Penny Dreadful, Gothic Reimagining and Neo-Victorianism in Modern Television
It’s been less than a year since Penny Dreadful ended dramatically in its third season, but this week brings the announcement of a collection of academic essays dedicated to the show. Edited by Manchester Metropolitan University‘s Jon Greenaway and Stephanie Reid, the collection looks to explore the show’s Gothic and Victorian heritage, as well as its contemporary contexts.
If you’re working on Penny Dreadful, do consider submitting an abstract to Penny Dreadful: Gothic Reimagining and Neo-Victorianism in Modern Television. The deadline is 15 May.
Penny Dreadful (2014-2016) has become one of the most critically well-regarded shows of the post-millennial Gothic television revival, drawing explicitly on classic tropes, texts and characters throughout its three-season run. However, despite the show’s critical success and cult following, a substantive academic examination of the show has yet to be undertaken.
This edited collection seeks to address the current lack within Gothic studies scholarship, and situate Penny Dreadful as a key contemporary Gothic television text. This collection will seek to trace the link between the continued expansion of Gothic television, alongside the popular engagement with Neo-Victorianism. In addition, the collection seeks to examine notions around the aesthetic importance of contemporary Gothic that become particularly prominent against the narrative re-imaginings that occur within Penny Dreadful. This collection explores exactly where Gothic resides within this reflexive, hybridized and intertextual work; in the bodies, the stories, the history, the styling, or somewhere else entirely?
Possible contributions could include, but are no means limited to the following:
Gothic adaptation and/or appropriation?
Pastiche and parody and Gothic aesthetics
‘Global Gothic’ in the sense of its commercialisation
Neo-Victorianism (styling, politics, economics); as well as explorations of the impact of ‘historicizing’ Gothic
Representation of gender within the text, specifically female monstrosity
The Post/Colonial context, as well racialized characterisation and presentation
The reworking/restyling of monsters in contemporary Gothic
Consideration of a ‘Romance’ aesthetic and how this alters conceptions of ‘Gothic’ texts and the influence of ‘romantic’ themes/styles in contemporary Gothic
What the proposal should include:
An extended abstract of 500 words (for a 6,000-word chapter) including a proposed chapter title, a clear theoretical approach and reference to some relevant sources.
Please also provide your contact information, institutional affiliation, and a short biography.
Abstracts should be sent as a word document attachment to email@example.com or firstname.lastname@example.org by no later than May 15th 2017 with the subject line, “Penny Dreadful Abstract Submission.”
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