karen Hellekson, IAFA Registrar (iafareg AT gmail.com)

Please join us for this year’s IAFA Business Meeting on Thursday, March 14th at 6:00 PM in Captiva. Concerns about costs and travel-related challenges have us concerned about the future of ICFA. Come discuss the survey results and the options moving forward for the future of our conference.

We look forward to seeing you in Orlando!

This year’s hashtag is #ICFA40
IAFA Listserv: http://lists.iafa.org/listinfo.cgi/iafa-l-iafa.org
IAFA on Facebook: https://www.facebook.com/FantasticArts/?fref=ts
IAFA on Twitter: https://twitter.com/iafa_tw?lang=en
Student Caucus (SCIAFA) on Facebook: https://www.facebook.com/groups/833849033305627/

ICFA 40 “Politics and Conflict”

When: March 13–16, 2019

Where: Marriott Orlando Airport Hotel, Orlando, Florida, USA

Guest Scholar: Mark Bould (University of the West of England)

Guest Author: G. Willow Wilson (Ms. Marvel, Alif the Unseen)

REGISTRATION IS CLOSED

On-site registration is $165 for nonstudents, $110 for students.

Attendees are now on their own for finding hotel rooms, as the conference hotel is sold out and the overflow hotel’s rate has expired.

The final program is online: https://www.fantastic-arts.org/wp-content/uploads/2019/02/ICFA-40-program_Feb21.pdf

IMPORTANT NOTES

View ICFA’s Accessibility Policy: http://www.fantastic-arts.org/2016/icfa-accessibility-policy/

Please note that the hotel’s airport shuttle is not handicapped accessible.

Highly collectible merch (T-shirts and totes) featuring this year’s artwork will be available for purchase at the Registration desk. Meal tickets will be available for purchase until sold out ($48 for the luncheons and $65 for the banquet). In addition, outstanding membership and registration fees must be paid before you can get your packet. The Reg desk accepts cash, checks, and credit cards (but cannot take AmEx on site).

This year’s hashtag is #ICFA40.

REMEMBER TO BRING…

Your stylish IAFA badge holder. (If you don’t yet have one, they are available for purchase on site for $5.) Pro tip: put it in your luggage and leave it there at all times.
Your computer dongle if you are using AV.

VOLUNTEERING

It’s not too late! The Registration and AV areas are still welcoming volunteer help. IAFA Bucks at a rate of $10 an hour will be provided. These may be used for merch and meal tickets at this year’s convention, or they may be held and put toward next year’s registration. IAFA Bucks may not be used in the Book Room. Sign up here: https://drive.google.com/open?id=1q19mG_IL7ezdXmrzd-RCIF2ELla-9w3o-FpiLnskJow

STUDENT CAUCUS

SCIAFA is offering a job materials review workshop; is recruiting mentors and mentees for its mentorship program; and is offering its paper publishing workshop (no need to sign up; show up with a paper in progress), conducted this year by Rachel Haywood Ferreira. More info here: https://www.fantastic-arts.org/2019/icfa-40-student-caucus-updates/

SOCIAL MEDIA

IAFA Listserv: http://lists.iafa.org/listinfo.cgi/iafa-l-iafa.org
IAFA on Facebook: https://www.facebook.com/FantasticArts/?fref=ts
IAFA on Twitter: https://twitter.com/iafa_tw?lang=en
Student Caucus (SCIAFA) on Facebook: https://www.facebook.com/groups/833849033305627/

See you soon!

Karen Hellekson, IAFA Registrar (iafareg AT gmail.com)